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The Murder of the Century

The Gilded Age Crime That Scandalized a City & Sparked the Tabloid Wars

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The Murder of the Century

De: Paul Collins
Narrado por: William Dufris
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In Long Island, a farmer found a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discovered a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumbled upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime were turning up all over New York, but the police were baffled: There were no witnesses, no motives, no suspects.

The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era's most perplexing murder. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Re-creations of the murder were staged in Times Square, armed reporters lurked in the streets of Hell's Kitchen in pursuit of suspects, and an unlikely trio - an anxious cop, a cub reporter, and an eccentric professor - all raced to solve the crime. What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim that the police couldn't identify with certainty - and that the defense claimed wasn't even dead.

The Murder of the Century is a rollicking tale - a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that have dominated media to this day.

©2011 Paul Collins (P)2011 AudioGo
Américas Arte y Literatura Asesinos Seriales Biografías y Memorias Crimen Crímenes Reales Estados Unidos Estatal y Local Homicidio Periodistas, Editores y Editoriales Emocionante

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Paul Collins tells the story of the brutal, bloody murder of William Guldensuppe committed by his girlfriend and her lover. Narrator William Dufris gives a delightfully varied and nuanced performance. The book features the voices of a diverse cast of late-19th century New York characters, from Joseph Pulitzer and William Randolph Hearst to a duck farmer in Woodside to employees of the Murray Hill bathhouse. Together, the characters tell the story of a gruesome crime that fueled a sensationalistic media juggernaut from the moment a group of young boys found a man's mutilated torso floating in the East River in New York City on a summer day in 1897. In Dufris' inventive performance, he expertly adopts the voice of the chillingly blasé murderers; then turns on a dime to describe, in a voice filled with wonder, the new forensic science that went into identifying the body. Dufris engages the listener by sounding as fascinated by the story as the author himself is.

It is vital that Dufris get the performances just right, since Collins has distinguished his book from other histories of the crime by telling the story of the investigation and trial largely through the voices of the people who were actually there. Collins carefully reconstructs their quotes into an intensely detailed narrative, and Dufris individualizes the voice of each witness, including the murder defendants themselves. Especially effective is his portrayal of one of the main defense attorneys in the story, William Howe, whom Dufris imbues with a bold, brash voice that enlivens the "Big Bill" persona that Collins describes. But Dufris is just as adept at capturing the macabre character of the women who, obsessed with the case, filled the sweltering courtroom gallery day after day to show their support for the dashing murder defendant, Martin Thorn. Maggie Frank

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“Wonderfully rich in period detail, salacious facts about the case and infectious wonder at the chutzpah and inventiveness displayed by Pulitzer’s and Hearst’s minions. Both a gripping true-crime narrative and an astonishing portrait of fin de siecle yellow journalism.” ( Kirkus Reviews)
"A dismembered corpse and rival newspapers squabbling for headlines fuel Collins’s intriguing look at the birth of 'yellow journalism' in late 19th-century New York. [A]n in-depth account of the exponential growth of lurid news and the public’s (continuing) insatiable appetite for it." ( Publishers Weekly)
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I could listen to this story more than once, first for fast paced and interesting story and then the wonderful narrative reading. The story does get bit a graphic on the details of the murder but what would you expect, it's about a murder. The story never slows up and you are placed into that time period with fluidity of the story's timeline. I loved learning about the history of the papers and really enjoyed the writer including the epilogue. I will go out and buy the book to see if I missed anything. I love a book that makes you want to do more research on the time period because it opens your eyes to a different time.

Fantastic!

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True crime is really quite a fun genre, in and of itself, but I particularly enjoy it when it adds historical context and historical significance. This was the case with the dismembered body found in New York just before the turn of the century. What followed was an investigation just as scientific method was starting to be applied to investigations and a trial that ran into incredible difficulties. More than just the investigation, arrest and trial, this is a story about the rise of "yellow journalism" and how it made several careers and created the modern journalistic style we know today. Through this tale of one-upsmanship we can see the rise of the paparazzi and the 24 hour news cycle.

So yes, I recommend this book. The murder is sensational, the characters are interesting, the impact on modern America is recognizable. Enjoy it!

A fun short read

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Different voices and accents were well done. In addition to recounting an infamous murder, included the history of " yellow" journalism and the rivalry between Hearst and Pulitzer

History made entertaining

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I had to read this book for an American History college class. I could not seem to get much into the book. There were parts of it that were interesting, but there was so much going on, it just didn't catch my attention much. This is the reason why I bought the audiobook. I bought it so reading this book wouldn't be such a struggle. It is present that Collins did put a lot of work into writing this book though.

Murder of the Century

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A little dry, yet still entertaining with the attention to details of the period. The origins of yellow journalism fascinate as we seem to have returned to News as Entertainment rather than information. As the french say:..."the more things change, the more they remain the same."

Historical details will entertain modern CSI fans

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