Embassytown
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Narrado por:
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Susan Duerden
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De:
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China Miéville
In the far future, humans have colonized a distant planet, home to the enigmatic Ariekei, sentient beings famed for a language unique in the universe, one that only a few altered human ambassadors can speak.
Avice Benner Cho, a human colonist, has returned to Embassytown after years of deep-space adventure. She cannot speak the Ariekei tongue, but she is an indelible part of it, having long ago been made a figure of speech, a living simile in their language.
When distant political machinations deliver a new ambassador to Arieka, the fragile equilibrium between humans and aliens is violently upset. Catastrophe looms, and Avice is torn between competing loyalties—to a husband she no longer loves, to a system she no longer trusts, and to her place in a language she cannot speak yet speaks through her.
Reconocimientos y premios
Premio Locus
2012
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Reseñas de la Crítica
“A breakneck tale of suspense . . . disturbing and beautiful by turns. I cannot emphasize enough how terrific this novel is. It's definitely one of the best books I've read in the past year, perfectly balanced between escapism and otherworldly philosophizing.”—io9
“Embassytown is a fully achieved work of art…Works on every level, providing compulsive narrative, splendid intellectual rigour and risk, moral sophistication, fine verbal fireworks and sideshows, and even the old-fashioned satisfaction of watching a protagonist become more of a person than she gave promise of being.”—Ursula K Le Guin
“The Kafkaesque writer journeys to the distant edges of the universe in his latest sci-fi thriller.”—Entertainment Weekly
“Utterly astonishing . . . A major intellectual achievement.”—Kirkus Reviews
“Brilliant storytelling . . . The result is a world masterfully wrecked and rebuilt.”—Publishers Weekly (starred review)
Praise for Kraken
“The stakes [are] driven high and almost anything can happen. The reader is primed for a memorable payoff, and Miéville more than delivers.”—San Francisco Chronicle
The City & The City
“If Philip K. Dick and Raymond Chandler’s love child were raised by Franz Kafka, the writing that emerged might resemble . . . The City & The City.”—Los Angeles Times
Perdido Street Station
“Compulsively readable . . . impossible to expunge from memory.”—The Washington Post Book World
The Scar
“A fantastic setting for an unforgettable tale . . . memorable because of Miéville’s vivid language [and] rich imagination.”—The Philadelphia Inquirer
Iron Council
“A masterwork . . . a story that pops with creativity.”—Wired
Un Lun Dun
“Endlessly inventive . . . [a] hybrid of Alice in Wonderland, The Wizard of Oz and The Phantom Tollbooth.”—Salon
“Embassytown is a fully achieved work of art…Works on every level, providing compulsive narrative, splendid intellectual rigour and risk, moral sophistication, fine verbal fireworks and sideshows, and even the old-fashioned satisfaction of watching a protagonist become more of a person than she gave promise of being.”—Ursula K Le Guin
“The Kafkaesque writer journeys to the distant edges of the universe in his latest sci-fi thriller.”—Entertainment Weekly
“Utterly astonishing . . . A major intellectual achievement.”—Kirkus Reviews
“Brilliant storytelling . . . The result is a world masterfully wrecked and rebuilt.”—Publishers Weekly (starred review)
Praise for Kraken
“The stakes [are] driven high and almost anything can happen. The reader is primed for a memorable payoff, and Miéville more than delivers.”—San Francisco Chronicle
The City & The City
“If Philip K. Dick and Raymond Chandler’s love child were raised by Franz Kafka, the writing that emerged might resemble . . . The City & The City.”—Los Angeles Times
Perdido Street Station
“Compulsively readable . . . impossible to expunge from memory.”—The Washington Post Book World
The Scar
“A fantastic setting for an unforgettable tale . . . memorable because of Miéville’s vivid language [and] rich imagination.”—The Philadelphia Inquirer
Iron Council
“A masterwork . . . a story that pops with creativity.”—Wired
Un Lun Dun
“Endlessly inventive . . . [a] hybrid of Alice in Wonderland, The Wizard of Oz and The Phantom Tollbooth.”—Salon
Las personas que vieron esto también vieron:
Susan Duerden does an amazing job narrating. This would be a very difficult text to read aloud and she appears to do so effortlessly. The minor "special effect" that is used when someone speaks Language was not distracting.
If you need everything spelled out for you, this will be a very unsatisfying read, but if you're ok not knowing every detail this story is amazing.
Mieville made even better by an amazing narrator
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Aggressive editing to trim the doldrums would greatly enhance the final product. More focus on the ideas and world building and less time on the characters - who are less interesting than those in the New Crobuzon series - would also play to Mieville's strengths. For this book in particular a significant reduction in length would have been beneficial.
The narrator is quite good.
Would be better as a novella
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fascinating
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What did you love best about Embassytown?
The author comes up with premise that is very imaginative, and therefore thought provokingWhat about Susan Duerden’s performance did you like?
The double voices were a nice touchVery imaginative
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The binary voices were presented well and the reader was quite pleasant. I have no complaint with the Audible production.
McNovel
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