The iron wheel began to spin, slowly at first, then faster and faster. The room grew darker. As the light lessened, so did the sound.
Deeba and Zanna stared at each other in wonder. The noise of the cars and vans and motorbikes outside grew tinny…. The wheel turned off all the cars and turned off all the lamps. It was turning off London. Zanna and Deeba are two girls leading ordinary lives, until they stumble into the world of UnLondun, an urban Wonderland where all the lost and broken things of London end up… and some of its lost and broken people too. Here, discarded umbrellas stalk with spidery menace, carnivorous giraffes roam the streets, and a jungle sprawls beyond the door of an ordinary house.
UnLondun is under siege by the sinister Smog and its stink-junkie slaves; it is a city awaiting its hero. Guided by a magic book that can’t quite get its facts straight, and pursued by Hemi the half-ghost boy, the girls set out to stop the poisonous cloud before it burns everything in its path. They are joined in their quest by a motley band of UnLondun locals, including Brokkenbroll, boss of the broken umbrellas, Obaday Fing, a couturier whose head is an enormous pincushion, and an empty milk carton called Curdle.
The world of UnLondun is populated by astonishing frights and delights that will thrill the imagination.
©2007 China Mieville (P)2012 Macmillan Digital Audio
"Easily the equal of David Mitchell or Zadie Smith.... Miéville’s work is thrillingly imaginative, politically edgy, immensely witty and utterly unforgettable.... a bold and dynamic book." (Scotland on Sunday)
"An instant classic... the bizarre, the grotesque and slightly creepy." (Daily Telegraph)
"Full of delightful and horrifying inventions.... Un Lun Dun is clever and funny but scary, too" (Observer)
"This teeming, inventive tale of friendship, duty, courage and loyalty makes extraordinary use of the ordinary." (Sunday Times)
Marketer. The Engineer-MBA stereotype. Sports-fiction writer. Poor reader of text. Thus at Audible. God Bless.
I don't know. didn't read the print version.
Like the best of message fiction, the messages come in to the reader subconsciously, never becoming even a slight bit preachy; and never interfering with the story.
Pollution. Using economically-lower countries as dumping ground for waste. The experience of a subcontinental-origin person in London. And the biggest hit for me was the sublime turnaround of the sidekick. The Neville Longbottoms of the world rise up to take their rightful position in this book, and how!
No. And she is brilliant.
Small touches of the oh-yes-that's-right.
When Deeba tries to convince herself, during her first return to London, that she does not need to return, because everything will be fine. --- and then, at the back of her mind -- and anyway, she would not know even if they aren't.
So true. "how many times can a man turn his head / pretending he just doesn't see"...
I like business and sci-fi books.
I expected China Mieville to deliver as usual - but instead I get a childrens book.
Someone ought to told me.
Well, it's plain out sily in comparison. It got characters and depth - but the story line just doesn't hold.
pretty much nothing :-(
"Teenagers in Neverwhere but uniquely appealing"
Alterative Londons, I've read a few.
Neverwhere [Neil Gaiman] and Undone [BBC Radio Series] were world definers for me but but there are others such as Sixty-One Nails [Mike Shevdon] which whilst enjoyable fell slightly flat. China Mieville's Un Lun Dun belongs in the second category.
I once was a teenage girl, and I live in London. Perhaps this is one of the many books best enjoyed as a teenager but there are many parts that appeal to the adult listener. His Un Lun Dun is comprehensible in a way that the real London isn't. There are many comic moments, and a plethora of characters with a full-range of believability.
It's well-paced and his world is involving despite a few ideas that he didn't manage to sell. I would recommend this if you enjoy the genre or if you're a teenage girl since everyone loves being the main character ;).
I found the narrator's accent for the main characters to be a little hard to swallow.
I changed to another book but was told by my brother it gets better later on.
"Not as good as his other books"
Not a patch on his other books - this one is written for teens. Word word word word
"For Children, not Young Adults"
I'd like to preface by saying I'm a huge fan of China Mieville's Bas-Lag books. Perdido Street Station is one of my favourites, and Iron Council is not far behind.
However, Un-Lun-Dun was a poor listen. It's marketed as 'young adult', which is fine, but to me it read as children's book.
There are some interesting juxtapositions in this book between London and Un-Lun-Dun, some interesting images, but nothing really gripping. The plot was predictable, the characters (with the exception of Deeba) bland and two-dimensional, and the story's stakes were never really explained. The title of each chapter (each chapter must surely only be one page long) is announced at its beginning, and the title pretty much gives the game away.
If you live in London and have a child you'd like to interest in fantasy novels then this would be a great book to give them.
If you're over 16, it makes me sad to say, forget it.
"Young reader book"
Not really. It was full of Mieville's usual fabulous creations but I found it rather inconequential and even a little patronizing in style, clearly aimed at a younger audience. I did complete the listening, while walking, cycling, gardening . . . . . .
I had to listen to the Perdido Street trilogy twice before I could fully appreciate them. No problem here. Creative and inventive but much simpler in construct and style.
She read well and perhaps was ideally suited to the target audience. Maybe its an age thing but I found her annoying, contributing to the feelling of immaturity and rather patronizing.
Listen to something else.
This book is very inventive and filled with fabulous creations. It was original and pre-dates Gaimens's Neverwhere and the children's London books of Aaronovitch which also cover a secret London underword. The mistake was probably mine and I really cannot judge a book aimed at a different audience. This is not the first time I have made this mistake and it would be useful if the audience was made clear in the book description. This is particularly true of fantasy where they are not easy to spot.
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