This audiobook pairs two classic voices the distinctive turns of phrase of seminal Russian novelist Vladimir Nabokov and the equally recognizable baritone of prolific narrator Stefan Rudnicki. Speak Memory, a book of autobiographical essays first collected in 1951, has been hailed as one of the best works of nonfiction in the 20th-century. The tight connection between masterful prose and richly contemplative voice work assures that nothing in this fascinating self-treatment is lost upon the listener.
Nabokov spends little time discussing his writing, but his creative processes are spectacularly evident as he examines his own life from the history of his parents up through his immigration to the United States in 1940. Rudnicki captures all the little excitements of boyhood, from building forts to the first summertime crush, and hobbies of chess and butterflies that would become Nabokov's lifelong obsessions. On the run first from the czar and then from revolutionary Russian politics, Nabokov led a very international young life that parallels Rudnicki's own travels, making the accents particularly on point. Rudnicki's Polish heritage affords him the slightly drawn out Slavic vowels, and he displays an impressive command of the author's several languages English, Russian, French, and even a bit of German.
What emerges is a nuanced portrait of an exceptional and unique figure in literary history whose powers of delicate perception are thankfully matched by Rudnicki's precise and vibrant interpretation. Rendered in a charismatic style deeply befitting a man as charming as Nabokov, there is a lot to love in this audiobook. Even those who have already long treasured the text will find this a worthwhile listen. One cannot say that it sounds like Nabokov doing the reading, but if the author had a choice in the matter, surely Stefan Rudnicki delivers the resonant voice that Nabokov would have chosen for his audio avatar. Megan Volpert
From one of the 20th century's great writers comes one of the finest autobiographies of our time. Speak, Memory, first published in 1951 as Conclusive Evidence and then assiduously revised in 1966, is an elegant and rich evocation of Nabokov’s life and times, even as it offers incisive insights into his major works, including Lolita, Pnin, Despair, The Gift, The Real Life of Sebastian Knight, and The Luhzin Defense.
One of the 20th century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899. He studied French and Russian literature at Trinity College, Cambridge, then lived in Berlin and Paris, where he launched a brilliant literary career. In 1940 he moved to the United States, and achieved renown as a novelist, poet, critic, and translator. He taught literature at Wellesley, Stanford, Cornell, and Harvard. In 1961 he moved to Montreux, Switzerland, where he died in 1977.
©1947-1951, 1967 Vladimir Nabokov (P)2010 Audible, Inc
"Beguiling and superbly produced, this bittersweet rendition will appeal to lovers of Nabokov and those experiencing their first taste." (AudioFile)
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
Probably one of my favorite autobiographies to date (beaten only perhaps by the Education of Henry Adams). Realistically, it is 4.56 stars given the narrative gaps (most were written as individual pieces for Atlantic Monthly, the New Yorker and Harpers). The section on butterflies (Chapter 6), his Russian education (Chapter 9), and his portrait of his mother (Chapter 2) were absolutely AMAZING. Other chapters were just as good, and only a couple were less than what I hoped. It is interesting to think of Nabokov writing these in English in Massachusetts from his Russian memories and then translating them in the 1950s back into Russian and then using the Russian version to edit a new edition in 1966. The human mind, with all its varieties, is an phenomenal thing...but Nabokov's mind and the prose it produces makes me want to just lay down and lick the back of my own head in jealousy.
always looking for the next fabulous audiobook. I'm so glad to have found the audible website.
a beautifully written biography that captures much of Nabokov's life with particular
reference to his childhood. From this perspective Nabokov's perceptiveness and
remarkable memory give the listener a unique prism from which to view the unfolding of his
own life and those around him. Small details like the muff that his mother raises to her
face to keep out the cold as she is drawn along by the sleigh take on an importance equal
to many more weighty events drawn by the story.
Because it is told from the point of reference of an emigre, looking back to a world in
Russia now almost entirely gone, there is a poignancy in much of what is related.
Some of the people who inhabit the story sadly never survive the political turmoil and wars
of the times. In a sense the writer pays remarkable homage to these people, swept away
by the tide of history.
I would have chosen a different narrator for this particular story, but otherwise it was a
Yes. I love Nabokov, so I may be a bit biased, but this book illuminates so much more than just a man and his life, and more than just his life's work. It is filled with insight into many aspects of life. It's also a very interesting history told through a wise and eloquent lens.
Well, Nabokov I suppose. Also Vera.
Stefan's voice seems perfect for every aspect of this book. I very much enjoyed it.
Chapter 11 section 2. A simple but beautiful notion about life, art, and the artist.
I was traveling to Russia and thought I'd take this along since much takes place in St. Petersburg. This is not an easy book nor everyone's cup of tea. That said, it is a stunning account by the author of his early years prior to 1940; he examines the question of "who am I?" through stories, fragments of memories and a robust portrait of his father. The writing is addictive, despite, or maybe because of the author's attitude being quite humorless, definitely arrogant and sometimes didactic. I watched a youtube video interview of Nabokov, and the real man was quite bristly and he had an odd, odd accent (despite his Cambridge education.) The narrator (Rudnicki) does a clever job of capturing the real man, without alienating us. I don't think I would have read this book on paper; listening to it was made easy by this production. The narrator handles the long, winding passages with ease. It was a delicious listen.
Nabokov is a Master of words, the memoir itself is beautifully written, but I regret spending the money on this audiobook. Let the narrator's Slavic surname not fool you - he butchers Russian names and titles hopelessly. Of course, if you are not familiar with Russian, it wouldn't be a problem, but I couldn't help but cringe every time.
It is pleasant to have Nabokov as a companion on long car journeys, but why has S. Rudnicki been made the voice of Nabokov in so many of these audio recordings? He is a lifeless, slow, plodding reader, with a rebarbative accent. COuldn't they have found someone with a bit of dramatic dash, or at least with a pleasant voice?
of course! the reader's voice is exceptional! as is of course any writing by Nabokov!
I practically never listen to any audiobooks therefore cannot compare.
No, I haven't heard his other performances. Bound to be as sterling as this one, am certain.
I never listen to anything in one sitting, no matter how terrific. I like to spread it across time to extend the pleasure, like reading a good book.
The Voice! Simply supreme!! Commanding! powerful!
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