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Short Stories: Gangsters, Detectives and Murderers | [Ian McEwan, Damon Runyon, Arthur C. Clarke, Marjorie Ann Watts, Edgar Allan Poe, David Ballard, Danuta Reah, Ambrose Bierce, Lee Child, Sir Arthur Conan Doyle]
Play Short Stories: Gangsters, Detectives and Murderers

Short Stories: Gangsters, Detectives and Murderers

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  • LENGTH
    6 hrs and 2 mins
  • RELEASE DATE
    09-21-12
  • AUDIO FORMATS
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    2 3 4 Enhanced Audio
 

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Publisher's Summary

Gangsters, Detectives, Madmen and Murderers is a classic and modern short story collection of strange, occasionally bloodthirsty, and often amusing tales about the characters and experiences that lurk at the fringes of our lives. From a man who will bet his own child on his dog, to a madman who is infectious and a cameo by Lee Child’s most famous assassin, these stories are as memorable as they are mischievous. Includes:

  • 'Solid Geometry' by Ian McEwan, read by Michael Jenn
  • 'Blood Pressure' by Damon Runyon, read by John Guerrasio
  • 'The Star' by Arthur C. Clarke, read by Constantine Gregory
  • 'Vivid Imagination' by Marjorie Ann Watts, read by Stephen Thorne
  • 'The Pit and the Pendulum' by Edgar Allan Poe, read by William Roberts
  • 'Child Support' by David Ballard, read by Guy Paul
  • 'No Flies on Frank' by Danuta Reah, read by Gerard Fletcher
  • 'An Occurrence at Owl Creek Bridge' by Ambrose Bierce, read by Jeff Harding
  • 'If Dead Fish Could Blink' by Adam Marek, read by Stephen Thorne
  • 'Guys and Dolls' by Damon Runyon, read by John Guerrasio
  • 'How It Happened' by Sir Arthur Conan Doyle, read by Stephen Thorne
  • 'The Greatest Trick of All' by Lee Child, read by Jeff Harding

©2012 Spoken Ink (P)2012 Spoken Ink

What the Critics Say

“It seems natural that this generation should embrace the short story as its literary art form. We're more at home with twitter and the Evening Standard than Homer, barely finding time for a quick whip through a novella on a sunny afternoon (sigh). And with the quick fire voice of its generation Spoken Ink embraces this without compunction.” (Notes on the Underground)

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