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- Length: 6 hrs and 51 mins
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Fred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system. This is the devastating premise of this scorching novel, a never-before-seen masterpiece by Richard Wright. Written at the height of his creative powers, it would see publication in Wright's lifetime only in drastically condensed and truncated form, and ultimately be included in the posthumous short story collection Eight Men.
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If you enjoy the author Richard Wright...
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The Gift
- By: Vladimir Nabokov
- Narrated by: Stefan Rudnicki
- Length: 15 hrs and 39 mins
- Unabridged
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The Gift is the last of the novels Nabokov wrote in his native language and the crowning achievement of that period in his literary career. It is also his ode to Russian literature, evoking the works of Pushkin, Gogol, and others in the course of its narrative: the story of Fyodor Godunov-Cherdyntsev, an impoverished émigré poet living in Berlin, who dreams of the book he will someday write - a book very much like The Gift itself.
One of the twentieth century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899.
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A complex and rich Künstlerroman
- By Darwin8u on 11-30-13
By: Vladimir Nabokov
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Solaris
- The Definitive Edition
- By: Stanislaw Lem, Bill Johnston - translator
- Narrated by: Alessandro Juliani
- Length: 7 hrs and 42 mins
- Unabridged
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At last, one of the world’s greatest works of science fiction is available - just as author Stanislaw Lem intended it. To mark the 50th anniversary of the publication of Solaris, Audible, in cooperation with the Lem Estate, has commissioned a brand-new translation - complete for the first time, and the first ever directly from the original Polish to English. Beautifully narrated by Alessandro Juliani ( Battlestar Galactica), Lem’s provocative novel comes alive for a new generation.
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A comment on negative reviews
- By Burns on 09-20-11
By: Stanislaw Lem, and others
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H. P. Lovecraft's Book of the Supernatural
- 20 Classic Tales of the Macabre, Chosen by the Master of Horror Himself
- By: Henry James, Washington Irving, Edgar Allan Poe, and others
- Narrated by: Davina Porter, Steven Crossley, Bronson Pinchot
- Length: 16 hrs and 45 mins
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H. P. Lovecraft is arguably the most important horror writer of the 20th century. Culled from his 1927 essay "Supernatural Horror in Literature”, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer, including Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle. This chilling collection includes 20 works, each prefaced by Lovecraft's own opinions and insights in each author’s work.
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Not all the stories are complete
- By SteffiT on 10-21-13
By: Henry James, and others
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Fahrenheit 451
- By: Ray Bradbury
- Narrated by: Tim Robbins
- Length: 5 hrs and 1 min
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- By Joel on 03-27-17
By: Ray Bradbury
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Amulet
- By: Roberto Bolaño, Chris Andrews - translator
- Narrated by: Adriana Sananes
- Length: 4 hrs and 7 mins
- Unabridged
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A tour de force, Amulet is a highly charged first-person, semi-hallucinatory novel that embodies in one woman's voice the melancholy and violent recent history of Latin America. Amulet is a monologue, like Bolaño's acclaimed debut in English, By Night in Chile. The speaker is Auxilio Lacouture, a Uruguayan woman who moved to Mexico in the 1960s, becoming the "Mother of Mexican Poetry", hanging out with the young poets in the cafés and bars of the University.
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Read The Savage Detectives first
- By Alicia Grega on 12-05-13
By: Roberto Bolaño, and others
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A Happy Death
- By: Albert Camus
- Narrated by: Jefferson Mays
- Length: 4 hrs and 38 mins
- Abridged
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In his first novel, A Happy Death, written when he was in his early 20s and retrieved from his private papers following his death in 1960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.
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Camus Secret Masterpiece
- By Samuel Cohen on 08-03-19
By: Albert Camus
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Anthem
- By: Ayn Rand
- Narrated by: B. J. Harrison
- Length: 2 hrs and 16 mins
- Unabridged
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“It is a sin to write this. It is a sin to think words no others think and to put them down upon a paper no others are to see. It is base and evil.” Deep issues of conscience are explored in Ayn Rand’s dystopian tale of a man who dares to fight against a system that invades his very mind and identity.
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Triumphant! A beautiful molding of the mind.
- By Kari on 02-17-16
By: Ayn Rand
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The Early Ayn Rand
- A Selection from Her Unpublished Fiction (Revised Edition)
- By: Ayn Rand
- Narrated by: Bernadette Dunne
- Length: 19 hrs and 32 mins
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This remarkable, newly revised collection of Ayn Rand's early fiction ranges from beginner's exercises to excerpts from early versions of We the Living and The Fountainhead. Arranged chronologically, from 1926 through 1940, these works allow readers to follow the extraordinary trajectory of Rand's literary and intellectual growth, from a 21-year-old Russian immigrant struggling to master English to the brilliant prose stylist and sophisticated philosopher she was to become in her mature work.
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Want more Rand? Here it is.
- By John on 12-03-11
By: Ayn Rand
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The Napoleon of Notting Hill
- By: G. K. Chesterton
- Narrated by: Frederick Davidson
- Length: 6 hrs and 4 mins
- Unabridged
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In The Napoleon of Notting Hill, his first novel, G. K. Chesterton creates a witty satire of staid government, set in a London of the future. Auberon Quinn, a common clerk who looks like a cross between a baby and an owl and is often seen standing on his head, is one day told that he has been randomly selected to be His Majesty the King. He decides to turn London into a medieval carnival for his own amusement - with delightful results.
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Competent but over-stylized reading of great book
- By Nierestel on 02-16-18
By: G. K. Chesterton
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What listeners say about We
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Joel D Offenberg
- 11-30-11
Interesting history, prose a little outdated
WE tells the story of the "One State," a sanitized, regimented world in which the individuals ("numbers"...nobody has a name) live sanitized, regimented lives. Rocket scientist D305 lives his clockwork life as expected until he meets and falls in love with the revolutionary I330.
WE is one of the earliest examples of dystopian literature---you can see elements of WE in 1984 (Orwell), Brave New World (Huxley), Anthem (Rand), Player Piano (Vonnegut) and many others.
The story is presented as D305's personal journal. The prose is a bit dated---it was written around 1920 and has very flowery internal narration and not a lot of dialog, and I started to find it getting tedious, until we got close to the end.
The audio book starts with a fairly long and involved history of WE and its publication (and the various translations). Usually, I find such intros boring and low-value, but in this case, I found it helpful.
Grover Gardner's narration is quite good...he doesn't really add anything to the story but he doesn't take anything away, either.
[Footnote: According to Wikipedia, Aldous Huxley denied having read WE before writing Brave New World, but Orwell definitely cited it as a source for 1984.] Of course, all have different themes and draw different conclusions.
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50 people found this helpful
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- Jim "The Impatient"
- 09-22-16
THERE IS NO INFINITY
NOBODY IS ONE, ONLY ONE OF
I know this is translated, but the language is beautiful. Here are some examples: A THOUSAND POUNDS OF SILENCE, HER LAUGHTER SPLASHED ALL OVER ME and SAGGING VOICE. The book is full of these beautiful examples of descriptive writing without being over the top. I was very intrigued by this world of numbers, tables, geometry and We. For the first three hours I was very interested. Towards the end when the ship was built, I was interested, but in the middle when the main character is going on and on about going crazy, I got a bit bored. He dissects every sentence and action made, mostly because he has fallen in love in a world that does not allow love.
Grover Gardner is fantastic, I can't imagine listening to this with any other narrator.
THE ONLY WAY TO RID MAN OF CRIME, IS TO RID HIM OF FREEDOM.
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26 people found this helpful
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- Matthew Wiese
- 05-20-15
Original Distopian novel read without blemish.
This novel is written ahead of it's time. I think it is better than 1984 because the idea of One State is a trend unfolding even today. Fantastic narrative read extremely well.
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19 people found this helpful
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- Michael G Kurilla
- 04-11-14
Masterful dystopian future that predates 1984
Zamyatin's We is a dystopian sci-fi story set in the 26th century. Written in the early 1920's the author projected what he expected was the logical extension of the then emerging and evolving Bolshevik revolution in his native country. In this future, the totalitarian state, Onestate, is absolute. People have letter/number names and wear specific colored uniforms. Their days and nights are regimented with even pregnancies tightly controlled, all under the guiding hand of the Benefactor. Onestate is located inside a walled region surrounded by primitive savages. Clearly, We served as the inspiration for Orwell's 1984, but is actually even bleaker and more dystopic than big brother.
The main character, D503, is working on a rocket ship, the Integral, that will search out intelligent life and spread the totalitarian word. D503 is co-opted by I330 who is a woman with nefarious plans to overthrow the government. D503 slowly loses his sense of reality, while the Onestate machine grinds ahead with plans to "treat" people to eliminate imagination as a final solution to total population control. Clearly, Zamyatin outlines in great details his fears and nightmares with the changing social and political events in his native land.
The narration is excellent, as is typical for Gardner with superb pacing, tone, and range of voices. While We may not be the first dystopic, future vision, he certainly set the standard for this genre for decades.
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- Steve
- 10-06-15
Not you, not me, but WE
If you could sum up We in three words, what would they be?
Freedom from imagination
What other book might you compare We to and why?
1984, Brave New World. All three are about modern dystopia.
Have you listened to any of Grover Gardner’s other performances before? How does this one compare?
I have enjoyed Grover Gardner's performance elsewhere, but I really enjoyed his poem-like presentation in this book.
Was there a moment in the book that particularly moved you?
No. I am not easily moved. I weigh 240 lbs.
Any additional comments?
I enjoyed reading the precursor to 1984. I enjoyed the story and expected the outcome, but the presentation was fantastic. I enjoyed how the character referred to Ancient Times and wondered why we were so difficult. I loved his explanation of our election process differences. It was a good story that ended too soon.
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12 people found this helpful
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- StockingWaifu
- 06-24-15
A Classic Dystopian Story
Would you recommend this audiobook to a friend? If so, why?
This book should be read by any fan of sci fi, post apoc, or dystopian society stories. It was an important, influential book in the genre. The story is a little slow paced and the characters don't really develop much. It was still a good read, but not one that will keep you on the edge of your seat.
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11 people found this helpful
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- Adam
- 12-06-15
Inspired 1984 and Brave New World
What did you love best about We?
I can't say I loved this book, but it the writer's sense of irony was pretty entertaining.
What other book might you compare We to and why?
1984 because George Orwell self admittedly based 1984 on "WE" and he also accused Aldous Huxley of basing his Brave New World on it, though Huxley denied it and Orwell alleged that Huxley was lying. I personally feel that WE is superior to both 1984 and Brave New World, but not as good as Ayn Rand's Anthem -- but only because Anthem was done seriously whereas WE was more of a satire. As far as satires go, this one is tops.
Which character – as performed by Grover Gardner – was your favorite?
The primary character (I can't remember his name offhand, but it's a number instead)/
Was there a moment in the book that particularly moved you?
I don't want to include a "spoiler" but the ending was pretty moving. It was hopeless and bleak but not as hopeless and bleak as other stories of this nature might be; in particular I liked the ending here better than that of 1984, Brave New World, and better than Harrison Bergeron.
Any additional comments?
If you're interested in serious dystopian and/or political fiction and enjoy reading non-fiction about totalitarian regimes, this book is for you.
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- Nothing really matters
- 01-05-17
Before Brave New World and 1984, there was We
This book, published in English in 1924, was George Orwell’s inspiration for “1984” (1949) and likely Aldous Huxley’s inspiration for “Brave New World” (1931). I guess that makes it the grandmother of all dystopian novels that followed
I enjoyed this book much more than I thought I would. Partly because, as others have noted, Grover Gardner’s narration is excellent, but also because it’s a really good sci-fi story.
I also really enjoyed the initial historical information. It helped me enjoy the book more. I highly recommend this book to fans of sci-fi, and possibly others.
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- Jeff Lacy
- 08-30-19
Conformism is happiness in this totalitarian regime
Having imagination and a soul is a sickness under this totalitarian regime and is the cause of unhappiness. Conformists whose days are routinized, even by the pink tickets for the hour slotted for sex per week (by the characters in this novel), live in glass buildings within glass walls. This is an entertaining story with a probing political philosophy. The translation is clear; very well done. Grover Gardner’s performance is excellent; dynamic, well paced, distinguishes the characters, and sensitive. As a whole the book works well.
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- Julie W. Capell
- 01-10-17
Couldn't be more topical . . . great narrator
It's a shame more people don't read "golden age" scifi like this gem. Even in translation from the original Russian, it is a tremendously powerful allegory of the politics of oppression and the dangers of giving up one's freedom for the perception of safety. Couldn't be more topical now, as citizens of the world's mature democracies vote for ever-escalating surveillance and run toward the candidate who promises to keep them "safe" . . . from what, exactly?
[I listened to this as an audio book performed by Grover Gardiner, who did an excellent job of conveying the irony of the book without sacrificing believability]
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