©2004 Elizabeth Moon; (P)2008 Tantor
Elizabeth Moon's writing is somewhere between "Zane Gray" and "Louis Amour", as she writes with a good imagation and includes details that make you think of the characters as real and you can imagine them doing all of the things as she describes it, with you right there. Her stories are very smooth as she transitions from each "scene" to the next.
Cynthia Holloway is a very good reader with only one area needing improvement. Cynthia needs to expand her voice roles, in particular her male voices. As you listen and she changes characters you will sometimes get lost as to who said or did what, breaking the flow of the story.
I have read the book many times. I like the story and plot and characters and I am a fan of the author but I am having trouble with the reader. Her pseudo haughty delivery plus nasally Midwestern twain that finishes off the words sounds phony. She is reading words not telling a story. The reader hasn’t prepared herself for the reading, her phasing is often wrong or is off just enough to be irritating. I am hoping to overcome my objections to the reader because I would like to get the rest of the series. Maybe as the reader gets into the books her delivery will improve.
I have been an Audible listener since 1999 and this is my first review. I am enjoying this series very much. I thought the first book started off a little slow, but this one made up for that. I am going to buy the third one in the series as soon as I finish this review. Ky Vatta is a cool character. She has hidden strengths.
I disagree with the previous reviewer about the reader's voice. Pleasant and concise.
Doctor of misanthropy
The narrator seems inexperienced with the English language, yet speaks with an American English accent. Perhaps she just hasn't graduated from middle school yet.
As usual, the first book in a series typically is the weakest of the bunch, and "Trading in Danger" continues to reinforce that trend.
There really isn't much new or exciting here, not unless you love hearing characters talk endlessly about the minute details of their contracts. Despite the level of detail in the trade talk, however, the characters seem flat, and none of them stand out aside from the central character.
The plot is unambitious and not very interesting to begin with. You'll quickly forget most of the details after the narration ends. There are a lot of stereotypes and tired, repetitious genre tropes that will have you wanting to turn it off.
The narrator is really sub-par on this one. It's not that she has an unpleasant voice, but it just doesn't sound suitable to audiobooks. I feel like I'm listening to a cheaply done anime dub, actually. She doesn't vary her accents well, and those she does attempt feel faked. She has a way of pronouncing her syllables so precisely that it comes off as quite annoying. You'll loathe the (seemingly) hundreds of times she says "Trade and Profit" and "Contract" because of those hard "T"s, and every "she said" when the hard "D" slaps you in the face.
Initially I was looking forward to trying an Elizabeth Moon novel, but I definitely won't be continuing this series.
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If you just finished The Deed of Paksenarrion and bought this thinking it would be something similar just in a Science Fiction setting you are in for a disappointment.
It is too bad really. We already know Elizabeth Moon can write great books and personally I really wanted this series to be another amazing trip into another world. Unfortunately, its not. It's barely average. The narrator is stilted and mind grating, at least after just listening too Jennifer van Dyke or Stefan Rudnicki for tens of hours.
So listen to the sample first and treat the series as if you had never read anything by the author before, and if that really is the case you should pick up the Paksenarrion books instead.
I have enjoyed every book written by Elizabeth Moon. The Kylara Vatta series is one that I have long awaited in audio book format. Unfortunately, Cynthia Holloway sounds like a very young female child and she can't do male voices. This makes the leading mens voices sound ridiculously. Needless to say, it ruins the story completely and I could not finish listing to it. We can only hope that in the future the producers of this series will make a better selection of female reader since the books have many older male characters.
I'm the managing editor of the Fantasy Literature blog. Life's too short to read bad books!
Originally posted at FanLit.
“Of course we didn’t do autopsies. We know exactly what killed them — I killed them!”
Kylara Vatta, daughter of the head of the most prestigious shipping empire in the universe, didn’t want to follow in her family’s footsteps — trading is boring and Ky wants adventure and her own life outside of her family’s control. So she opted for a military career. But with only a few months left in the officer’s academy, she was set-up, betrayed, kicked out, and publicly shamed. When she returns home in disgrace, Vatta Transport is happy to have her back in the fold. Her first assignment is to captain a derelict spaceship straight to the junkyard, but Ky has Vatta blood in her veins and can’t pass up an advantageous business opportunity that arises unexpectedly. When this leads her into various forms of danger, and when scammers and mutineers think they can take advantage of the young and inexperienced captain, Ky finds that her time spent in the military academy wasn’t wasted after all.
Trading in Danger is the first installment of Elizabeth Moon’s VATTA’S WAR military science fiction epic. I don’t think this series will appeal to everybody, but it happened to hit a sweet spot for me. I like Kylara Vatta, an intelligent ethical rules-bound military officer with a soft heart who, due to her new circumstances, is beginning to discover that she has a rebellious streak, not to mention a disconcerting appreciation for quickly solving problems with violence. Ky is a little passive and occasionally bewildered in this installment, but this is her first adventure. I’m assuming that Moon plans to show us some growth in this area as Ky begins to adapt to her new lifestyle. Kylara’s crew and family members are also likeable — especially elderly Aunt Grace who bakes unappetizing but invaluable fruitcakes.
The plot is engaging, unpredictable and mostly quick-moving though some of the dialog gets repetitive as Ky explains what’s going on to multiple characters who show up at different times. I enjoyed the focus on transportation, though this may be a personal thing. My husband runs a small freight logistics company, so there’s a lot of talk about contracts, cargo, carriers and consignees in my little world, and I was fascinated by how this might scale up to apply to an entire universe. Surprisingly, this was one of my favorite aspects of the story but, again, that’s just me. (It would be such an awful pun to say “your mileage may vary” so I won’t.)
Trading in Danger is “soft” science fiction, or “space opera” — it’s a little fluffy, focusing on drama and political intrigue, not physics. There’s talk about FTL drives and ansibles (there’s a nod to Ursula K. LeGuin), but no explanation of how they work. I love physics but have to admit that I get bored by long dry theoretical or technical discussions of astrophysics and quantum mechanics. Trading in Danger is a quick and easy read for when you’re in the mood for some non-challenging science fiction. It ends on an intriguing note — Ky has some difficult choices to make about her relationship to her family business. Should she stay with Vatta or go rogue? Whatever, I’m still on board and ready for the ride.
I’m listening to VATTA’S WAR in audio format. These were produced in 2008 by Tantor Audio and are read by Cynthia Holloway who does a nice job. I like her voice and she inflects the narrative perfectly (though she always mispronounces the word “peripheral”). I recommend the audio version.
I really enjoyed reading this series so was looking forward to listening to it and hearing nuances I had not noticed before. However the reading is adolescent -- almost all words are emphasized and pronunciation is odd on many words.
I am very happy that I decided to purchase this first installment in what has turned out to be a rather good series. Serving as an introduction to the world of Ky Vatta, quite literally and in terms of the rules and conventions of Ms. Moon’s universe, the first book embodies the Vatta family mission of “trade and profit,” in the face of political intrigue, sabotage, civil war and piracy.
Through it all, the indomitable Ky overcomes inexperience, uncertainty and an acute shortage of credit to gain the confidence of her crew, what will turn out to be a ubiquitous band of mercenaries, and the father who sent her into space.
Thoroughly drawn, the story and the world in which it comes to life are extremely engaging and entertaining. The characters are fun and mostly likable, if at times forgivably annoying. All in all, it’s a great listen and worth checking out.
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