Journalist, party girl, bookworm, artist, muse: By the time she'd hit 30, Eve Babitz had played all of these roles. She was immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha's Five 1965 Girlfriends, and Babitz's first book showed her to be a razor-sharp writer with tales of her own. Eve's Hollywood is an album of vivid snapshots of Southern California's haute bohemians, of outrageously beautiful high school ingenues and enviably tattooed Chicanas, of rock stars sleeping it off at the Chateau Marmont.

Los Angeles in the 1960s and '70s was the pop cultural capital of the world - a movie factory, a music factory, a dream factory. Eve Babitz was the ultimate factory girl, a pure product of LA. The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Babitz posed in 1963, at age 20, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph, cheesecake with a Dadaist twist, made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety.

First published in 1979, Joan Didion's The White Album records indelibly the upheavals and aftermaths of the 1960s. Examining key events, figures, and trends of the era—including Charles Manson, the Black Panthers, and the shopping mall—through the lens of her own spiritual confusion, Joan Didion helped to define mass culture as we now understand it. Written with a commanding sureness of tone and linguistic precision, The White Album is a central text of American reportage and a classic of American autobiography.

A ruthless dissection of American life in the late 1960s, Joan Didion's Play It as It Lays captures the mood of an entire generation, the ennui of contemporary society reflected in spare prose that blisters and haunts the listener. Set in a place beyond good and evil—literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul—it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis.

More than perhaps any other book, this collection by one of the most distinctive prose stylists of our era captures the unique time and place of Joan Didion’s focus, exploring subjects such as John Wayne and Howard Hughes, growing up in California and the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco’s Haight-Ashbury, the heart of the counterculture.

Eve Babitz knew everyone, tried everything (at least once), and was never shy about sharing her thoughts on any subject, be it sex, weight loss, drug use, or her ambivalence toward New York City. From the 1970s through the 1990s, Babitz wrote on a wild variety of topics for some of the biggest publications around, from Esquire to Vogue to The New York Times Book Review. I Used to Be Charming brings together this nonfiction work.

L.A. Woman is quintessential Babitz, the story of Sophie, a 20-something blonde Jim Morrison groupie gliding through a golden existence in L.A.; and Lola, a German immigrant who settles in Hollywood in the '20s to drive Pierce Arrows recklessly down Sunset Boulevard and who knows that Maybelline mascara cakes and that Rudolph Valentino is the essence of life. Sophie and Lola, like the many other women who move in and out of this electric saga, know that while L.A. is constantly changing, it is essentially eternal.

Joyce Carol Oates called Joan Didion "an articulate witness to the most stubborn and intractable truths of our time." Ms. Didion is the author of the novels Play It as It Lays and The Last Thing He Wanted, the essay collections Slouching Toward Bethlehem and The White Album, and the memoirs Where I Was From and The Year of Magical Thinking.

A collection of original short stories offers an intimate and dark portrait of life in the United States as they journey through California seeking answers to our changing world, dealing with such topics as jealousy, AIDS, sex, and Jim Morrison. A new reissue of Babitz’s collection of nine stories that look back on the 1980s and early 1990s - decades of dreams, drink, and glimpses of a changing world. Black Swans further celebrates the phenomenon of Eve Babitz, cementing her reputation as the voice of a generation.

The youngest daughter of a rock star father and clothing designer mother, Lola and her siblings (including actress Jemima and celebrity doula Domino), spent their childhoods freshly plucked from their English heritage in an eclectic West Village brownstone, hosting everyone from Cuban exiles to Courtney Love. But behind the enviable exterior of worldly coolness, was a home in disarray.

From one of our most iconic and influential writers, the award-winning author of The Year of Magical Thinking: a timeless collection of mostly early pieces that reveal what would become Joan Didion's subjects, including the press, politics, California robber barons, women, and her own self-doubt. With a forward by Hilton Als, these 12 pieces from 1968 to 2000, never before gathered together, offer an illuminating glimpse into the mind and process of a legendary figure.

In her moving and insightful new book, Joan Didion reassesses parts of her life, her work, her history and ours. A native Californian, Didion applies her scalpel-like intelligence to the state’s ethic of ruthless self-sufficiency in order to examine that ethic’s often tenuous relationship to reality. Combining history and reportage, memoir and literary criticism, Where I Was From explores California’s romances with land and water; its unacknowledged debts to railroads, aerospace, and big government; the disjunction between its code of individualism and its fetish for prisons.

Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles—and here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention.

From one of our most powerful writers, a work of stunning frankness about losing a daughter. Richly textured with bits of her own childhood and married life with her husband, John Gregory Dunne, and daughter, Quintana Roo, this new book by Joan Didion examines her thoughts, fears, and doubts regarding having children, illness, and growing old.

At nine, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne’s legendary LA launch party for Tom Wolfe’s The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good.

Los Angeles in the 1960s and '70s was the pop cultural capital of the world - a movie factory, a music factory, a dream factory. Eve Babitz was the ultimate factory girl, a pure product of LA. The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Babitz posed in 1963, at age 20, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph, cheesecake with a Dadaist twist, made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety.

Journalist, party girl, bookworm, artist, muse: By the time she'd hit 30, Eve Babitz had played all of these roles. She was immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha's Five 1965 Girlfriends, and Babitz's first book showed her to be a razor-sharp writer with tales of her own. Eve's Hollywood is an album of vivid snapshots of Southern California's haute bohemians, of outrageously beautiful high school ingenues and enviably tattooed Chicanas, of rock stars sleeping it off at the Chateau Marmont.

L.A. Woman is quintessential Babitz, the story of Sophie, a 20-something blonde Jim Morrison groupie gliding through a golden existence in L.A.; and Lola, a German immigrant who settles in Hollywood in the '20s to drive Pierce Arrows recklessly down Sunset Boulevard and who knows that Maybelline mascara cakes and that Rudolph Valentino is the essence of life. Sophie and Lola, like the many other women who move in and out of this electric saga, know that while L.A. is constantly changing, it is essentially eternal.

Joyce Carol Oates called Joan Didion "an articulate witness to the most stubborn and intractable truths of our time." Ms. Didion is the author of the novels Play It as It Lays and The Last Thing He Wanted, the essay collections Slouching Toward Bethlehem and The White Album, and the memoirs Where I Was From and The Year of Magical Thinking.

Eve Babitz captured the voluptuous quality of LA in the 1960s in a wildly original, totally unique voice. These stories are time capsule gems, as poignant and startling today as they were when published in the early 1970s. Eve Babitz is not well known today, but she should be. Her firsthand experiences in the LA cultural scene, translated into haunting fiction, are an unforgettable glimpse at a lost world and a magical time.

A collection of original short stories offers an intimate and dark portrait of life in the United States as they journey through California seeking answers to our changing world, dealing with such topics as jealousy, AIDS, sex, and Jim Morrison. A new reissue of Babitz’s collection of nine stories that look back on the 1980s and early 1990s - decades of dreams, drink, and glimpses of a changing world. Black Swans further celebrates the phenomenon of Eve Babitz, cementing her reputation as the voice of a generation.

Joan Didion lived a life in the public and private eye with her late husband, writer John Gregory Dunne, whom she met while the two were working in New York City, when Didion was at Vogue and Dunne was writing for Time. They became wildly successful writing partners when they moved to Los Angeles and cowrote screenplays and adaptations together. Didion is well known for her literary journalistic style in both fiction and nonfiction.

Joan Didion was a writer’s writer; not only a groundbreaking journalist, essayist, novelist and screenwriter, but a keen observer who honed her sights on life’s telling details. Her insights continue to influence creatives and admirers, encouraging them to become close observers of the world, unsentimental critics, and meticulous stylists. The World According to Joan Didion is a meditation on the people, places, and objects that propelled Didion’s prose and an invitation to journalists, storytellers, and life adventurers to “throw themselves into the convulsions of the world,” as she said.

From one of our most iconic and influential writers, the award-winning author of The Year of Magical Thinking: a timeless collection of mostly early pieces that reveal what would become Joan Didion's subjects, including the press, politics, California robber barons, women, and her own self-doubt. With a forward by Hilton Als, these 12 pieces from 1968 to 2000, never before gathered together, offer an illuminating glimpse into the mind and process of a legendary figure.

In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had “a rough few years.” She described the sessions in a journal she created for her husband, John Gregory Dunne. For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods.

From one of our most powerful writers, a work of stunning frankness about losing a daughter. Richly textured with bits of her own childhood and married life with her husband, John Gregory Dunne, and daughter, Quintana Roo, this new book by Joan Didion examines her thoughts, fears, and doubts regarding having children, illness, and growing old.

Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles—and here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention.

The youngest daughter of a rock star father and clothing designer mother, Lola and her siblings (including actress Jemima and celebrity doula Domino), spent their childhoods freshly plucked from their English heritage in an eclectic West Village brownstone, hosting everyone from Cuban exiles to Courtney Love. But behind the enviable exterior of worldly coolness, was a home in disarray.

More than perhaps any other book, this collection by one of the most distinctive prose stylists of our era captures the unique time and place of Joan Didion’s focus, exploring subjects such as John Wayne and Howard Hughes, growing up in California and the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco’s Haight-Ashbury, the heart of the counterculture.

A ruthless dissection of American life in the late 1960s, Joan Didion's Play It as It Lays captures the mood of an entire generation, the ennui of contemporary society reflected in spare prose that blisters and haunts the listener. Set in a place beyond good and evil—literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul—it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis.