Were it not for the calculus, mathematicians would have no way to describe the acceleration of a motorcycle or the effect of gravity on thrown balls and distant planets, or to prove that a man could cross a room and eventually touch the opposite wall. Just how calculus makes these things possible and in doing so finds a correspondence between real numbers and the real world is the subject of this dazzling book by a writer of extraordinary clarity and stylistic brio. Even as he initiates us into the mysteries of real numbers, functions, and limits, Berlinski explores the furthest implications of his subject, revealing how the calculus reconciles the precision of numbers with the fluidity of the changing universe.
©1995 David Berlinski (P)2013 Audible Inc.
First of all: As long as this book says it is narrated by Dennis Holland, don't waste your money or credit.The narrator has NO concept of how to read mathematical formulae, and, thus, the book was confusing at best. It took me a few instances where the narrator spoke of "two-x" to realize that he should be reading it as "x-squared" or "x to the second power". I find it hard to believe that an author would allow a narrator to so completely destroy his text; I further find it hard to believe that anyone educated would fail to understand the difference between 2x and x-squared. Come on, guys. It's an audiobook - the spoken language is all we have here. It needs to be precise, particularly in mathematics. I stopped listening out of frustration after only a couple of hours.
As for the book, the language is quite flowery. Perhaps if I could have persisted in listening to the book further, the language would have grown on me, but, alas, it just seems to be too much window-dressing for the subject. The analogies did not illumine the primary subject, but seemed stretched to give the illusion of literary skill.
I had high hopes for an interesting history of the calculus, but found only frustration.
A book that covered the topic of Calculus.
As if David Berlinski hid 6 pages of information at random intervals within a thesaurus, "a tour of calculus" closely resembles a sophomore's expository writing assignment that desperately pads his under researched book with monotone landscapes and irrelevant details, in what only can be described as a half hearted attempt to fill the required number of pages.
Every chapter is a tedious forest of recycled clichés and tired metaphors lifted directly from his other books. Lacking all restraint, he launches himself shamelessly into excruciatingly long accounts of the furniture, the shape and size of professor's heads, the bridges in Prague, the gestures and emotions of people not present to hear his arguments, and the smells that may or may not have filled the rooms of various historical figures. "They shine like diamonds on a jeweler's black velvet cloth" to quote Berlinski from both "A Tour of Calculus" and "The Advent of the Algorithm"
I blame both the author and the editor for this extravagant waist of print space and my time.
I am about ten minutes into this, skipping ahead, and giving up for now, quite exasperated. I had hoped for a good overview and cultural description of calculus. This work is so wittily overwritten, so full of long, fanciful descriptions and soaring metaphor it is nearly impossible to remember what on earth we are talking about. The writing is actually good, but seems to have leapt the fence out its genre, striving to be Nabokov with little regard for the listener who just wants a bit of lucid mathematical explanation. I may try again later, but post this warning: you'll have to shovel aside heaps of colorful "prose" to get to anything about calculus.
This author's goal seems to be to convince the reader he is a brilliant writer. The text confuses (a bad thing when your goal is to learn) by shifting randomly between first person and third person. He constantly describes how 'beautiful' different concepts are...even very simple concepts. The fact that he could spend two sentences describing the beauty of line is so distracting because the reader has to wonder why...its just a line. Its like drawing your attention to a picture frame when you just want to understand the painting. I read this book to 'get math'...to understand it. I have a slightly clearer understand. I think if it were written in plainer english, it would accomplish much more.
So far the worst I have heard. I think the problem is mostly the content of the book. It's meant to be about maths but the guy goes on like it is some sort of creative writing contest.
I don't want to listen to a 15 minute description about some guys probable room layout 400 years ago, or how he rubs his forehead thinking. Just get on with the damn topic.
If the author is so interested in creative writing why not go do a romantic novel and list it as such. Don't try pass it for maths.
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