When he was twelve years old, Adam Ryan went playing in the woods one day with his two best friends. He never saw them again. Their bodies were never found, and Adam himself was discovered with his back pressed against an oak tree and his shoes filled with blood. He had no memory of what had happened. Twenty years on, Rob Ryan - the child who came back - is a detective in the Dublin police force. He's changed his name. No one knows about his past. Then a little girl's body is found at the site of the old tragedy and Rob is drawn back into the mystery. Knowing that he would be thrown off the case if his past were revealed, Rob takes a fateful decision to keep quiet but hope that he might also solve the twenty-year-old mystery of the woods.
©2007 Tana French (P)2008 Oakhill Publishing
"Don't miss this one, literary crime lovers..."
In the Woods is one of the best audiobooks I've listened to - partly because I love the story & the writing (I've actually read it before) - but also because it's very well read.
The protagonist's back story is gripping & informs the present-day plot & main character's actions. Without giving anything away, the main character starts to lose the plot as past & present come together...
I usually prefer reading books but love to listen to audiobooks while driving or walking the dogs. One thing I don't like when listening to an audiobook is the (more old-fashioned) over-the-top storytelling style that quite a few readers have - almost like they're reading to children.
John McCormack reads in a more realist style, more like he's telling you the facts in a one-sided conversation. It draws you in. At the same time his voice is very clear & pleasant to listen to.
At first I thought his BBC accent was some sort of horrible mistake, as the character (told in first person) is Irish, but it emerges that he in fact (for an important reason) does have an English accent. It's a brilliant element of John McCormack's reading that his accent very subtly slides into a more Irish one as events unfold.
Many moving moments - & John McCormack doesn't overplay them - he's a subtle reader. Very effective.
The ending was almost ruined. As the narrator says his last words - voice low, atmospheric - a loud voice comes almost over his voice & intones 'Audible hopes you've enjoyed this program'. I needed a few beats to process what the ending was telling me - frustrating, & completely at odds with the style of book & the reading.
"A nice start to the series"
Well worth listening.
The quality of writing continued to impress me.
John McCormack was a good, not great, narrator (but I am fussy). Make sure you get this version rather than the one narrated by Steven Crossley if chronic mouth clicks and whistles give you the creeps.
The lovely Marian Keyes (via Twitter) often heaps praise on Tana French, so I thought I should give her a go. I wasn't disappointed. BUT although this is a series, the next books are about different characters, so there isn't an on-going story arc as such. The second book lost me with its rather far fetched story. This one, though, is very enjoyable, but beware, not every loose end is tied up.
"very suspensful story, annoying voice"
One of the best criminal thrillers, definitely. Keeps you on the edge of your chair and does it by elegant psychological means, not by resorting to guns and chases
pretty much anyone. He takes some getting used to so that you even concentrate enough to understand what he says - Text-to-Voice in Kindle would be about as good. It gets better later in the book, though, so bear with him. The story is worth it!
"Give this a berth -- a wide one"
Who ever wrote the blurb needs to be retired. Looked interesting but far too long and the dialogues are insulting to the Irish (they couldn't be that primitive). I fast-forwarded to the end to find out who did it and even that was a let down.