Reaching far beyond sword and sorcery, The Scar is a story of two people torn by disaster, their descent into despair, and their re-emergence through love and courage.
Sergey and Marina Dyachenko mix dramatic scenes with romance, action and wit, in a style both direct and lyrical. Written with a sure artistic hand, The Scar is the story of a man driven by his own feverish demons to find redemption and the woman who just might save him. Egert is a brash, confident member of the elite guards and an egotistical philanderer. But after he kills an innocent student in a duel, a mysterious man known as “The Wanderer” challenges Egert and slashes his face with his sword, leaving Egert with a scar that comes to symbolize his cowardice. Unable to end his suffering by his own hand, Egert embarks on an odyssey to undo the curse and the horrible damage he has caused, which can only be repaired by a painful journey down a long and harrowing path.
Plotted with the sureness of Robin Hobb and colored with the haunting and ominous imagination of Michael Moorcock, The Scar tells a story that cannot be forgotten.
©2012 Marina and Sergey Dyachenko (P)2012 Audible, Inc.
"Rich, vivid, tactile prose, with a solid yet unpredictable plot—and an extraordinary depth and intensity of character reminiscent of the finest Russian literature." (Kirkus Reviews, Starred Review)
This is one of my favourites so far. I loved the way the fantasy elements blended seamlessly into the background, with the story driven by strong characterisations and intense personal experiences.
If I hadn't read that it had been translated I would have assumed it was written in English - admittedly by someone with the seriousness I associate with Russian literature.
The key traumas experienced by the lead lead character were very vivid.
I loved the gradual evolution of the relationship between the male and female leads. It was such a wonderful twist on the usual fantasy relationships.
I just don't think this book would make a film, people wanting fantasy movies would expect a lot more action and less character interaction driving the plot.
I can heartily recommend this book to anyone who enjoys fantasy as a genre but is looking for a little more depth to the characters.
Very well written.
Tolstoy mixed with Solzhenitsyn
Bleakness and Hope
Everything. A true story teller.
Well worth listening. This appears, at the beginning, to be a shallow tale of a swashbuckler but develops into something far more complex, sinister and surprising with an excellent conclusion.
I love to read. I also love to write.I'm a harsh critic and very, very, very rarely give five star reviews to anything. Three stars for me is an average representation of literature and not a bad review by any stretch.
Narration perhaps saved this book for me. I am sure that I might try another book by Sergey and Marina Dyachenko but only if it were written with a different style.
I am sure that I might try another book by Sergey and Marina Dyachenko but only if it were written with a different style. The prose of this book was absolutely brutal and dragged out. The authors were seemingly intent on finding new ways to drone on and on about what the fear within Egert was like. I got it by about halfway through the book yet the monotonous descriptions of the terror within him kept being beaten like a horse dead ten times over right to the very end and monopolized other aspects of the story.
The best scene was when Egert was dueling The Wanderer and the immediate aftermath.
In my opinion the characters are not very deep. They are more like caricatures than anything else. The lack of character depth an the nearly inevitable ending was a turnoff.Others may enjoy this book and it was not horrible, but I think it was average at best.
Say something about yourself!
The authors of this story are truly talented in their character development, and the artistry in which they weave the relatively simple, yet rich tale.
As many other reviewers have mentioned, Egert is the main character, toward whom, at the beginning of the book, I felt total justification in completely despising. After Egert murders Toria's fiance, I almost cheered when 'the Wanderer' goaded Egert into challenging him to a duel, and the contemptuous ease that Egert was beaten, and cursed. I reveled in Egert's fall into complete and utter disgrace, his shameful flight from his home, resulting in a wretched life of misery and fear.
This cursed punishment was only too fitting for the man that Egert had been.
When the paths of Egert and Toria crossed once again, I did not want there to be any chance of redemption for Egert. The skill of the writers is undeniable, as even I was compelled to begin to root for Egert as he strives to do the right thing. This struggle is in spite of the irrepressible cowardice at the dire consequences promised him, should he fail to incriminate an innocent whom he truly loves.
Jonathan Davis provided a very good narration, with dramatic (but not overly so) voices. His narration certainly added to the overall listening experience, and I would encourage you to try this non-mainstream book.
The story itself is so simple, but told so beautifully.
There were many, but more than any one particular moment, it was Egert's transformation thoughout the book.
He displays an excellent range of emotion. This was my first Jonathan Davis books, and it was one of my favorites.
If I were unemployed and single.... sure.
If you're a fan of fantasy (Rothfuss, Tolkien, etc.) I highly recommend this book.
Like action, adventures, war stories, militay happenings, historical readings-fiction, & mysteries. Unabridged only! Reader IMPORT!
The book was a little hard to get into but as the characters developed it became MUCH more interesting and hard to "put down"!
It is well worth the listening too!
Sci-fi/Fantasy geek :)
Parts of this book are brilliant! I like to be surprised by books and there was certainly a good deal of that in this book. The standard "recipe" for redemption was thrown out the window and that made it much more realistic and the characters much closer to human. But, all of that takes time to unwind and I found myself sometimes just saying, "Okay, I get it, can we now move on?" But, it's kind of like watching a movie with really long scenes shot with a single camera, yes they seem long, but you really get to look all around and notice all the details.
I like the prose most of the time, but at times it does seem like a translation from a foreign language. Not enough to bring down the overall excellence, but just occasionally. But, those times serve to remind me that I'm not reading a natively English-written book and I like that!
I was a little disappointed that magic didn't play a bigger role in the storyline. People were identified as Mages and such, but all the evidence of that lurked just behind the curtain and we didn't really dip our toe into that water. I'd say that's a great excuse for another really good book!!
This story ranked up there...no doubt. It has some strong moral lessons about doing what's right, regardless of your rights.
There were several, the first being the fight between the Traveler and Lt. Seoul. The good Lieutenants insistence of his innocence rather than admit that he showed poor judgment and could have been morally wrong even though socially correct. The most important point was when his newfound love showed him the path to redemption, although unknown to Egert. Her willingness to stand for him, the murderer of her betrothed, was as selfless as any I've seen, and provided much needed reminders of how we should be willing to go the extra mile for a stranger.
Although a min or part, the contribution of the Traveler was without a doubt the most enlightening of any in this story. He both laid out the plot, and showed the path to redemption for the main characters in such a way that I've not seen since the Soothsayer warned Ceaser, "Beware the Ides of March!"
Most definitely. I listen while driving between jobs (sometimes upwards of 3 hour trips) and occasionally needed to make an extra coffee stop just to get to the next chapter break.
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