It's not the breaking up that kills you, it's the aftermath.
Ever since his longtime lover decided he'd seen the "heterosexual light", Matt's life has been in a nosedive. Six months of too many missed shifts at the hospital, too much booze, too many men. Matt knows he's on the verge of losing everything, but he's finding it hard to care.
Then Matt meets Aaron. He's gorgeous, intelligent, and apparently not interested in being picked up. Still, even after seeing Matt at his worst, he doesn't turn away. Aaron's kindness and respect have Matt almost believing he's worth it - and that there could be life after Joe. But his newfound happiness is threatened when Matt begins to suspect Aaron is hiding something - or someone....
©2010 Harper Fox (P)2010 Audible, Inc.
The name is Katie. Account says Kevin, but I'm the one actually listening and writing reviews.
I didn't finish listening to this novel because I couldn't understand the reader. His accent was very... difficult for me to process.
I have no idea if the story itself was good, because I couldn't understand it.
I really enjoyed this book. The narration was a bit difficult to understand the first four or five times I listened to it, but after you get used to the accent it is a wonderful ride. It is now on my favorites list of books I listen to every few weeks.
At first the narration was a bit difficult to follow, but it was certainly worth it. Enjoy!
I own both the text and audio versions of this story. Although it's a short story, it's still one of my favorite of all romances. Harper Fox is a very talented writer -- and you can see that here in her depiction of Matthew's despair and desolation, as well as in the vivid descriptions of Newcastle, the helicopter, and the oil rig in addition to the romance itself.
Unfortunately, the narrator doesn't do any justice to this great story. He is working hard to present a "Geordie" (Newcastle) accent, but it's pretty obvious that he isn't a native (I've been listening to a lot of genuine Geordie accents, and this one just doesn't cut it). And in his attempts to replicate that accent, the narrator has completely forgotten about the character of the story. Matthew, the main character and narrator, is in the final stages of complete disintegration -- he's coming apart at the seams. As another character tells him, he's "in bits". Yet the narrator here makes Matthew sound nearly cocky and bouncy. It's all wrong. And it's quite disturbing to hear a fine story being distorted in this way.
My advice is to stick with the text version on this one. If you appreciate good writing, you should check it out. Don't give up on Harper Fox just based on the bad narration here.
I love Sean Crisden, but I'm just not sure this is the same Sean Crisden I love. This was terribly difficult to understand.
Very hard to understand
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