From the author of the number-one New York Times mega-best seller Inside of a Dog comes an equally smart, delightful, and startling exploration of how we perceive and discover our world.
Alexandra Horowitz’s brilliant On Looking: Eleven Walks with Expert Eyes shows us how to see the spectacle of the ordinary - to practice, as Sir Arthur Conan Doyle put it, "the observation of trifles". On Looking is structured around a series of eleven walks the author takes, mostly in her Manhattan neighborhood, with experts on a diverse range of subjects, including an urban sociologist, the well-known artist Maira Kalman, a geologist, a physician, and a sound designer. She also walks with a child and a dog to see the world as they perceive it. What they see, how they see it, and why most of us do not see the same things reveal the startling power of human attention and the cognitive aspects of what it means to be an expert observer.
As the million-plus readers of Inside of a Dog have discovered, Alexandra Horowitz is charmingly adept at explaining the mysteries of human perception. Trained as a cognitive scientist, she discovers a feast of fascinating detail, all explained with her generous humor and self-deprecating tone. On Looking presents the same engaging combination, this time in service to understanding how human beings encounter their daily worlds and one another.
Page by page, Horowitz shows how much more there is to see - if only we would really look. On Looking is nutrition for the considered life, serving as a provocative response to our relentlessly virtual consciousness. So turn off the phone and other electronic devices and be in the real world - where strangers communicate by geometry as they walk toward one another, where sounds reveal shadows, where posture can display humility, and the underside of a leaf unveils a Lilliputian universe - where, indeed, there are worlds within worlds within worlds.
Alexandra Horowitz’s On Looking confirms her place as one of today’s most illuminating observers of our infinitely complex world.
©2013 Alexandra Horowitz (P)2013 Simon & Schuster, Inc.
As a trauma nurse out in Afghanistan, I experienced the death of a friend firsthand. He had passed away on route to our location and so all we could do was prepare his body for his journey home. After this moment, in time, I came to reject all my adolescent views on reality in search of objective truths. Those ideas shared between both science and religion, in order to see how others view the world.
I typed in "looking" on the Audible search engine and found this book. How lucky was I.
There is something about the "ding" moments in life where we put the puzzle pieces together. Only our puzzle is filled with thousands upon thousands of separate bits of information and often looking in the strangest places will reveal this puzzle we call reality. This book shows how others see the world and helps us get into the mind of interesting individuals.
For myself, a much deeper meaning emerges from her words.
There are so many fights between the sciences and religion. While I subscribe more to the former, this book shows how ignorant we are to the majority of the events around us. I am now forced to bite my tongue, listen, and understand the other to find common ground while noticing the differences between myself and others.
Ultimately, her perception further teaches us to notice the intricacies in life. The dull commute to work is now a dazzling spectacle, where one can even find beauty in a rock.
The content of this book did not move me at all.....far too much about the lovely infant child which the author justifiably adores. However, I was pulled in by the wonderful narration, which was so pleasant, I continued listening to the end.
I really enjoyed this book because I am fascinated with the subject of how viewpoint shapes the world for the viewer. This book seems tailor made for me.
The writing is engaging, and the narration is refreshingly excellent for books narrated by the author. I would give Horowitz five stars for narration, but sadly, Audible does not let me separate performance and production.
My only quibble is with the editor. Some sentences feature a long pause for no particular reason. Other gaps are rushed. Horowitz's rhythm is quite good, but I suspect the editor grew complacent and forgot that some pauses are not intentional (pausing for a drink, the pause before a punch in, etc) and left them in without really listening.
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