Consistent with the podcast’s focus on the life lessons that learning to play music teaches, Kevin and Mike talk about musical conversation, that is, how musicians playing together collaborate, listening to each other and accommodating each other’s playing, to create better music.

Whether you’re a youngster who wants to learn how to play an instrument, or a parent who recognizes the value of music in their child’s education, or an adult who has never played but wants to learn how, it’s never too early or too late to start. Kevin shares insights on how to get started from his three decades of teaching young and adult students.

People who make their living playing music typically do a lot of travelling. While some might have a house gig in their hometown, most find themselves in venues that take them to different parts of their country and even around the world. Those experiences—that breadth of experience—combine to be one of the great benefits of life as a musician.

From Bill Evans to Oscar Peterson to Ahmad Jamal to Charlie Parker to John Coltrane to Miles Davis, and on and on, each of the great players is distinguished by their own unique style. In this podcast, Kevin talks about the some of those legends and how they expressed themselves, and he and Mike discuss the importance of individualistic expression—that is, to perform from your heart—to all music.

The song from Babes in Arms, a 1937 musical by Richard Rodgers and Lorenzo Hart, has been recorded more than 1300 times by more than 600 artists. The song continues to receive mixed reviews from musicians and music critics, but it has been a favorite of artists from Frank Sinatra to Sarah Vaughan to jazz trumpeter/vocalist Chet Baker, whose recording of it is enshrined. The podcast delivers some interesting takes on the history of the tune, some of the recordings, and the song itself. 

So many great musicians are also dedicated teachers. They love passing along their knowledge and inspiring others, getting them excited about the things they’re excited about, infecting them with love for what they’re doing, and how exciting it is to make music with other people. It is the jazz teaching tradition at its best: “Each one, teach one.”

Most great jazz musicians were trained in classical music. So do you need to learn classical music first before you can play jazz? Or is playing jazz about learning shapes and harmony, technique and structures, the things required to play any music well. There shouldn’t be a separation between classical and jazz; the creation and performance of music is the same regardless of the genre. Classical Music’s role for jazz musicians is in its long tradition of attempts at solving technical issues; it is a great resource for jazz musicians.

As avid readers, we have our favorite books about music and musicians. We discuss a few here in some detail in hopes they might be of interest to you. If you have others you like, let us know at musiclifeandtimes.com > contact us, and we’ll share them in a future podcast.