This Is Your Brain on Music: The Science of a Human Obsession

If you have an interest in how the brain works, and you like music, you'll enjoy this book. The author gives some great vocabulary to the lay person to help to describe music in precise terms without getting too technical. The book walks through the interaction between music and the brain functions and explores some of the ideas that are current in musico-neurophysiology. He spends the last chapter or so of the book on the evolutionary basis of music-brain interaction, which seems out of place in an otherwise cohesive study.

I advice a core group of musicians and people whose livelihood depend on music to view this book as compulsory. Orchestral composers and conductors, program directors and any student of music all should add this book to their cart and buy it NOW! The information this book contains is simply too foundational and new to pass up.

As a critique of the book, there are two general ways in which I perceive this book. First, it is a very intricate review of how our brains process music. I have a general interest in the neurology of psychology and Daniel Levitin proves to be very informative, thus making his book interesting to me. On the flip side of this (my second perception), the presentation is dry. It reminds me of the book "Getting to Yes" (Fisher, Ury & Patton) in that it is good information delivered in nearly monolithically by a narrator. I feel like I am having information downloaded into my thinking brain while my emotional brain is ignoring everything said. Where as Stephen Covey's "The 8th Habit" is read by Stephen Covey, himself, with complete sincerity and from his heart, "This is Your Brain on Music" is tough to listen to considering the intricate details and monotone narrator.

Last, considering the topic, music, I think Levitin had a perfect opportunity to go much further using this audio book as a tool. While there are simple examples of music to support points that Levintin is making, not once when he mentions an actual song does he then play the actual recording of the song on the audio tape. Yes, there are legal recording ownership rights that Levintin would have to negotiate in order to play song recordings on this audio book, but it would have enhanced the book tremendously. Additionally, when speaking about tone and tambour, examples rapidly inserted at the referenced points in the book would have helped. To be fair, I should mention that I am the executive producer of a radio program; I am sensitive to these quality issues.

I have always been intrigued with this subject and always wondered why we enjoy music so much, and how our brains evolved to interpret it the way we do.

I listened to every word on this book, and I welcomed the detailed explanation of musical terms and definitions. But I finished wishing that I had listened to the unabridged version. There was a big gap between the study of our the connections between our reptilian and rational brains, and the cultural reasons (mostly sexual) for using music as an expression of ourselves.

I really enjoyed the fact that the author took the time to insert musical examples. Usually audio books are basically read aloud, but this one includes music. I wish it had more of it.

Because the book was abridged, I was left with that strange feeling we get when we listen to a beautiful musical piece, and the last note is left unplayed. A feeling of incompleteness, but the knowledge that the author meant well. If you can deal with those feelings, then buy the audio book. If not, I suggest you read it the old fashioned way.

This abridged edition definitely felt shortened - it did sound like many subjects were not fully fleshed out and could have used more detailed explanation.

I thought this book was very interesting and thought-provoking. I would have enjoyed it even more with injections of more medical or science-based studies and evidence. But it is very good, especially in audio book format since he has audio examples throughout, and these audio clips really bring his points to life. In short, this book is definitely worth listening to and/or reading especially if you like music, which so many of us do.

The studies examining the effect of music on the brain are off to an interesting start, but Levitin benumbs us with so much detail that the book quickly becomes boring. In the areas where he uses music to highlight his point, his concpts are clear, but where he tries to explain the finer points like tambre and pitch, the book sounds too much like a graduate-level lecture.

I heard Daniel Levitin at a local book store and he was terrific. The crowd, and there was quite a large one, was enthralled as was I. Levitin's studies are ground breaking and will aid science in understanding why we enjoy one type of music but not another.

I will try to finish listening to the book someday, but the first two hours were lente,lente.

I bought this book expecting a scientific view of how and why music works. This is one of those occasions where I would say "Be careful what you wish for because I may come true". I got exactly what I expected. Unfortunately, I was so unprepared and uneducated when it came to music that it lost me almost right away.

I would recommend this book for someone is very highly educated in music, is familiar with music terminology, and has a curiosity about the brain and our anatomy of the ear. It is very "heady" and detailed.

I imagine someone who fits the description above will very much enjoy this book and learn a lot from it.

I, on the other hand, found myself taking far too long to process some information. By the time I was able to process it, I had missed about two minutes of the audio book and had to go back.

The author of this book is an expert in both music and the physiology of the human brain.
The book is a tour of technical aspects of what music is and technical remarks about how music is handled by our brain.
While this book would be a wonderful read for the person able to cope with a lot of technical information, it may become hard to follow if you don't know, or particularily care, where your cerebellum is located or what a 'perfect quarter' might be.

This book really is enjoyable and is accessible to anyone who understands the rudiments of science, but the listener will not hear any such words like "soul" or "spirit" in this work. Dr. Levitin spends all his efforts on describing how the box works, and very little on why or what it means. This is fine for most consumers, but I would have enjoyed a foray into that other dimension where most scientists fear to tread. Nevertheless, when all is said and done, I highly recommend it.

Overall this was an interesting book about the human obsession with music and how it effects us. Different aspects of the influence of music on the brain are presented in an almost scientific format, which made the book slow moving at times. I found myself speeding up the audio to double time to get through parts of the book. However, I did find it compelling enough to complete the book. If you are a musician, are interested in how music effects people, or are interested in what makes the brain fond of music this is a great book for you.