©1977 Terry Brooks; (P)2003 Books on Tape, Inc.
Thanks to Audbile.com for getting this to us unabridged. Thank god. There is just no point in listening to a book that should be 20 hours, "trimmed" to 3 hours. If this whole series is released unabridged, I'll buy them all.
This book was one of the first fantasy novels I ever read when I was a kid. Listening to it now I find it to be as fun as I remember. Although now that I'm older and wiser, I can't help but notice the blatant Tolkien themes. I'm not talking about stuff found in every fantasy novel but actual parallel story lines. Those who didn't like the book because of this are missing the point that this is simply a great entertaining tale. On another note: Although I thought Scott Brick was an excellent narrator for Robert Littell's "The Company"; he didn't get into the characters for the Sword of Shannara. Roy Dotrice from George RR Martin's "A Song of Ice and Fire" series would have been better. If you haven't read that series your missing out on the best the genre has to offer.
This is a classic. I'm so pleased its been released at last in unabridged format: When Flick Ohmsford and his brother Shea are visited by the mysterious druid Allanon, their lives change for the worse, as they are hunted across the country by the minions of the evil arch druid and his skull-bearing horde of undead.
While many of the elements in this first book in particular, remind me a bit of Tolkein's classic work, the books have plenty of fun characters. I also really liked the narrator's voice. He did an excellent job! A++++
Like many others I read the Sword of Shannara and the subsequent books in the series many years ago and was happy to see it available in audio format. I have no problems with the similarities of this story to other works of fantasy because there are enough differences in the overall world created by Terry Brooks for this work to stand on it's own merit.
For certain this is typical fantasy fare, the struggle of a heretofore ordinary individual thrust into fighting against the threat of an eternal evil. Scott Brick is an excellent narrator and I am fine with his representation of the characters. I never expected him to present them to me they way I created them in my head so many years ago and his efforts on this series are typical of his work. What I am not fine with is the fact that this book is nothing extraordinary yet it costs twice as many credits as many far superior works of fantasy.
I actualy enjoyed the next 2 books in the series more than this one because after this book Terry Brooks takes things in a more unique direction and those stories are more original. The Elfstones of Shannara for 1 credit is a much better offering than this book for two.
My advice - pick up two better fantasy books for your 2 credits instead of just this one. I am glad that picking up this book allowed me to spend more time with Shea and Allanon; however, if I did not have the bias of my fond memory of reading this book from long ago then I would not feel like those were 2 credits well spent.
I'd say that if you are new to this genre, you'll enjoy this book. To me --reading it for the first time in the year 2008--seemed like the storyline was too similar to others in this genre. And there were too many convenient coincidences for my taste. I've heard later books are more interesting so I might give them a try.
From Austen to zombies!
The Sword of Shannara is a fantasy book and a quest story, and as such contains many fantasy conventions: elves, druids, a magic sword, a journey, monsters, battles, perils.
Comparisons to Tolkien are perhaps inevitable, but certainly not necessary. Brooks's work stands on its own.
Enjoy The Sword of Shannara for its characters: each has a fully-realized story arc, from protagonist Shea Ohmsford, to his brother Flick, to their friend the Prince of Leah. Even the wise druid Allanon grows and changes over the course of the story.
Enjoy The Sword of Shannara for its action: the various perils are fast-moving, exciting, and original. Brooks keeps the tension going with hair's-breadth escapes and fast thinking by the characters.
Enjoy The Sword of Shannara for its dialogue: the characters speak naturally, in English that never sounds like bad Shakespeare. Dialogue is a particular gift of Brooks's, one that Scott Brick's narration deftly showcases.
Enjoy The Sword of Shannara for its world: the story takes place on Earth, far in the future, after the Old Race of Man (that's us) has blown itself up. The several races that now populate Earth are different, but have equal purchase in the world and can choose to work together--or not, although not working together is at their peril.
Finally, enjoy The Sword of Shannara for the story. The unabridged version is pretty long, but fun to listen to by yourself or with the whole family. It's always engaging and unlike many modern fantasy series it's never "pulp" in tone. And you do get the whole story. There is no overcomplicated backstory here, and you never have to run for a "companion" to figure out who's whom.
You don't need a degree in Literature to enjoy this book--although I do have one, I don't want to put it to use every time I pick an audiobook. Relax and have fun with Terry Brooks's excellent storytelling!
Wow, for the first time ever I've found a reader that I actually hate. He gets the tone of the book entirely wrong in nearly too many ways to explain. Here are a few of the highlights:
Most of the time, during dialogue, every character sounds like some snotty stuck-up rich-kid from the "right side of town" talking down to one of the "average folk". In other words, virtually every line is delivered in a condescending tone. It's unbearable.
There is also a tremendous amount of strange, seemingly unnecessary inflection going on throughout the reading. It seems like, possibly, and attempt to "lighten the mood", although I can't tell for sure because it is so strangely delivered. At any rate, it is completely inappropriate for a novel which is largely dark in tone.
Also, the reader appears to mispronounce "Shannara" and "Eventine" rather horribly. Of course, this open to interpretation, but he pronounces them in a way I've never heard anyone else use in discussing the books, so I have some evidence to support my claim....
All in all, I can barely manage to listen to this, not because of the story, but because of the reader.
About the story:
Yes, it is a relatively blatant rip-off of The Lord of the Rings, but it is still a good tale for the young adult reader. The writing is relatively poor, but the story is fun and truly enjoyable. The rest of Terry Brooks' works are not rip-offs, so don't let that put you off.
But for heaven's sake, READ IT yourself, because this reader destroys it completely.
I went into this book fully aware of its reputation as a Tolkien knock-off. That didn't bother me in the least. And it turns out that I find negative comparison to Tolkien unfair and irrelevant.
What actually makes this audiobook unlistenable has nothing to do with its questionable creative origins. It is a combination of gutwrenchingly bad melodrama, death by self-congratulatory exposition, and a narrator who just feels like he's along for the ride.
How great to find an unabridged audio version of one of my fav books of all time... for all of you new to the fantasy genre who are noticing the parallels to "The Lord of the Rings," keep in mind that when Terry Brooks started out there really wasn't much else in fantasy genre! While his later books show his growth as an author and the expansion of his imagination, this one has merit in its unique approach to history (post apocalyptic Elves! Wow) and the fact that it began a saga that even now continues generations later. Of course, I'm probably biased, as this book was an old friend when I was growing up... but I'm betting if you give it a listen while overlooking the obvious LotR influence, you'll enjoy it for its own merit.
"A Rival to Gandalf"
The story unfolds slowly to begin with - but builds up the characters and lets you get to know a little about them before you are plunged into this new world. Shades of the Nazgul and Fanghorn Forest are also in this story which parallels LOTR like all this genre to some degree. Never the less, it becomes more and more gripping the further you get into the story as you become intimately involved in the characters lives.
Gandalf's alter ego in this book, the Druid Alanon, disappears with regularity, but reappears as necessary and usefully resolves outstanding questions the listener may have in a roundup at the end of the tale. The time passed quickly during this long book, and enjoyably - recommended.
"Very good, but a bit long"
For his first fantasy novel Terry Brooks really went to town with SoS. It is huge. Comparisons with LotR are easily made, but this book has none of the classic feel of LotR. And keeps the folklore to a minimum. I really liked the concept of how the sword works, but you have to wait until the final few chapters of the book to find this out. I don't know if it is the narrator or just the way the book is written. But it did bug me a bit with the repeated use of words like 'undisguised amazement'. And how sudden contradictions are thrown in one after another in battles and other action sequences. These are minor gripes though and if you are ready for a book of epic proportions this will do nicely.
Redo with Steven pacy pleeeeease.
And really bring the characters alive.
The narrators Irish accent is a little to much
The presentation by the narrator was top draw, able to listen whilst doing others things
A truly epic story, had everything from action, suspense to character development for all main characters.
Scott's narration creates a vivid picture from his words, allows you to visualise the world that Terry Brooks created in your mind.
"Basically Lord of the Rings Retold"
Other reviewers have mentioned the similarities between this book and the Lord of the Rings. I would go father and say its basically just the same story with names and locations changed. A bit of a rip-off really but still quite enjoyable if predictable.
I am a long time fan but the narration is wrong so wrong.
Secrets, action, life, and escapism.
Change the narrator -perhaps English.
Not to listen to any more of the series until the narrator is changed.
Why spoil such a fantastic story with inappropriate narration, is there no judging system?
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