The Blade Itself: The First Law: Book One

I have listened to a ton of Fantasy based novels from George RR Martian to Jim Butcher. This author in this series is as good as any of them. You will not be disappointed with this book! The reader is great and the story line is well thought out. I have to say that I am especially impressed with the characters as each one of them has there positive as well as negative attributes.

Book one is well written, has interesting characters and is very well read. It serves to build the characters, twine them together and set the stage for a great epic resolution. Just as the reader is prepared for great battles and great twists of fate that will surely bring all the characters together again - book one ends leaving only questions and no resolutions.

This book is not a waste of your time or your credit, but you'll be disappointed if you don't have book two and possibly book three to step into.

This is just a great book and an excellent begining to a promising triology. All the elements are here...excellently written, superb narration, multidimensional characters, a large world, magic, violence, romance, war, and politics. Sometimes funny, always engaging and thoroughly enjoyable…sucks you in and pins you there as you ride along with the story. Easily on par with Mistborn, A Song of Fire and Ice and The Wheel of Time. Can't wait to hear books 2 and 3.

I've listened to many audio books and in my opinion Steven Pacey is in a league of his own. The characters come to life in his voice. But even a good narrator must have something with which to work. The Blade Itself lends a wonderful story to a magnificient voice. If one loves fantasy one must own this title.

Steven Pacey really makes the story and especially the characters come alive with his many voices. Joe Abercrombie is definitely a talented writer having created memorable and personally engaging people that would make me curse but also laugh out loud. I highly recommend this series. Having also just finished George R.R. Martin's master work, I was left with a fantasy-epic void, but alas, it was solidly and immensely satisfied with Abercrombie's First Law series.

I have purchased and borrowed a great many fantasy titles over the years. The majority, either
spoken or written, were rubbish...trite plots, one dimensional characterization, often, near copies of older, far better originals. In spoken versions, all too frequently, the reader(s) overdramatize, never varying the pace,and/or go well beyond their range and abilities to vocalize, perhaps to make up
for the trash they have to read, and make a bad thing worse. This seems the case with so
many "series" fantasy novels, that I mostly stay away from them. This one is an honest to goodness
exception.
I like long books. The price Audible put on "The Blade Itself" and its over 20 hour length convinced
me to get it, all other factors included i.e. good reviews, decent preview. The book was everything
good fantasy should be...original plot, characters who act and think like real people, violence, sex, action, intrigue all in reasonable doses and with excellent pacing and a very liberal sprinkling of
genuine humor...a bit "black", I'll admit...throughout. I have not actually read the author before
listening to this, so I really can't assign a percentage of credit for how well this work was done to
the narrator, Steven Pacey. But his reading of "The Blade Itself" was pure delight...right up there
with Jim Dale and John Lee (at his best). If the rest of the series is as good, well... one can only hope.

What a Great book!. The Story is very smooth. The Characters are well developed and likable. Its got all you want in a fantasy book. Blood, guts, magic, heroes and villains. its got alot of action and some good humor blended in. The narrator does a great job. cant wait to listen to the next two books. And im sure if your a Geaorge RR Martain fan..you will enjoy this too.

I cannot say enough about this series...except I want more! I am a big fan of Robert Jordan and GRRM and was beginning to despair that the rest were all for "young adults." Joe Abercrombie doesn't hold back. I was swept up in a world that was realistic and fantastic at the same time. Some people complain about the language but the use of "foul language" keeps you rooted in the world. This is a dark and gritty tale meant for adults. This is a must read for GRRM fans! You'll find yourself loving and hating characters at the same time much like you do in A Song of Ice and Fire! Narration was excellent!

This author is well known to have no real good guys or bad guys but real people. I enjoy all his books.

In Joe Abercrombie's The Blade Itself (2006), swords, knives, axes, maces, spears, staves, bows, crossbows, tongs, chisels, lumber, fists, feet, arms, legs, teeth, and magical force all are put to bloody use during scenes of cinematic graphic violence ranging in scale from arrests and interrogations to ambushes and skirmishes (full scale battles are sure to come in the second or third novels in Abercrombie's epic fantasy noir First Law trilogy). But good as Abercrombie is with a blade, he really excels at character development, irony, and humor.

The Blade Itself focuses on the troubles of the Union: the king is senile, his callow sons are unfit to lead after him, squabbling factions weaken the government, the over-taxed peasants are restive, the Northmen have invaded from the north, and the Gurkhul Empire is preparing to attack from the south. Into this situation Joe Abercrombie introduces three main point of view characters, each of whom is darkly delightful to follow.

--Logen Ninefingers, the most feared warrior of the North, is a killer who has come to regret his bloodthirsty youthful exploits. Surprisingly for a "barbarian," he is philosophical and open-minded--but look out if his Mr. Hyde berserker alter-ego the Bloody Nine surfaces! Acting on advice from spirits, Logen heads south to meet a mage who's seeking him. What will he make of civilization and it of him?

--Sand dan Glokta sourly remembers his glory days as the champion swordsman and star noble of the Union, which ended during the last war against the Gurkhul Empire when he was captured and tortured for two years. Now thirty-five, he is an ostracized, cynical cripple, limping around in constant pain as an Inquisitor for the Inquisition. Glokta regularly asks himself why he's doing what he does, even as he tortures confessions out of small fry "traitors" like plump merchants. Will he ever uncover the true enemies of the state?

--And Captain Jezal dan Luthar is a vain, snobbish, and lazily ambitious nobleman, expert in winning his fellow officers' money in cards and leading them in drunken debauchery. Does he have the desire required to train seriously enough to win the Union's annual swordsmanship competition? Will he ever fall in love or mature?

Abercrombie writes interesting supporting characters, too, among them Major Callem West, a farmer's son who rose through the ranks by dint of hard work and courage; Ardee West, Callem's intelligent and frustrated sister, who chafes at being limited to a woman's role; the Dogman, the scout for a band of Northern outlaws who believe their chief, Logen, is dead; Ferro, a black-skinned, yellow-eyed, snarling female ex-slave criminal warrior who lives for revenge; and Bayaz, the centuries-old, legendary First of the Magi who thinks that world affairs could use a little wizardly aid again. The Blade Itself is great fun when its characters--each with different cultures, backgrounds, personalities, prejudices, and agendas--spend time together.

With rich irony, Luthar and Glokta see the powerful mage Bayaz as an "old lunatic" or an "old fraud." The caustic thoughts of Luthar and Glokta often hilariously contradict what they say, especially when kowtowing to superiors. Logen has some great lines, too, as when Bayaz explains to him that civilized people enjoy the theater, and he says, "Stories? Some people have too much time on their hands." There are plenty of funny similes, as when Bayaz sends an obnoxious Northern prince packing with "a face as red as a slapped arse." There are plenty of pointedly comical situations, too, as when Bayaz leads his gormless apprentice and Logen into a theatrical supply shop to buy gaudy costumes with which to convincingly play their real roles. Even the action scenes have funny touches, as when Ferro and Logen are being chased over city roof tops by persistent Inquisition "Practicals," and they crash through a roof and land in a bed in a room and Logen thinks, "In bed with a woman again, at last."

Stephen Pacey reads the novel masterfully, turning a four star work into a five star one through his use of different voices and accents for the characters from different cultures and backgrounds. He gives Glokta a gap-toothed lisp, Bayaz a John Geilgud-esque sly grandeur, Logen a Northern England accent, Ferro a feral attitude, and so on, each choice entertainingly enhancing Abercrombie's characterizations.

The Blade Itself does have plenty of typical features of the epic fantasy genre, such as the identity-less, Orc-like Shanka overrunning the far north, the evil Prophet sending evil cannibal mages on evil missions, and the varied group of people preparing to go on a vital and dangerous quest led by an old wizard. But Abercrombie gives the genre a fresh spin with his anti-hero heroes, unpredictable plot developments, irony, and entertaining imagination.