Music is an integral part of humanity. Every culture has music, from the largest society to the smallest tribe. Its marvelous range of melodies, themes, and rhythms taps in to something universal. Babies are soothed by it. Young adults dance for hours to it. Older adults can relive their youth with the vivid memories it evokes. Music is part of our most important rituals, and it has been the medium of some of our greatest works of art.
Yet even though music is intimately woven into the fabric of our lives, it remains deeply puzzling, provoking questions such as: How and why did musical behavior originate? What gives mere tones such a powerful effect on our emotions? Are we born with our sense of music, or do we acquire it?
In the last 20 years, researchers have come closer to solving these riddles thanks to cognitive neuroscience, which integrates the study of human mental processes with the study of the brain. This exciting field has not only helped us address age-old questions about music; it also allows us to ask new ones, like: Do the brains of musicians differ from nonmusicians? Can musical training promote cognitive development? Is there a deep connection between music and language?
Join neuroscientist and professor of psychology Dr. Aniruddh Patel to probe one of the mind's most profound mysteries. Covering the latest research findings - from the origins of music's emotional powers to the deficits involved in amusia, or the inability to hear music - these 18 enthralling lectures will make you think about music and your brain in a new way.
Designed for music lovers and brain enthusiasts at all levels, Music and the Brain is truly interdisciplinary and assumes no prior background in neuroscience or music theory. Here is your unrivaled explanation of this marvelous gift.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your My Library section along with the audio.
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Yes. There were many fascinating facts, and I don't remember them all. I love music, and want to understand it on every level.
Humans have relative pitch perception, while most species have absolute pitch perception. That is why few people have perfect pitch, not just regular relative pitch perception. We perceive the octave, the fifth and other intervals because of that.
Music must be heard. I have a thorough enough understanding of music, I may have understood by reading, but I greatly appreciated the auditory examples, especially the illusions.
I would say fascinated and amazed.
I really loved every bit of the content. The lectures are well prepared and careful designed so that the information is contextualized, arriving at the right time. However, I can't forgive the fact that the editing is just terrible. I know that people will make mistakes while reading, and that's where the editor comes in and fixes the audio. There are too many times where there are hiccups, words mispronounced and the flow stops; which could have been fixed beforehand. I hope the they receive enough complaints to make it right.
Sing and Play
Deathly dry delivery. Too much statistical information. Zero joy and power of music. Even the in-house compositions were expressionless. Mechanical delivery. Mechanical focus. Felt obliged to listen as is my career. Going to spend some sexy time with a Great Course Astrophysicist now and recuperate my joie-de-vivre!
Punch me in the... So dry I could not get passed the first chapter. Save your credit or cash. The Great Courses should pay you to listen to this book.
The many musical and other audio examples added to these outstanding lectures. The only problem I had was some of it felt rushed, meaning I'll definitely give it a second listen.
Intelligent, researched, flowing
I was particularly engaged by the lecture concerning music & its effects on Alzheimer's & Parkinson's diseases. It is a line of research worth continuing.
No, but I particularly enjoyed his enthusiasm for the topic and the fact that he explained quite complex theories about neurological pathways in a way that a complete novice (me) can understand and appreciate.
Probably not, it dealt with a lot of things that need digestion & reflection.
I not only love listening to music of all kinds, but now understand why it affects me on such an emotional level. Even now know why I get goosebumps!!!!
"Clear intro to the neuroscience of music"
Another reviewer described this audiobook as "passionless". To me that criticisms seems rather unfair, a bit like describing a nice juicy watermelon as not tasting meaty enough. I can imagine that if you turn to this audiobook looking for gripping musical entertainment then you might perhaps be a bit disappointed, but I don't think that is what the author was aiming to provide. If you are after a beautifully clear, accessible and quite comprehensive overview of the state of the art of brain research relating to music perception, then this among the best introductions you are likely to find. There are a number of other popular science titles relating to music on the market, e.g. Oliver Sacks' "musicophilia" or Levitin's "this is your brain on music", which might, for some, score higher on entertainment value, but the material covered in those books is very anecdotal and light-weight in comparison. Prof Patel's course, in contrast, is throughout firmly grounded in proper, quantitative and peer reviewed scientific research. If you want proper science, then this is the good stuff.
"Fantastic and thorough"
Thorough, interesting, accurate
It goes along with Pinker, and all credible authors and academics who have explored the function of music in relation to human development
No, the bite size 30 minute lectures are perfect as time is needed to mull over the ideas and concepts taught
hard to understand at times but some interesting view points and study with in the lectures.
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