In this first volume, the Gormenghast Castle, and the noble family who inhabits it, are introduced, along with the infant firstborn son of the Lord and Countess. Titus Groan is sent away to be raised by a wet nurse, with only a gold ring from his mother, and ordered to not be brought back until the age of six. By his christening, he learns from his much older sisters that epileptic fits are "common at his age." He also learns that they don't like his mother. And then, he is crowned, and called, "Child-inheritor of the rivers, of the Tower of Flints and the dark recesses beneath cold stairways and the sunny summer lawns. Child-inheritor of the spring breeze that blow in from the jarl forests and of the autumn misery in petal, scale, and wing. Winter's white brilliance on a thousand turrets and summer's torpor among walls that crumble..."
In these extraordinary novels, Peake has created a world where all is like a dream - lush, fantastical, vivid; a symbol of dark struggle.
©1967 Mervyn Peake; (P)2000 Blackstone Audiobooks
"[Peake's books] are actual additions to life; they give, like certain rare dreams, sensations we never had before, and enlarge our conception of the range of possible experience." (C.S. Lewis)
As others have noted, Peake is often spoken of in the same breath as Tolkein. They are undoubtedly two of the greatest English fantasy novelists of the twentieth century. But rather than thinking of Peake as similar to Tolkein, it's perhaps best to think of him as the anti-Tolkein. Both Peake and Tolkein are great at what they do, but they're up to rather different things. If The Lord of the Rings is a basically celebratory series that focuses on plot, Peake's Gormenghast books (not, by design, a trilogy, but the first three books of a longer series cut short by Peake's untimely death) are deeply cynical and are about character and, above all, setting. While Tolkein's world is full of magic, monsters, and a variety of non-human races, Peake's is largely without all these things.
I'm a longtime Tolkein fan who is now also a Peake fan. Plenty of people appreciate the qualities of both authors. But others love one and detest the other. For example, the great British novelist Michael Moorcock is a proponent of Peake and a detractor of Tolkein.
At any rate, this book is a classic that deserves a listen by those prepared for something un-Middle Earth-y. And Robert Whitfield's reading is truly outstanding, as he effectively brings to life the many characters who populate Peake's book.
I completely understand why a lot of readers would give this book a low rating. Many readers, and especially readers of fantasy, get very comfortable with the presence of cliches, and this book just doesn't give them any. Titus Groan doesn't have a grand good vs evil narrative, there is no sword play, nor wizards, nor damsels in distress, nor teenager-saves-the-world narrative. You get none of the usual formulas. The action is sparse, the language is thick, and the world is just sort of weird. It's not something that an average teenage fantasy fan will enjoy.
With that said, Titus Groan is a fantasy masterpiece. In its weird way, it's every bit as rich as Tolkien or Rowling. The characters are bizarrely entertaining, and the challenges they face are, if not quite the all-encompassing fight for civilization, nonetheless poignant and intriguing. As strange as the novel is, it feels more real than most fantasy.
Titus Groan is a novel without a contrived road-map, and it is as much high literature as it is fantasy. Good literature is challenging: it forces you to think, and if you engage in it, it is far more rewarding than a thousand sword and sorcerer novels. Readers who think in cliches will either fail to understand the novel or will grow frustrated at the meandering plot. But for those who like a challenge, who enjoy reading about a fantastical world for its own sake, and who have an attention span that hasn't been crippled by frenetic, pop-culture oriented fantasies, this book is well worth it. It's strange and rich and utterly unlike anything you're ever going to see again. It's beautiful.
Titus Groan is unlike most novels that rush to get to the end. Peake treats his story like life, that it is not so much getting to the destination that's the real goal, but the journey itself that's the real fun of it all. And what a journey it is! He writes in silvery images on moonlight that creats a portrait of fine art, not just a story.
The Gormenghast trilogy is (like Carroll's Alice in Wonderland) a satire on British society which is both funny and tragic. It explores a marvelous wonderland of its own behind the endless sprawling walls of the Groan's castle and puts the reader inside the workings of a stuffy upperclass and into the shoes of the working class peasants, all the while making us laugh at ourselves.
The Gormeghast books are a masterpiece of 20th century literature. The environment Peake creats IS the point of the story, a world that can immerse the reader and make you hope that you don't get to the end too quickly or you might miss the roses growing along the way.
VERY slow in the start and along the way. It takes four hours to properly introduce everyone in the castle. BUT, if you're not in a hurry AND you like the unusual: this is one of those. Very well written, very thickly textured, very strange characters... and very surreal. A slow paced dip into a dream (world). A medieval circus of royal sorts. Nice.
This is not a book for listeners who like their fiction short and snappy. I love the richness of detail and the many-layered complexity of the Gormenghast books, but some listeners may find them slow going. This book, the first in a trilogy, certainly has more description than plot, but rewards the patient listener with subtle humor, pathos and suspense. The reading is excellent, beautifully paced and really brings the characters to life. I couldn't wait to get onto the next book.
Robert Whitfield brings this story to life. Peake's genius is the description of the eccentric; but his language can heavy and pace slow at times. Whitfield's reading more than makes up for this shortcoming, and completely kept my interest even when Peake's writing by itself may not have.
I read the Gormenghast triology about a year ago and was delighted to find it in unabridged format on Audible.
The narrator, Robert Whitfield, is one of the best I've heard on Audible (excellent in Don Quixote). If you are a Mervyn Peake fan, you won't find a better download than this.
I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
Mervyn Peake???s Titus Groan (1946) is unique. Dense, funny, sad, hermetic, and epic, it stands alone in the landscape of literature, like the labyrinthine, ???umbrageous,??? and craggy castle Gormenghast, in which the Groan family of earls and their servants and workers are ruled by iron tradition and obscure ritual. The novel begins with the birth of Titus, the unsmiling son of Sepulchrave, the 76th Earl, and with the escape of Steerpike, the amoral, clever, and ambitious kitchen boy. These events initiate ???that most unforgivable of all heresies,??? change. Peake writes the stifled life of the decaying castle and its grotesque inhabitants with humor and empathy. And with intense detail, so that it might be difficult for a first time reader/listener to enter Peake???s world of baroque descriptions and bizarre yet apt metaphors.
But the persevering reader drawn more to the strange pleasures of a poet-painter???s skewed imagination than to the familiar excitements and moral clarity of Tolkienesque fantasy will discover a strange world full of unforgettable characters, events, and images. A few of my favorites are: a room full of white cats; a field of flagstones framed by clouds; a poem read out of a window by a wedge-headed poet; a gift ruby red ???like a lump of anger???; a room tangled by painted roots; a library refuge of row upon row of priceless???and flammable???books; a sinister equestrian statue; a funeral featuring a headless human skeleton, a calf???s skull, and a blue ribbon; a one-legged, foul-mouthed dwarf walking back and forth over the dishes of a ceremonial breakfast; a deadly duel featuring a two-handed cleaver, a sword, and a room full of spider webs; a pair of voluminous purple dresses floating on a lake; a serious baby making ???a tiny, drunken totter??? on a sandy beach???
Robert Whitfield (Simon Vance) reads Titus Groan with flawless enunciation, rhythm, and feeling. I often found myself rewinding to enjoy again his enthusiastic reading of Peake???s rich language and eccentric characters. Although I was disappointed by his Fuchsia (more simper than passion), his other characters were great, especially his Flay (terse gravel), Swelter (flabby unction), Steerpike (cold, cocky working class), Nannie Slagg (wrinkled querulousness), Dr. Prunesquallor (falsetto trilling ???Ha-ha-ha-ha!???), and the twin sisters (vain and venomous monotone).
There is none of the magic or supernatural of typical fantasy novels in Titus Groan. Nevertheless, it is a fantasy novel because it presents a more ugly, beautiful, absurd, sad, and hermetic version of our real world. And the themes of Titus Groan remain relevant: the conflicts between imagination and ambition, emotion and calculation, and new and old; the detrimental effect on human minds and relationships of tradition, ritual, and class; the pain and wonder of artistic creation; and the difficult but vital need to find our own special place where we can be fulfilled.
I loved the prose - the book is wonderfully written, but I found it ponderous. Rather like the characters themselves, slow and heavy.
Enjoying audiobooks daily!
Part 1 really set the story up nicely. I loved the characters, weird as they are, and the narrator was perfect with a range of voices for each character. I would refer this to anyone who loves a good book along the lines of a cross between dark gothic and poetic fantasy.
Report Inappropriate Content