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![Go the F--k to Sleep | [Adam Mansbach, Ricardo Cortes (cover illustration)]](http://ecx.images-amazon.com/images/I/51Pr82wF2gL._SL175_.jpg "Go the F--k to Sleep | [Adam Mansbach, Ricardo Cortes (cover illustration)]")
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Academy Award nominee Samuel L. Jackson (Pulp Fiction) rocks this mock bedtime story, capturing a hilarious range of emotions as the voice of a father struggling to get his child to sleep.
Go the F**k to Sleep is a bedtime book for parents who live in the real world, where a few snoozing kitties and cutesy rhymes don’t always send a toddler sailing blissfully off to dreamland. California Book Award-winning author Adam Mansbach’s profane, affectionate, and radically honest verses perfectly capture the familiar - and unspoken - tribulations of putting your little angel down for the night. In the process, he opens up a conversation about parenting, granting us permission to admit our frustrations and laugh at their absurdity.
Beautiful, subversive, and pants-wettingly funny, Go the F**k to Sleep is a book for parents new, old, and expectant. Due to its explicit language, you probably should not play it for your children.
Feel free to share the link to this page with tired parents and other people who could use a good swear and a laugh.
©2011 Adam Mansbach. Cover Illustration © 2011 Ricardo Cortes. (P)2011 Audible, Inc.
"Total genius." (Jonathan Lethem, author of Motherless Brooklyn, father of two)
"A children's book for grown-ups! I really did laugh out loud - hilarious!" (David Byrne, musician, father of one)
"Finally, someone tells it like it really is. This is no-guilt funny and a godsend!" (Cristina Garcia, author of The Lady Matador's Hotel, mother of one)
"The viral phenomenon comes to audio in this clever adaptation of Mansbach's "children's book for adults." NOT a family-friendly listen, this audio will have you giggling and looking around to see if anyone else heard what just came through the speakers. Samuel L. Jackson, known for his foul-mouthed onscreen characters to begin with, is a perfect choice for such a lovingly irreverent audiobook. The desperation in his voice rises as the child, who is the object of the parental pleading, refuses to cooperate. By the end, both seasoned and expectant parents will be alternating between laughing and cringing at the exasperation in Jackson's tongue-in-cheek narration. The production begins with a casual introduction from Jackson, which appears to act as an apology for what's to come, as if Jackson (and author, producers, etc.) wants to assure the listener not to worry—despite everything, we DO love our children very much. Even when they refuse to go the f--k to sleep." (AudioFile)
