Listen to more in the Book of the New Sun series.
©1982 Gene Wolfe; (P)2009 Audible, Inc.
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
While the plot continues with the story Wolfe started in The Shadow of the Torturer, structurally Wolfe gets a little funkier with his second book. I liked it a lot, even though understanding it is sorta like seeking clarity in a broken mirror floating down in swift-flowing river.
I read this series when it first came out and seeing it here as an audiobook gave me the perfect opportunity to listen to it again and was glad to have my original opinion fully supported. Wolfe creates such fascinating characters and such a vibrant, fully realized world that you get totally sucked in. Jonathan Davis also does an excellent job in making Wolfe's prose--very ornate--pop and come alive.
An avid, omnivorous but critical reader.
Certainly. I have read the whole series many times but listening to it fills in or lets me fill in more inferences and observations.
Still Severian. Its fascinating how well you know him by the end of this book but even more interesting that there is so much more to discover about him that you really and genuinely care to learn.
Severian. You could say that he is not performed by Jonathan but he is instead performed by all the other characters. I guess Jonathan does so well with the supporting characters that they throw Severian into strong relief and you see him in a wonderful context. Perhaps that's why I enjoyed the audible book so much even though I have read the books over and over.
Yes indeed. Gene Wolfe tells you right at the beginning of the first book what's going to happen. And the story is asynchronous and loosely coupled but yet the reader (er listener) is compelled to walk with Severian (as he expresses it). The mystery, the allegories, the superficially hidden references that delight the audience and the deeper connections that the reader can triumphantly discover draw you to accompany Severian.
This book develops Severian, the wonderful combination of past, present and future in Severian's world and continues the beautiful prose and penetrating perspective gently hidden in a fascinating story.
Kat at FanLit
If you read The Shadow of the Torturer and felt like you were lost (or drunk), and weren???t sure whether things would get clearer in the second book, I have to tell you that no, they don???t. But if you, like me, enjoy that dreamy I???m-not-sure-where-I-am-or-how-I-got-here-or-where-I???m-going-but-everything-sure-feels-fine literary experience, then read on, because Severian???s head is a strange and fascinating place to be.
The Book of the New Sun is one of those works that some people think is ingenious and others suspect is just drivel. This is not the series for a reader who wants a quick-paced action-filled story with a concrete beginning, middle and end. This is for someone who???s in the mood to be open-minded and has the time and patience for some experimentation with character, setting, and theme. (And, perhaps, some mind-altering drugs might help.)
Gene Wolfe doesn???t much care for a traditional fantasy setting and he also doesn???t respect the traditional mechanics of storytelling. Tight plot? Why bother? This story wanders ??? seemingly aimlessly ??? all across the country (or maybe not, because we may have ended up where we started, but who knows?). Characters, conversations, and events that appear to be significant may mean nothing. There are hints of lost races, species, technologies, knowledge, and allegorical meaning that may never be explained and connected for us at the end. There is plenty of bizarreness (even an Ames Room!), which is what I enjoy most.
Wolfe???s world is rich, most of what happens is unexpected, and the reader feels completely helpless to predict anything or even to be assured that things that will work out as they???re ???supposed to??? in a fantasy novel... But we???re in Gene Wolfe???s creative hands, so it???s not the destination; it???s the journey.
This book moves at a much better pace and answers some questions that left you hanging in the first book. My only complaint about this one is that the author took to long going over the play in detail. I'm not sure if he meant this as a foreshadowing or if he meant it to have more significance than I personally felt it did (my opinion, yours may vary) I'm halfway through the 3rd book now, it's even better than this one.
This book (The Claw of the Conciliator) and the next (The Sword of the Lictor) have more of a standard fantasy plot than the first book (The Shadow of the Torturer): a singularly talented guy on a quest carrying some powerful artifacts. These two books also begin to feel claustrophobic, as the same handful of characters keep showing up.
But after reading the first book, one should realize that one doesn't read these books for their plot or characters, but for Wolfe's amazing style and Severian's reflections. An example is probably more illuminating than my description:
"...Now it struck me that the will itself was governed, and if not by reason, then by things below or above it. Yet it was very difficult to say on what side of reason these things lay. Instinct, surely, lay below it; but might it not be above it as well?...
But is instinct truly that "attachment to the person of the monarch" which Master Malrubius implied was at once the highest and the lowest form of governance? For clearly, instinct itself cannot have arisen out of nothing--the hawks that soared over our heads built their nests, doubtless, by instinct; yet there must have been a time in which nests were not built, and the first hawk to build one cannot inherited its instinct to build from its parents, since they did not possess it... Perhaps that which came before instinct was the highest as well as the lowest principle of the governance of the will. Perhaps not. The wheeling birds traced their hieroglyphics in the air, but they were not for me to read."
I feel like all these books end abruptly. I guess that is what you get when you take a huge book and break it into 4 parts. I long for the ways of french romanticist literature when a 1400 page book like the Count of Monty Cristo got published commonly. Anyway. It is good. Though I noticed that whoever put the cover art together spelled Conciliator wrong (or the people who listed it on audible did, either way someone screwed up).
Now planning to evaluate five different versions of DRACULA.
This is a review of the four volume THE BOOK OF THE NEW SUN (TBNS) by Gene Wolfe; which traces the coming of age of Severian, once a member of The Order of the Seekers for Truth and Penitence.
In printed form the earlier works of Gene Wolfe can be quite challenging and this is the quintessential Wolfe novel. The esoteric language employed forces your eyes to slow down and read with great care. So many of the words, while supposedly all authentic English words, are unfamiliar that looking up at least a handful of them is necessary to understand the text. As a result, the reader’s mind has time to explore Severian’s world as the protagonist himself is doing. The printed books are heavy in the hand and the weight of the pages fore and aft serve as constant reminders of what has come before, and what is yet to be.
The most telling observation I can give about the audio book is that it transforms a massive tome into a much more personal narrative. As an audio book TBNS takes on a less intimidating, much more intimate and even more friendly character. The inexorable pacing of the narrator, Jonathan Davis, does not permit pauses for reflection, or speculation, the story plows on, without pausing to try to pronounce a word, without going back to regain the flow of the plot after a difficult flashback. And it is just fine.
Jonathan Davis is a most excellent narrator for TBNS. His voice has a deep calming quality that is well suited to recounting Severian’s story. He gives each character their own individual voice. He gives a fine performance ranking this among my favorite audio books. I can recommend all four of the volumes of TBNS here on Audible without reservation.
Note: The short afterwards that are part of each of the four volumes are not included in the audio versions. They should be read to get the full effect intended by the author Gene Wolfe.
I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
If Gene Wolfe's The Shadow of the Torturer (1980) is Severian's bildingsroman, depicting his growth from a boy apprentice to a young journeyman of the guild of torturers and his exile into the world outside it, The Claw of the Conciliator (1981), the second novel in Wolfe's four-book science fiction classic The Urth of the New Sun, is his romance, relating his experiences--many involving women he loves--outside Nessus, the City Imperishable, as he attempts to travel north to become the lictor of Thrax. The novel also traces his growing awareness of the powers of the awesome jewel hidden in his sabertache, the Claw of the Conciliator.
The second novel is more difficult than the first, having less humor and more disturbing things, including a woman's graphic execution, excessive "cooing," narcotic cannibalism, algophiliac sex, an awful fate for an artificially beautiful woman, and a confusing climax (that isn't explained till the third book). The darker mood of the novel is reflected by a line Severian sees in the Book of Wonders of Urth and Sky: "Hell has no limits, nor is circumscribed, for where we are is Hell, and where Hell is, there we must be."
Moreover, the two longest chapters of the novel consist of a story that Severian reads aloud and of a transcription of play that Dr. Talos' company performs, and although the story and especially the play (a series of funny lines and outrageous scenes satirizing religion, politics, and humanity and reflecting a culture longing for a new sun) are interesting, they both seem to last too long. And despite Jonathan Davis' best efforts (marvelously reading the novel as a whole) it's often impossible to tell which character is speaking which lines in the play without referring to the text of the book.
All that said, there are many poignant and sublime points in the novel, which thrums with Wolfe's perfect prose, exotic vocabulary, philosophical asides, and vivid, dream-like descriptions. And there are many powerful moments, as when Severian hears an apocalyptic step in a deep mine, raises his "iron phallus" over Agia, enters Vodalus' forest headquarters atop an elephantine baluchither, looks in a man-sized mirror-paged book in the House Absolute, tosses a coin into the Vatic Fountain there, talks with Dorcas about the Conciliator, and sees and is seen by the mythic Apu-Punchau.
And another line in the novel beatifies the Hell vision: "In the final reckoning there is only love, only that divinity." Indeed, this novel is largely about love in many of its forms, among them Severian's sad and abiding first love for Thecla, his protective and companionable love for Dorcas, his self-destructive love for Agia, his resentful lust for Jolenta, his awed attraction for a gargantuan undine, his lost love for his mother, his warm friendship for Jonas, and his fly-captured-in-amber admiration for Vodalus. At one point Severian senses Thecla's mind inside his: "We were one, naked and happy and clean, and we knew that she was no more and that I still lived, and we struggled against neither of those things, but with woven hair read from a single book and talked and sang of other matters."
I purchased this book, because I wanted to see how the series ended. But couldn't finish it. Mr. Wolfe, starts to go off on tangents, which do not really follow the main story line. For example, he spends approximately 30 minutes of time reviewing a story in side a book, that the main character is reading. Next, he spends a great amount of time, retelling a play that the main character had a part in. This series had such potential, but I couldn't keep going on with the series, or even the book, due to these diversions.
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