©1955 Robert A. Heinlein (P)2011 Full Cast Audio
Thirty-four years ago, a 16-year old boy set out on a 4-day bus trip to spend the summer with his uncle. Four hours into the trip, he was bored as bored can be. There were no smart phones or game boys to keep his interested, so when the bus stopped for a 15-minute break, the young boy went looking for a Mad magazine to read.
He didn't find one. What he did was a rotating metal rack with paperback novels in it. Quickly scanning the rack, he noticed the cover of one book and it somewhat grabbed his attention.
This surprise him, as he was never one to read a book and rebuffed his father's attempts to get him interested in reading.
Looking on the back, he quickly read what the novel was about. "It was a test. It was only a test." This grabbed his attention, so he bought the novel.
Thirty-four years later, he's a voracious reader of (mainly) Science Fiction and it all started with A Tunnel In The Sky.
Even at the age I am now, I love to read this novel every four or five years. It's truly a classic that grabs the imagination. It's more than science fiction - that's merely the backdrop to this novel. It's actually more a study of human behaviour ... it's akin to "Lord of the Flies".
Great read. Very well narrated by David Barker and the gang.
This book is classic Heinlein. Yes, it is marketed as a young adult novel but it never feels juvenile. Great adventure story. This is early Heinlein which I consider better than a lot of his later works.
This story is fantastic, a much better contemporary alternative to the Lord of the Flies, and a similar premise but different take on something like The Hunger Games.
The full audiocast production feels a little halting and awkward because of Heinlein's tendency to not use contractions ("do not" instead of "don't") and full cast recordings always take a little time to get used to, but its well worth it by the end!
This novel brought back a flood of memories about my enjoyment of sci-fi via the public library, in the early 1960s. Tunnel in the Sky was one of the most enjoyable sci-fi novels I read as a pre-teenager.
The difficulties of establishing a basic, functional civilization under primitive conditions, without the support of modern "conveniences" are shown to be very challenging.
The final scenes where only a few people remained on the alien planet were especially revealing and almost overwhelming.
Yes, but it was also enjoyable in installments.
This is surely one of Heinlein's best novels, and was more enjoyable since it doesn't overwhelm the reader with his personal political views.
I love this book! This is one of my favorite books by the Grandmaster. I have been waiting for this to be made into audio for years! I am disappointed that it's full cast audio ... but you can't have everything! Now all we are missing is Space Cadet and all of the Grandmaster's best books will be in audio format.
Yes because the book keeps you interested to the very last word
The first night on the planet
The beach of bones
Keep you on edge
I've read this book about 7. This time around was just as good as any.
I loved the story, but took a serious dislike for the music played between chapter's. I also didn't much like the voice acting, but that is more of a personal taste.
Picked this up after reading the interview with Andy Weir at the end of The Martian. Thought it was dated in places, most notably the way it treats gender roles. Interesting concept, pretty quick read. Lord of the Flies meets Hunger Games. I cannot recommend the Audible...it's a cast recording which is fine, but didn't like the way it was produced--it feels dated and some of the performances are distracting.
"Lost Book from Childhood"
I remember reading this book as a child. The remembered some of the story. I had forgotten the title and spend several years trying to find the book again. So I was really pleased to find it again. It is still great story and very good narration and casting.
"Stellar Performance of a Sci-Fi Classic"
The great thing about any FCA production is found in the name of the company itself - each audiobook is recorded with a full cast voicing individual characters. Even while retaining its novelized format, each character's dialogue (and written, internal, iand memorial monologues) is given its own distinct sound by a different actor, which really lends to the overall experience. (My only critique - and this is purely a matter of taste - falls on the main character, who I didn't feel had the right voice, but he was easy and quick to get used to hearing.)
I'm a long time fan of Heinlein, and though this is not what I would consider his best work, it still shines as one of the finest pieces of juvenile fictional literature available today. It is not without its flaws and need for critiques, especially given some of its outdated language and notions, but these really only serve to highlight what kind of groundbreaking author Heinlein really was.
[POSSIBLE SPOILERS FROM THIS POINT ON]
For example, from a feminist perspective, the number of named and central and significant peripheral women of the story more or less balance with the males. It is my opinion that they are well written, well rounded and filled out as characters, certainly no more or less than their male counterparts, and definitely more so than much of the mainstream works of the genre even today, much less going back to the time period in which it was written (1950's America).
The story manages to make male and female characters alike well diversified, challenging one-track ideas of masculinity and femininity, while acknowledging their existence. (For example, while there is plenty of machismo and emphasis on strength and aggression in the male characters, the same is also true of the women, and this is in keeping with the theme of the plot where a wilderness survival test is the primary setting. However, the main character himself is not disposed toward violence or domination at all, and spends a good portion of the story playing second fiddle to a much less competent male. One female spends a significant period of time playing an androgynous masculine character until her point is proved and she can drop her superficial gender play, at which point her female strength is emphasized even more. Most of the characters - male and female alike - end up married by the end of the book. These partnerships are formed for a number of different reasons, however, and do not equate to what I would call one-sided power structures, nor do they form just because "they fell in love and/or wanted to have sex."
It is significant that although romantic and sexual relationships are acknowledged (and the latter very specifically sanctioned only in the context of both ritually and legally instated married partnership) they do not form part of the core plot, nor are they even more than merely another factor for the main character to consider when interacting with his fellows.
One final note, I must admit to: I was initially drawn to this novel by its cover, which shows the main character depicted in his "proper ethnicity." In other words, I was intrigued by a scifi novel with a non-white protagonist. If these sorts of things matter to you, then I definitely recommend this book.
[SPOILER!!] The moment in which Jack's gender is revealed will always stick with me.
I 100% recommend it over "Lord of the Flies" as an essential read for high schoolers in a class that wants to explore and discuss human nature in the context of the "young people cut off from civilization" allegory!!!
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