
Shades of Milk and Honey
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Narrated by:
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Mary Robinette Kowal
The fantasy novel you’ve always wished Jane Austen had written, Shades of Milk and Honey is exactly what we could expect from Austen if she had been a fantasy writer: Pride and Prejudice meets Jonathan Strange & Mr. Norrell. It is an intimate portrait of a woman, Jane, and her quest for love in a world where the manipulation of glamour is considered an essential skill for a lady of quality.
Jane and her sister Melody vie for the attentions of eligible men, and while Jane’s skill with glamour is remarkable, it is her sister who is fair of face.
When Jane realizes that one of Melody’s suitors is set on taking advantage of her sister for the sake of her dowry, she pushes her skills to the limit of what her body can withstand in order to set things right—and, in the process, accidentally wanders into a love story of her own.
©2010 Mary Robinette Kowal (P)2010 Macmillan AudioListeners also enjoyed...




















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The author's reading was great, although the accent was a little distracting occasionally. I could tell when she'd had a break and started again, but she soon settled into the voices and I would forgot about it until the next time. Overall it gets better as you go along.
I listened to this recording all in one day, with only a couple of breaks. It was exactly what I needed that day, as I pottered around the house doing odd jobs and a bit of drawing. To begin with it was a nice backdrop to my other activities, but by the end it had drawn me in so I was sitting by the computer with my stomach in a knot, wanting a good outcome for my favourite characters.
Overall the author has taken on a concept which would have been very easy to do wrong, and has delivered an entertaining read/listen. I'm looking forward to her next book in this series being released on Audible, and hope she will be reading it herself.
Great if you love speculative fiction and Austen
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Is there anything you would change about this book?
Given it to a stronger editor. This book basically felt like a really good second draft. Lots of interesting ideas, but a very underdeveloped romance and characters that never really clicked.How would you have changed the story to make it more enjoyable?
Just given it more time in the oven, really. It needed a lot more story editing. The romance not being fleshed out is a big one I mentioned above. It never felt like it built properly. They just kind of...didn't like each other, then were in love. OK? I guess?The author also didn't do great at researching the regency period, in ways that were occasionally obvious and drew you out of the book. For example, declaring someone was experiencing "not simple melancholia, but depression!" This ignores the fact that melancholia WAS depression at this time; not some separate, lesser disorder. In fact, it's extremely unlikely the term depression would have been used to refer to a mood disorder at all in the early 1800s, let alone by a lay-person. Nit-picky? Yeah, totally. But blunders in historical accuracy like that are exactly the kind of thing that pull you out of a text, and should be caught before publication.
What didn’t you like about Mary Robinette Kowal’s performance?
The accent was forced. The voices were often poorly distinguishable or kind of annoying, particularly the baby doll voices given to young women. She did a poor job of conveying emotion and nuance. A few times, at critical moments, she mixed up voices for characters in a way that made things confusing.Do you think Shades of Milk and Honey needs a follow-up book? Why or why not?
I might be interested to see what happens next; but if I decide to I will absolutely (barring a change in narrator) be reading the physical book rather than listening to the audiobook.Any additional comments?
Despite my kvetching, it's not a terrible book. A lot of the writing is solid enough, and the idea of glamour is intriguing. It's entertaining enough that I don't totally begrudge the credit spent on it. But I do still really recommend anyone interested in reading the book buy a physical copy rather than listening.OK Story, Not Ok Narration
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You become more invested as story goes on
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The light touch of magic. The main character. Her eccentric family. The awful antagonists.
Very good. 7/10
Delightful
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Just too weird for me and off putting. I tried to keep going, but the stranger it got, and I felt I couldn’t waste my time with it.
Not for me
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An amusing story! Third time listening.
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Cute little story
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Delightful
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The novel’s greatest strength is how the author integrates a form of magic known as glamour into the Regency setting. Considered an essential domestic art, glamour allows practitioners to create illusions of light, scent and sound, used to entertain guests or bring comfort and cheer to a home. Jane, the novel’s protagonist, is unusually skilled at weaving glamour, but her plain face has relegated her to life as a wallflower. Her beautiful sister, Melody, gets all the attention and suitors. Glamour – as an art form and as a means of “dressing up” one’s ordinary life – fit well with the period’s artifice and strict societal rules. Jane begins to learn it can also be an acceptable outlet for passions she is not able to express otherwise.
I appreciated the author's narration, which I think allowed me to catch subtleties in conversations I might otherwise have missed.
Light, even by Regency standards
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While the British aristocracy seems to hold endless fascination to audiences, the excessive focus on manners and proper behaviors ("I should tell you that your hair is on fire, but that would force me to speak out of turn, so you'll just have to suffer 3rd degree burns") becomes annoying. The fascination is the conception of glamour as a property of the physical world that individuals can learn to control. The fact that no one has figured out practical things to do with it (no military applications) relegates it to artistic interpretation and there it shines. At the same time, Kowal distinguishes between raw talent (which Jane possesses) and true artistic skill that Vincent possesses along with his desire to understand how glamour actually works.
The narration is reasonably adequate with a solid performance by the author; typically, author performances (unless comedy), leave much to be desired. Character distinction is good and pacing is brisk for what is otherwise a quick listen.
Jane Austen with magic
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