A straight-arrow, straight-A student from Malibu, Caitlin has only two men in her life: her sullen single father and her wholesome college sweetheart, who even the battling brothers agree seems too downright upright to be true. Reluctantly tag-teaming in a desperate search for fresh leads, Moses and Aaron zero in on Caitlin's white knight as their primary person of interest, hoping that, like most people in L.A., he has a secret side.
But they uncover more than just a secret as they descend into the sinister, seamy side of the City of Angels after dark, populated by a Hollywood Babylon cast of the glamorous and the damned.
©2009 Jonathan Kellerman; (P)2009 Random House
"Jonathan Kellerman's novels are an obsession; once started it is hard to quit." (Orlando Sentinel)
I usually find Jonathan Kellerman's books to be riveting, psychologically sophisticated, and overall thoroughly enjoyable. This one is lacking in all areas. The plot is thin, the story drags, and it just feels as if the whole book was thrown together without much fore or afterthought.
In addition, the narrator is completely mismatched for the story. His portrayal of the characters, especially Moses, is very poor, and it further detracted from the already dragging plot.
One wouldn't think that the book was written by the same person who created the Delaware-Sturgis novels.
I am addicted to listening to books on my MP3 player. I have even taken a chance on books by authors I have never heard of and have yet to be disappointed, until now. I thought I couldn't lose with a Jonathan Kellerman book but I did, I lost a download credit. It is confusing, over descriptive about things that don't matter and boring.
Usually I really enjoy Kellerman's books, but this one bogs down and it is one of the few audio books I decided not to finish, after listening to about 3 1/2 hours, and I am deleting it from my IPod.
I also have read all of Kellerman's books as soon as they were released. This one was bad, I am sorry to say. Rambling, circumspect and irrelevant dialogue. The plot was lousy. Delaware's input was trite and equivalent to Psychogy Course 101. Ahab's written confession was impossible. I could go on but I don't want to reveal the plot for those unfortunate ones who buy the book. Jonathan's earlier books are 5-star and if you have not read them, avoid this one and enjoy Alex Delaware, Milo Sturgis, Robin as they are principles in exciting and plausible psychological thrillers.
I have read or listened to all of Jonathan Kellerman's books and find this one to be much much below his level in writing. Please bring back Alex and Milo ....
There aren't many constants in life, but the one thing I always thought I could depend on was a well-crafted, well-narrated novel by Jonathan Kellerman. Even those stories with marginal plots were entertaining because of the fun dialogue Kellerman furnished between Alex Deleware and Milo Sturgis.
But Alex and Milo are here replaced with two brothers, Moses (or "Mo", as he's referred to in the book, which never failed to summon images of the third stooge in my head, and the cartoon bartender from the Simpsons) and his half-brother Aaron. One is a detective, the other a private investigator, and they do not have the cordial relationship Alex and Milo have, nor the witty dialogue, and both are lacking any endearing qualities that might make a reader warm up to them.
I admit I did not finish this book. I made it a quarter way through before deciding it was just to painful to continue. I find it difficult to believe that Kellerman actually wrote this cold, unappealing work. I hope this is the last we ever hear of "Mo" and Aaron. Alex, Milo, Robin - we miss you!
Jonathan Kellerman has lost something recently. Just have a hard time keeping in tune. Like I said, decent at best.
Typical cat lady: lazy, sings off-key, craves spicy bloody marys.
Ugh. Really dumb plot and mediocre writing. He ain't Michael Connelly.
One benefit of the audio version is hearing the brothers use different voices with each other than they use out in the world. Introducing a private detective solves the problem of having a wealthy retired psychiatrist sitting long stakeouts for no compelling reason. Kellerman's distaste for Christians still obtains, but once again he manages to tolerate faith in powerless women.
Nearly 4 hours into story and I'm not involved. By now, I should be deeply absorbed and connected to the story. Instead, I keep listening because I'm desperate to get my money's worth out of this purchase. If this had been a library selection, I would have bailed out and tried something new.
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