Credits: Produced and engineered by Jay Allison; Written and co-produced by Annie Cheney; Editorial help from Christina Egloff; Thanks to Ira Glass and This American Life; Funding for Jay Allison's Life Stories series comes from the Corporation for Public Broadcasting The teacup illustration on this page is by Annie's mother, Virginia Burns Cheney.
Postscripts: On Vivian. Vivian's alive and eating in New York City. Since she was interviewed for this story, she's rediscovered life and is making a lot of progress in her recovery. She's started riding horses again, which she hadn't been able to do for years because of her illness. She's also enjoying all kinds of new foods and restaurants. She and Annie eat out together whenever they get the chance. On Annie: Annie's living in Chinatown in New York City, making radio stories in her studio/bedroom. She received the Emerging Artists Radio/Sound Art Fellowship from The Media Alliance in June of '99 and is working on a story about women transit workers. Although her apartment is too small for a piano, she still plays her parents' grand whenever she visits.
Jay Allison is the Peabody Award-winning producer of The Kitchen Sisters.
Copyright ©1999 Jay Allison Productions and Annie Cheney
Welcome to Audible!
Who you gonna listen to? With audible.com, it can be virtually anyone you choose! We have a huge selection of audiobooks, comedy, lectures, public radio shows, and business information. And now...the audio works of Jay Allison.
This is where you will find an updated collection of the works from Jay Allison Productions. Jay is one of the most renowned producers in public radio. He is one of the visionaries behind the Lost and Found Sound series on NPR and the compelling Life Stories series. Jay and his wife and production partner Christina Egloff practice their craft from Woods Hole, MA. He is the recipient of the Edward R. Murrow Award, George Foster Peabody Awards and many others.
Visit Jay Allison Productions on the Web.
Annie looks back on her past, using interviews to fit the pieces together and reflect on her experience. The piece allows us to understand anorexia, acknowledging it as a legitimate disorder. The story is woven seamlessly, with musical elements and other motifs that emerge and intensify the emotional depth. I recommend this piece, especially to those who have struggled with eating disorders or would like to understand those who do.
Report Inappropriate Content