A god has died, and it’s up to Tara, a first-year associate in the international necromantic firm of Kelethras, Albrecht, and Ao, to bring him back to life before his city falls apart.
Her client is Kos, recently deceased fire god of the city of Alt Coulumb. Without him, the metropolis’ steam generators will shut down, its trains will cease running, and its four million citizens will riot.
Tara’s job: resurrect Kos before chaos sets in. Her only help: Abelard, a chain-smoking priest of the dead god who’s having an understandable crisis of faith. When Tara and Abelard discover that Kos was murdered, they have to make a case in Alt Coulumb’s courts - and their quest for the truth endangers their partnership, their lives, and Alt Coulumb’s slim hope of survival.
Set in a phenomenally built world in which justice is a collective force bestowed on a few, craftsmen fly on lightning bolts, and gargoyles can rule cities, Three Parts Dead introduces listeners to an ethical landscape in which the line between right and wrong blurs.
About the author: Max Gladstone went to Yale, where he wrote a short story that became a finalist in the Writers of the Future competition. He lives in Boston.
©2012 Max Gladstone (P)2012 Blackstone Audio, Inc.
“Max Gladstone has created a fascinating universe and equally fascinating characters. It’s a world in which magic is craft and religion has some very practical rules, and he shows it through the stories of some very interesting characters. This is his first novel. I can’t wait for his second.” (Jerry Pournelle, New York Times best-selling author)
“This has so many of my favorite things: an intriguing world, fun characters, a puzzle of a story that manages to be both funky fantasy and legal thriller. Three Parts Dead is simultaneously fast paced and thoughtful, and I thoroughly enjoyed it.” (Carrie Vaughn, New York Times best-selling author)
“The story remains suspenseful and fast-paced throughout, and the diverse, female-led cast is a joy to follow through the fascinating and unusual landscape.” (Publishers Weekly)
I didn't give myself this name.
I wanted to like the book but this narrator just wasn't for me. I thought she asked a question, and so I replayed that part and it was not a question. I couldn't get into this book at all. I kept rewinding it over and over, it just didn't work for me. I'll just buy the ebook and read it someday.
I really liked this book. The story was significantly above average in quality, but not perfect. I will be reading the following books in this series in the months to come despite the imperfections. I could consistently see humor and good story telling in the story, which I thoroughly enjoyed. My one suggestion to the author would be to add more humor in the future, so we had something funny or a joke every two or three pages instead of every ten or twenty.
My main issue was the narrator. She just didn't click with me. I liked 9/10ths of the voices she used, but disliked the voice she used for Tara. She made one of the main characters sound as if she had a lisp, or something. It was super minor, but it bugged me.
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Three Parts Dead is, as one of my fellow reviewers said, “wonderfully inventive.” I enjoyed the story but felt a little lost in the world sometimes — it’s so inventive that I never felt quite grounded. I did, however, like the characters and the story. I listened to Blackstone Audio’s version which was read by Claudia Alick. It took me a while to warm up to her because at first she has one of those rhythms that sounds like she’s reading to children, but I sped her up a bit and that helped. I also think her reading smoothed out a bit as the story went on. I think we both got more comfortable and compatible a couple of hours into the audio.
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