2312
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Narrated by:
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Sarah Zimmerman
The year is 2312. Scientific and technological advances have opened gateways to an extraordinary future. Earth is no longer humanity's only home; new habitats have been created throughout the solar system on moons, planets, and in between. But in this year, 2312, a sequence of events will force humanity to confront its past, its present, and its future.
The first event takes place on Mercury, on the city of Terminator, itself a miracle of engineering on an unprecedented scale. It is an unexpected death, but one that might have been foreseen. For Swan Er Hong, it is an event that will change her life. Swan was once a woman who designed worlds. Now she will be led into a plot to destroy them.
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What did you like best about 2312? What did you like least?
2312 is the latest entry in the Kim Stanley Robinson universe spawned in "Red Mars" and continued through "The Martians." Being beyond even the super extended lives of the cross-book protagonists of previous volumes, we are introduced to an entirely new cast of characters. These center primarily on Swan Er Hong, granddaughter and heir to the latest and recently deceased Lion of Mercury. Primarily an artist and carefree spirit who previously worked on the many terrariums which now orbit the sun, Swan is reluctantly drawn into the intrigues of her late grandmother. This small group of individuals, carefully avoiding the normal communications net, has begun to amass evidence of a conspiracy against the Mondragon (the very loose trading alignment of ex-colonies beyond Earth). Details are sketchy, but it appears to be connected to a highly unauthorized and highly dangerous number of agents who appear to be human, but are actually creations of and repositories for intelligent AI's -- the same kind of AI's that run so much of the day to day existence of humans across the solar system. Linked unexplained attacks on a terrarium and on Swan's home city of Terminator bring home the humanity's vulnerability and hone the group's desperation to unmask the conspiracy before larger havoc is wrought.The many characters both major and minor slowly piece together this three dimensional puzzle, taking us literally from asteroids inside the orbit of Mercury to the frozen fields of Titan where even here, humanity is working epically to terraform a home. And, of course, much of the problem is connected to Earth. It's an Earth where the promise of reform and openness hinted at a century ago (@end of Blue Mars) has yet to be realized; an ecologically devastated home world groaning under its teeming billions and 10 meter sea level rise.
There are flaws with this book - the economics of the solar system are still quite fuzzy, as are some of the particulars of the technologies and terraforming. Worse still, I don't actually *like* many of the characters featured - least of all the main protagonist - but she merely super-exemplifies the petulant, bohemian, self-absorbed, trans-gendered, labor-phobic extra-terrestrial humans that largely populate Stanley's 24th century. Lastly, the plot meanders often, taking more than a few detours and dead ends through duller spots.
Having said all that, the book is still marvelously engaging. Robinson shows us the "accelerando" from the end of the last trilogy here in full bloom: asteroid terrariums, hollowed out and spinning for gravity, each one a self-contained biosphere and society ranging from the mundane to the exotic. Many of these terrariums are doing dual duty as travelling conduits between the various ex-colony worlds scattered from Mercury to the moons of Neptune, which are themselves exceedingly diverse and fascinating in their detail. Even Venus at last is being changed to habitable under dueling and simultaneous terraforming strategies (fast and friendly enough to get more people off the Earth quicker, or slower and more drastically/thoroughly to make a more Earth-like planet). It is perhaps only because the settings become so vivid that I find myself wanting to know more of the hows and whys and thus finding a few loose ends.
All in all, anyone who either enjoyed Robinson's 'Mars' trilogy, or appreciates SF where an author creates a vivid and different universe for their characters to inhabit should enjoy the book.
I didn't find the narration as bad as some of the other reviews - but I enjoyed Richard Ferrone's narration of the Mars Trilogy more.
The Accelerando In Full Bloom
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So good.
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Classic SF and Kim Stanley Robinson fantastic!
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What did you love best about 2312?
The author made the population of the other planets seem real, as well as the tension between Earth and the other worlds and their differences in economic situationsAny additional comments?
I didn't like the main character, but she's damaged and has ADHD as well as many other mental problems, which doesn't fully come out until late in the book. Yet, all the contracting characters and locations are wonderfully brought to life.Great World Building
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Great Book
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