
The Art of Rivalry
Four Friendships, Betrayals, and Breakthroughs in Modern Art
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Narrated by:
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Bob Souer
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By:
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Sebastian Smee
Rivalry is at the heart of some of the most famous and fruitful relationships in history. The Art of Rivalry follows eight celebrated artists, each linked to a counterpart by friendship, admiration, envy, and ambition. All eight are household names today. But to achieve what they did, each needed the influence of a contemporary - one who was equally ambitious but who possessed sharply contrasting strengths and weaknesses. Edouard Manet and Edgar Degas were close associates whose personal bond frayed after Degas painted a portrait of Manet and his wife. Henri Matisse and Pablo Picasso swapped paintings, ideas, and influences as they jostled for the support of collectors like Leo and Gertrude Stein and vied for the leadership of a new avant-garde. Jackson Pollock's uninhibited style of "action painting" triggered a breakthrough in the work of his older rival, Willem de Kooning. Lucian Freud and Francis Bacon met in the early 1950s, when Bacon was being hailed as Britain's most exciting new painter and Freud was working in relative obscurity. Their intense but asymmetrical friendship came to a head when Freud painted a portrait of Bacon, which was later stolen.
©2016 Sebastian Smee (P)2016 TantorListeners also enjoyed...




















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Fun look at art
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Interesting stories
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When we think of artists whose acclaim we now take for granted, some of which completely changed the course of modern art, it's hard to imagine the kind of challenges and periods of great doubt that they experienced before fully developing their work. The author sympathetically looks at a rather human side of these people who became greater than life. He chooses four couples of painters who influenced each other as friends, but also as rivals: Francis Bacon and Lucien Freud, Manet and Degas, Matisse and Picasso, Pollock and de Kooning. The book is very accessible and fascinating from start to finish.
The narration:
I can't say that I'm a fan of Bob Souer's work here. He's competent at reading in English, but makes a mess whenever he reads in other languages, especially French, and there's quite a bit of it. It's nearly comical how unintelligible his pronunciation turns out. He even manages to read incorrectly a simple name like Gonzalez, placing the accent in the last syllable, which is annoying when done repeatedly. Also, although his English is very clear, I find his monotone style very boring. It reminds me of old, black and white documentaries that feel quite dated. I suppose it's a matter of taste. Luckily, the book is interesting enough that I remained engaged despite these issues.
Artists are people too.
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The pronunciation of artists, salons and methods by the narrator was terrible. How many different ways can he mispronounce Ingre in one chapter? Note to future readers: spend time learning correct pronunciations; it de-legitimizes you when you don’t, is distracting and brings down the quality of the author’s work.
Bad Behavior Mixed with Bad Narration
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While Bob Souer is an excellent narrator I felt unhappy with the pronunciation of foreign names.
Better read than listen
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Masterful storytelling
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Bob Souer's French pronunciation is atrocious.
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Great Book!
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Death by bob souer
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great read
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