Three hundred years from now, Earth has been rendered uninhabitable due to the technological catastrophe known as the Nanocaust. Archaeologist Verity Auger specializes in the exploration of its surviving landscape. Now, her expertise is required for a far greater purpose. Something astonishing has been discovered at the far end of a wormhole: mid-20th-century Earth, preserved like a fly in amber.
Somewhere on this alternate planet is a device capable of destroying both worlds at either end of the wormhole. And Verity must find the device, and the man who plans to activate it, before it's too late - for the past and the future of two worlds.
©2008 Alastair Reynolds (P)2010 Tantor
“Century Rain fuses time travel, hard SF, alternate history, interstellar adventure, and noir romance to create a novel of blistering powers and style.” (SFRevu)
"One of John Lee's best performances"
I'm an Alistair Reynolds fan, got this the same day it became available. The story is good, but not one of his best. I realy liked the steampunky 'Terminal World' much more. If Mr. Reynolds is going to veer from his standard hard SciFi space operas, he should continue in that direction, in my humble opinion. However, John Lee really nailed this one!. His voice for the American private eye was spot on. The only other review so far was negative due to the "1920 detective noir" style. The main character is a detective from 1959...go figure. I thought it was perfect for the character and story. Bravo Mr. Lee!
"Reynolds and Lee deliver another fantastic read."
Yes, as long as they like the genre.
There's a great twist in the story when you realize what is going on for the first time. Reynolds didn't come out and say it, he just gave lots of little clues. Then all of a sudden it just tipped, and I had a great ah ha moment. Wonderfully done.
I could listen to John Lee read a book about dirt and would probably be captivated. He is one of my top two favorite readers. His voice was soothing and stayed out of the way of the action in the text, and he voiced the characters so that you knew who was talking without having to think about it.
There was maybe two times when I teared up, but hey, I'm an emotional guy.
"Brilliant on All Levels"
I've listened to many of Reynolds' novels. This is the winner. Reynolds had me believing in his new and exciting SF inventions, but beyond that the novel is a fine mixture of mystery and terror.
"Great SciFi"
The big reveal to Floyd
One of his best
Loved it! Another great story from Alastair Reynolds
"1920's gumshoe meets 23rd century spaceships"
the Narrator. John Lee has a wonderful voice, I could (and have) Listen to him all day.
I see it as a cross between Casablanca and Starwars.
Landing the spaceships on the Eiffel Tower and it's eventual collapse
yes, but I cannot sit that long. it took a couple of days, but I enjoyed it
Alastair Reynolds is a wonderful writer. not all of his works take place in the same universe, but the are all quite imaginative
"Enjoyed John Lee's narrative of Century Rain."
Overall good audio book, but needed more depth
The ending was ordinary and to some degree predictable.
John Lee's delivery of the Century Rain and seamless charter transition was excellent as always. John lee can make listening to any Sci-fi worthwhile your time.
Yes.
"Frackin Awesome"
Listening to the story over and over and sharing it with my son, who listened to it over and over etc. A great story.
So many to choose from. Perhaps the final scene of Floyd dropping the universal restorative. Interesting though self centered move.
Yes but I kept falling asleep and having to go back and start over!
Readers voice was great.
"professionally done, but not the best scifi"
It has interesting concepts, and delivery of these concepts was pretty good. John Lee is a great narrator, and he does a pretty good job here. The reason i am giving three stars is due to the fact that approximately one quarter of the book deals with murder mystery investigation. I was hoping for more scifi and less of how Paris looked like in 1950 or so. Though last part of the book is pretty exciting, and has good nano technology based concepts.
"My ear's are bleeding."
I have never heard a book narrated so badly. John Lee reads science fiction as if it were 1920s detective noir. Which wouldnt be so bad if all of his character voices didnt sound almost exactly the same.
I do have to give Mr. Lee some credit, he's not working with a masterpiece of literary gold here.
I just finished the first part (6:32:10) and Im sitting here wondering if listening to the rest is a good idea. Having read or listened to all of Alastair Reynolds books this is by far the last on my list.
Because.
It starts in 1959 Paris, with no explanation of preceding events to put things in context. It almost feels like youve actually started with part 2. I actually had to stop and check.
The story jumps between characters so much you'll need Dramamine to keep from getting seasick, and when the characters change you don't realize it until a name is spoken BECAUSE THEY ALL SOUND THE SAME. (ARRRGGGGHHHH!!! )
Ok Im going to stop before my blood pressure go's up any more. Lol. Needless to say I wish I had purchased the e-book or actual paper version, maybe then it would be enjoyable, but I can not recommend the audible version.
Do yourself a favor and listen to the sample before you buy this book.
"Very successful fusion of noir and hard SF"
This is my favorite Reynolds novel so far--though I still have quite a few more to read. The plotting is very tight, including a satisfying joint resolution, toward the end, of several seemingly unrelated subplots. The characters are distinctive, and mesh nicely. As for the high concept, I don't want to risk spoilers by saying too much about it here. I found it very appealing. As a student of 20th Century history, I was particularly fascinated by the very subtly-crafted wrongness of Reynolds's 1959 Paris.
I can't decide whether the occasional references to "Casablanca" are fun or just a little too cute. I'm also not hugely enthusiastic about Mr. Lee's narration, especially the character voice for the main American character, with accent and phrasing just far enough off to be occasionally irritating. On the other hand, a supporting character with a Danish surname sounds pretty credible to my admittedly non-Danish ear. The defects are all minor, though. I'd give this one a strong recommendation.