In the violent country of Ludania, the language you speak determines what class you are, and there are harsh punishments if you forget your place - looking a member of a higher class in the eye can result in immediate execution.
Seventeen-year-old Charlaina (Charlie for short) can understand all languages, a dangerous ability she's been hiding her whole life. Her only place of release is the drug-filled underground club scene, where people go to shake off the oppressive rules of the world they live in. There, she meets a beautiful and mysterious boy who speaks a language she's never heard, and her secret is almost exposed. Through a series of violent upheavals, it becomes clear that Charlie herself is the key to forcing out the oppressive power structure of her kingdom.
©2011 Kimberly Derting (P)2011 Audible, Inc.
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It was ok, more like three and a half stars than four. Didn't realize it was going to be a trilogy... probably would not have started it. The ending was good enough that if I don't get back around to the next two I won't be wondering what happened to who or what or whatever. I think I will check reviews before deciding whether to continue on or not.
The authors large vocabulary.
The Selection. Mostly because of its plot. It takes place in a kingdom that has a caste system.
I liked every scene that involved the baby sister. The author and reader made the little girl seem cute and adoring.
Not at first, but eventually yes.
I was reluctant to buy this audio book because its seemed kind of far out. It actually wasn't. It was very enjoyable after the first 30 minutes. The first half hour was confusing and boring. I had to re listen to it about 5 times just to understand what was going on. After the rough start, the book blossomed into a wonderful book.
This book was all in all a great read. It had me wanting a little more from some of the characters.
Author, Narrator, Reader, Listener
What stood out about this story was the world building, particularly the division between the classes through the use of language, and the idea of magic inherited through the female line. I never really got a clear picture of the world itself, though--how the symbiosis of technology and medieval government worked. Queens, castles, caste systems, and public executions...and guns, scan-able ID tags, and night clubs? There was promise, but the concepts never quite fused into something I could adequately imagine. What kind of technology there was and who had access to it?
Narration: The narrator did an okay job with emotion, but I think she was a poor choice for the story. Her voice was too high-pitched for the character, and didn't lend appropriate gravity to the situations in the book. Some of the readins of the dialog was a little awkward as well. I think using accents for the different language-speakers might have helped the audio medium of this story.
I liked the base concept of this world and this power so much that the let-down of the execution really frustrates me. Charlie's power could have had SO much potential to be cool. For example, if she and all the other blonde girls in the kingdom had been given the "honor" of working in the queen's castle as servants (as the queen tried to figure out which one of them was the lost princess so she could nom their souls) and Charlie used her power in a more active way to spy on them and figure out what was going on...which is sort of what I thought the book was going to be about.
The plot just didn't seem to flow naturally from the potential conflicts of the story-concept.
The reasons this wasn't five stars:
The biggest characterization issue I have is with the main character, Charlie. She was way too passive, and never stopped being so. Her ONLY skill is this ability to understand all languages. But what does she do with it? She understands all languages. My frustration with the heroine was that she never, even in the end, ceased to be a pawn. Everyone wanted her to do something, but rather than breaking away from what everyone else wanted and carving her own path to her desired outcome, as I expect from a novel heroine, she let everyone else in the story make decisions for her. She's does little besides react to what's happening around her, and though I kept expecting her to take the reins and act, she never did.
Even in the end, she took the throne she really didn't want, with this creepy old lady partially inhabiting her inside, and her only consolation was that the ho-hum hero Max (who did little besides fall for her on sight, swear to protect her, and then stand around while she nearly got her body snatched by grandma) ended up in her bed.
I had absolutely no idea what Charlie's goal was for the first several chapters, until it became apparent that her goal HAD to be protecting her sister, which she eventually completely fails to do. Her lack of something to want gave me nothing to watch her fight for, and since I didn't buy her abrupt relationship with Max (love at first sight that doesn't get much deeper), I found myself unable to care about what happened to her.
The only interesting things she does in the story are helping the girl who tormented her, and asking a group of soldiers to take her sister into a shelter.
Which is so frustrating, because I feel like that could have been pointed out and fixed! The concept of Charlie's character (descendant of a royal line in hiding, power to understand all languages in a society where knowing anything beyond your own caste's language is punishable by death) is damn interesting and has so much promise, but the STORY didn't fit with the potential conflicts, rendering her power, her personality, and her desires unimportant. The only use her power inevitably has is to identify her as the princess.
2. Predictable plot.
"He's the prince." "She's a princess." "Her friend's part of the rebellion." "They're brothers." I figured everything out chapters ahead of the main character, which just left me even more frustrated with her. Nothing in this book surprised me, except for that I was never wrong.
If this had been a book I was reading on the page rather than one I listened to on my iPhone on a long trip, I would have put it down.
3. The Queen's POV. (And in third person?) I was fine with a prologue from the queen's perspective, just to give us an idea of what kind of power she holds and what might be in store for our heroine, but the intermittent glimpses into her head throughout the book not only jarred me out of the story and dropped a few less-than-subtle hints about Max, it destroyed the tension with a villain that seemed to do little more than sit around thinking about how evil she was. Her segments were completely unnecessary, and I think the exposition in her chapters could have been far more deftly worked into Charlie's narrative.
4. The magic. We never get a decent explanation of the magic and how it works, and I kept expecting someone to eventually tell me what the deal was with these powers. I could have let it slip by, if not for the fact that the entire resolution of the story hinged on Angelina's ability to make Charlie and herself glow. I was on board with the healing. I have no idea what the silver glow was and how it could have possibly helped to eradicate the queen's control over Charlie. My best guess is radiation.
5. The romance. Didn't buy it. I didn't care about Max in the least. I figured out he was the Prince the scene after we met him, and never understood his attraction to Charlie beyond her being the "lost princess". It's not like they had a conversation--they just saw each other for a couple of minutes and basically fell in love. It rang false, and his insistence that she was "so beautiful" reinforced my feelings about the shallowness of their relationship. I far preferred his brother, the anarchist, who at least had some fire. In fact, I think his brother had more of a conversation with Charlie than Max ever did. Unfortunately, he was conveniently paired off with another chick, who seemed to be there for little reason other than to disqualify him as a love interest.
From the title of the book, I guess "the pledge" Max makes is supposed to be important. In the end, though, it didn't really have much of an effect on what happened in the story. It wasn't Max who protected her, it was Angelina. The FIVE YEAR OLD was the most effective character in the story. When I first read the back cover, I'd assumed the book was going to be about a "pledge", similar to a "tribute" in Hunger Games.
Parts of this book stood out. The reconciliation with Sydney was good, and I really liked the descriptions and characterization of Brooklyn, who felt like the most realistic character. Overall, this book felt like a promising world with an uninteresting story. The prose itself was decent, but I probably won't be reading this author's work again.
Unfortunately no, I was in no way impressed by this book. The setting was dull and one dimensional, as was everything else. i felt like i was reading spark notes for what could have been a mild success among teens.
Not at all, I love fanatic, sci-fi, thrillers, etc. I have read tons of amazing books (audiobooks from audible) and would recommend almost all of them.
If you were set on listening to this book or a book following a similar story line please take my advice and try Pathfinder By: Orson Scott Card
I had some serious high hopes for this book, and it made a strong start, however it ended up falling short. It had a lot of potential. Love the concept, but it felt as if it lost a part of the story toward the end. I had to re listen to parts to see if I missed something, The concept could have been the next big thing, but fell short in execution!
I didnt read the print version
It was a good read/listen. No complaints. Good story, not the best, but worth a listen.
Overall, I really enjoyed the story. If you enjoy dystopian young adult fiction, I definitely recommend the purchase. My only complaint is that there was a bit too much time spent by the main character swooning over her love interest, making the plot drag at times. If that had been taken out and replaced by more details of the setting, it would have been a solid 5. Also, the narrator talks way too fast at points, so I recommend slowing the reading speed.
Kimberley Derting is well known for her Body Finder series, but in her next series she brings something very different. The Pledge is a YA fantasy series, in a dystopian land controlled by female queens.
There is a very strict class system, with each class having it’s own language. To look at someone in a higher class when they are using their own language can result in death. Charlaina has a special ‘gift’ which means that she can understand every language, something she obviously has to be very careful to keep hidden.
In addition to this, there’s a magical element. The ruling queen has actually reigned for many hundreds of years, each time persuading a daughter to accept her soul. This has now come to an end, as there are no daughters, and male heirs mean nothing, and cannot inherit.
Charlaina’s life appears normal when we first meet her, apart from her ability – she has friends, attends school, puts up with bullying and helps her parents. This all begins to change when she’s taken to an underground club by her friend, and when she overhears Max, who speaks a language she’s never heard before.
From here, things soon change, and Kimberley has produced a fast paced story full of surprises. There’s a gentle romance story, but also some powerful scenes of war as things break down.
For me, the star of the book is Charlaina’s young sister, Angelina, as she’s just adorable.. and the relationship between the two sisters is powerful and heart-warming. It’s suggested that she’ll play a bigger role in the second book, so I’m hoping.
The story is complete in itself, but it’s also the first part in a trilogy – there’s a slightly darker feel towards the end of the book, and Kimberley has said there’s more darkness to come. The only thing I really struggled with was the combination of dystopia and magic, because they are two genres I’ve not seen together. The magical element is however necessary for the story progression, and I think it’ll seem much more natural by book two.
"Whiny voice, just like a teenage girl - dreadful!"
Teeny adoration crush, set in unlikely dystopia: confused and dreary, even speeded up this was dull!.
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