The Twelve
A Novel
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Narrated by:
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Scott Brick
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By:
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Justin Cronin
In his internationally bestselling and critically acclaimed novel The Passage, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward . . .
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation . . . unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill, The Twelve is a grand and gripping tale of sacrifice and survival.
Look for the entire Passage trilogy:
THE PASSAGE | THE TWELVE | THE CITY OF MIRRORS
Praise for The Twelve
“[A] literary superthriller.”—The New York Times Book Review
“An undeniable and compelling epic . . . a complex narrative of flight and forgiveness, of great suffering and staggering loss, of terrible betrayals and incredible hope.”—Milwaukee Journal Sentinel
“The Twelve is even better than The Passage.”—The Plain Dealer
“A compulsive read.”—San Francisco Chronicle
“Gripping . . . Cronin [introduces] eerie new elements to his masterful mythology. . . . Enthralling, emotional and entertaining.”—The San Diego Union-Tribune
“Fine storytelling.”—Associated Press
“Cronin is one of those rare authors who works on two different levels, blending elegantly crafted literary fiction with cliff-hanging thrills.”—Fort Worth Star-Telegram
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Critic reviews
“[A] literary superthriller.”—The New York Times Book Review
“An undeniable and compelling epic . . . a complex narrative of flight and forgiveness, of great suffering and staggering loss, of terrible betrayals and incredible hope.”—Milwaukee Journal Sentinel
“The Twelve is even better than The Passage.”—The Plain Dealer
“A compulsive read.”—San Francisco Chronicle
“Gripping . . . Cronin [introduces] eerie new elements to his masterful mythology. . . . Enthralling, emotional and entertaining.”—The San Diego Union-Tribune
“Fine storytelling.”—Associated Press
“Cronin is one of those rare authors who works on two different levels, blending elegantly crafted literary fiction with cliff-hanging thrills.”—Fort Worth Star-Telegram
“An undeniable and compelling epic . . . a complex narrative of flight and forgiveness, of great suffering and staggering loss, of terrible betrayals and incredible hope.”—Milwaukee Journal Sentinel
“The Twelve is even better than The Passage.”—The Plain Dealer
“A compulsive read.”—San Francisco Chronicle
“Gripping . . . Cronin [introduces] eerie new elements to his masterful mythology. . . . Enthralling, emotional and entertaining.”—The San Diego Union-Tribune
“Fine storytelling.”—Associated Press
“Cronin is one of those rare authors who works on two different levels, blending elegantly crafted literary fiction with cliff-hanging thrills.”—Fort Worth Star-Telegram
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One of the more entertaining aspects of The Passage was Justin Cronin's skillful employment of tropes. He weaves elements which could easily become cliche into a story that's greater than the sum of it's parts, a Hollywood action movie on literary steroids. In The Twelve, Cronin takes a different approach.
The Twelve is structured more as a biblical parable of sin and redemption (or sin and destruction). The story focuses more on the (non-viral) antagonists; each is given an elaborate backstory full of suffering, each makes a terrible decision in response to their anguish and becomes a monster, then finally each is redeemed or destroyed depending on whether or not they try to right their terrible actions.
This may turn off readers that are expecting another scary sci-fi adventure. The religious references are also dialed way up to 11, which while cute at first might become a little irritating by the end. Finally the characters from the first book generally take a back seat to the new antagonists, and sometimes come off as a little too woodenly "Good".
Scott Brick delivers his performance in a lilting, melancholy voice that's absolutely appropriate for Cronin's prose. In some other books I wonder if Brick doesn't actually interfere with the story by adding pathos the author didn't intend. Not so with The Twelve (or The Passage), where his style is a perfect fit for both the style and the substance of the book.
Good sequel, but very different from the first
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Confusing ending
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Great Book
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Good sequel!
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A Modern Masterpiece
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