The History of Love

I've been listening to Audiobooks for over a year, and this is the first time I've felt compelled to write a review. I listened to this back in May. The story is still with me. Leo Gursky is a character that will not soon leave you, and the narrator of his voice makes him come alive. Download now -- you won't be disappointed.

I think the title drew me to the novel, but I wouldn't have expected to enjoy it as much as I have. The voices that the narrators give to the voices that Nicole Krauss created are perfect. Though I found the voice of Alma irritating at times, it is the right voice for the character. Leo Gursky's humor is priceless and his pain is palpable. The manner with which all the novel's characters are connected seems extraordinary and improbable and yet completely plausible at the same time.

A wonderful book written from different perspectives. The voices really bring this story to life. Download this one now...you will love it.

What a surprise, a divine revelation to find this treasure buried among the cast offs in Audible's last sale. How is it possible that the title "A History of Love" is not shouted from the roof-tops, bill-boarded along reader's highways and passed around slyly like a rumor between friends-in-the-know.
Or perhaps it is, and I am just out of the loop, confused by the lack of awards notices on a book that is so far superior to the NY Book Review, Pulitzer, Oprah and Best Seller marks plastered on less-deserving works.
Though mysterious and filled with shadings of poetry, magical realism and literary allusion this book is nonetheless well grounded in the here-and-now, and straight forward in narrative.
Of note, the audio version may be superior to the printed in that the listener is spared the work of guessing when voices change, and who is narrating. Also, because the four actors in this recording give outstanding, lyrical and pitch-perfect performances.
PS: Please save discovery of the narrative for your own pleasure, and avoid pre-reading the plethora of (mostly favorable) reviews about this book. I went through a few after listening, and felt the destructive weight of the spoilers among the praises, even for a book I had already read. Don't let someone else trample through this garden before you've had your joy of it.

In a world of fast paced, too-quickly written fiction, this beautiful work of art is slow and lush. The language is simple and strong. The images evoke a tangible reality. The characters (specifically Leo Gursky) are developed from youth through senility with a careful, respectful hand. "The History" could have been written by an older writer, but Nicole Krauss' youth is filled with promise.

Historical iterary references are beautifully and realistically incorporated into fiction.

But the most amazing aspect of the book (which is a story about a book) is the voice, the language. Leo Gursky, one of the primary narrators, speaks in the first person of his past and present, his fears, longings, regrets. What might be called "digression" in another writer, here is done so naturally that the reader/listener travels with Leo from Poland to New York and back without disruption. Switching between a young narrator and Leo is equally smooth and credible. I longed to finish it, regretting it was over.

I too want to find Alma (all the Almas). I suffered to learn Issac may have (ultimately did) know of his father for a time when his father knew of him. Young Alma, the child in all of us, the seeker, the caretaker, the lover of life sought her father in every way she could.

The end, a little confusing for me. Did it happen this way? Did young Alma fill for Leo the void he carried those many years? Or had he, as he suggested, lost his mind?

And the surprising ascension of *Bird* to secretly help his sister's search, earning himself the title of *lamed vovnik,* added even more depth and parallelism.

I admit I borrowed the book from the library. Between listens, I went back and read from the book to clarify some of the plot that I feared I had missed.

The last 30 minutes (30 pp or so) were satisfying and explanatory and moving and wonderful.

Did I cry? Yes. A bit, at the end, from happiness. Did I laugh? Yes. Many, many times.

I have listened to over 200 audio books and this one is one of my favorites. It is a wonderful story with very interesting characters that you really feel for. The intertwining of several stories and the authors wonderful way with words made it all the more enjoyable. Every time I had to stop listening, I really looked forward to starting again. I highly recommend this wonderful book.

I hate chick lit. So, with a title like the History of Love, you might expect chick lit. Not so. Does this mean dudes will like it? Probably not, but it's not that ridiculous self-obsessed Sex in the City crap. This is a very touching book about love and a book about love. (You read that right.)

I was charmed by both Leo and Alma. I was convinced of their ages and emotional states as much by the writing as the excellent narration. Alma's list-making was a particularly inventive way to tell her parts of the tale.

Although, it seems a small part of the story, the book within a book also has some imaginative prose/ideas.

I thought the author particularly bold in one instance to suggest that an obituary Leo has written is a superior and inspired piece of writing. We accept this as fact, forgetting that its author is not the fictional Leo, but Ms. Krauss. Suffice it to say, she is a talent.

So, if you appreciate a creative yarn that's well written with quirky characters and NOT chick lit, this is a good option.

After looking at the reviews, I was expecting a wonderful listen. For the most part, the reader's reviews are on the money for me. To be honest, though, I had a miserable time trying to stick with it. The only time I tuned in without effort was when Leopold Gursky was narrating. I would have enjoyed the book greatly if it had remained in his narration. I forced myself to finish it to the end and then questioned my decision.

Every once in a while a book is so powerful that you never want it to end. I will miss all the Alma's and Leo. What happened to Bruno? Was he real, or a figment of Leo's imagination? I sat transfixed in my car wondering how they could be gone. The connections were rich, amazing how in a city the size of New York--Germany, South American it might be possible for those connections. Those of us in small towns are never surprised by knowing everyone, but secretly hope that in large cities there may be anonymity. Every voice, every turn of events, was so well crafted by this author, (and the readers) that I was sad it had ended and have engineered my own hopes for the characters.

I never read or listen to a book twice, but I'm going to listen to this one again! It's rich, it's funny, and it's deep. The plot isn't a fast-moving one; rather it's about the depth of one's love and the existential question of how and why we love. There are 4 voices for the characters, and I found them all pleasant. I'd put this one up with Life of Pi and Bee Season as mature, philosphically pleasing and also a great read.