©1958 Ray Bradbury; (P)2009 Blackstone Audio, Inc.
"Bradbury is an authentic original." (Time Magazine)
"No other writer uses language with greater originality and zest. He seems to be an American Dylan Thomas." (Sunday Telegraph)
The Martian Chronicles has all the virtues and flaws of everything I've ever read by Ray Bradbury. He writes beautiful prose and he's particularly good at spooky and haunting imagery. He's in a different category entirely from other "golden oldie" SF authors — his stuff is deliberately thoughtful and crafted, and tends to be much more human-focused. Even when he's writing "hard" SF, it feels more like a science fantasy, sometimes edging closer to pure fantasy or horror. And you can read all kinds of metaphors into his work, often metaphors completely different from the ones he intended, if his reaction to interpretations of Fahrenheit 451 is anything to go on.
The Martian Chronicles is, as the title suggests, more a themed collection of short stories than a novel, chronicling humanity's exploration and exploitation of Mars. It starts with the first ill-fated Mars expedition, when the first Earthman on Mars is greeted by a Martian roused to jealousy by his dissatisfied wife's clairvoyant dreams, and continues through the inevitable follow-up expeditions and colonization effort, in which the Martians all but disappear, becoming ghosts haunting their own planet, and humanity brings its troubles and all its baggage to Mars. The final stories, in particular, after a war destroys life back on the home planet, are eerie, with vivid descriptions of robot houses on Earth still cooking breakfast for families that were long ago atomized in a nuclear war, and a few lone survivors trekking through the ghost towns and dry canals of Mars. There were parts of this book that were truly marvelous and timeless.
That said - the flaws. Ray Bradbury, like so many of his generation, writes like a cranky old white man and he always has. He seems unable to conceive of a family, a society, or a civilization that doesn't resemble Middle America circa 1950, when The Martian Chronicles was published. Even the Martians, despite their elegiac voices and physical descriptions — brown skin, copper eyes, psychic powers, and evolution into non-corporeal bodies — are first introduced to us as a bored married couple following behavioral tropes that would not be out of place in a 1950s sitcom. The Martian household is imaginatively described, with its magnetic dust to clean and its fire chariot for transportation and the mask worn by a Martian man going out to hunt, with his rifle firing bee-like cartridges, but it's essentially a Flintstones or Jeffersons-like mapping of suburban America onto an alien landscape.
That said, Earthmen behaving exactly as they did back on Earth, and trying to remake Mars in the image of Smalltown, America, was no doubt part of the point. The Martian Chronicles shows Earthmen ruining everything, like they always do, Mars being no exception.
This is a classic that deserves a good read, and there is a timeless quality about it, but there's also a datedness in Bradbury's characterization, an ability to imagine and illustrate themes beautifully but not characters, all of whom are as stereotypical and whitebread as those you'd have found on TV at the time of the book's writing.
3.5 stars for superior prose and imagination and vision, but dated tropes and characters who are simply mouths to voice themes.
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The Martian Chronicles is a collection of Ray Bradbury’s stories about the human colonization of Mars which were previously published in the pulp magazines of the late 1940s. The stories are arranged in chronological order with the dates of the events at the beginning of each story. In the first edition of The Martian Chronicles, published in 1950, the events took place in a future 1999-2027, but a reprinted 1997 edition pushes all events forward to 2030-2057. Because it’s a story collection, The Martian Chronicles has an episodic feel which has been made more fluid by connecting the stories with short vignettes, similar to the structure of Bradbury’s collection The Illustrated Man.
In the first story, “Rocket Summer,” we visit a small town in Ohio while the first human exploratory spaceship takes off for Mars. Bradbury explains in the introduction to The Martian Chronicles that this small-town mid-America feel was influenced by Sherwood Anderson’s novel Winesburg, Ohio: A Group of Tales of Ohio Small-Town Life which Bradbury admired and hoped to emulate.
The next two stories, “Ylla” and “The Summer Night,” show us what the Martians are like. They’re humanoid in form with brown skin and round yellow eyes. Like humans, they live in houses and towns, eat and drink, sleep, age, read books, study science, desire love, become jealous and irritable, and commit murder. (I find it amusing that the Martians have the same kinds of depressing marriages we see in Bradbury’s stories set on Earth.) But the Martians are telepathic and the humans’ approach is causing them to quote our poetry, sing our songs, and adopt other aspects of human culture without understanding why.
The first spaceship was unsuccessful, so a second expedition was launched a few months later (it seems reasonable for Bradbury to expect that by 1999 we’d be able to get to Mars a lot faster than we actually can). In “The Earth Men” we learn the fate of this crew and we learn that Martians, just like Americans in 1950, have to live with bad psychiatry and insane asylums. Stephen Hoye, the narrator of Blackstone Audio’s 2009 version of The Martian Chronicles, was particularly brilliant with this story.
Next comes “The Taxpayer” in which an Ohio man is trying to get on the third expedition to Mars (the second one failed). This very short vignette tells us that things are going badly on Earth and that an atomic war is expected in about two years. “The Third Expedition” (originally published in Planet Stories as “Mars is Heaven!”) describes what happens when the third doomed mission lands on Mars. This story doesn’t quite work with the chronology of The Martial Chronicles because it portrays astronauts from 2030 growing up in the small Midwestern towns of early 20th century America. It also ironically highlights the biggest problem with The Martian Chronicles when one of the astronauts asks “Do you think that the civilizations of two planets can progress at the same rate and evolve in the same way?” Clearly the astronaut doesn’t think that’s possible, but in these early stories, Bradbury’s Martian culture is just too much like ours. Even so, “The Third Expedition” is a clever little horror story and one of my favorites in the collection.
“And the Moon Be Still as Bright” is the story of the fourth, finally successful, expedition to Mars. The Martians have mostly died of chickenpox — humans, in our blundering way, have inadvertently killed them off. Most of the men of the expedition don’t care, eager to begin exploration and colonization, but Captain Wilder and an archaeologist named Spender regret that humans have destroyed such a beautiful civilization, like they destroy everything else they touch. There’s a lot of social commentary about 1940s American culture in this story.
The next several stories are about the rapid spread of humanity on Mars. “The Settlers” and “The Shore” describe the type of people who came to Mars from Earth, “The Green Morning” follows a Johnny Appleseed type of character who plants trees to increase oxygen levels, and “The Locusts” and “Interim” describes how men and women made Mars look just like another Earth. In “Night Meeting,” we learn that “even time is crazy up here” when a colonist from Earth meets a Martian who seems to be in a different time-stream. This story also reminds us that civilizations both rise and fall and that perhaps it’s best that we don’t know the future of our own civilization.
I especially liked the next story, “The Fire Balloons,” in which a group of missionaries prepare to bring the Gospel to the Martians. They don’t know what the Martians will look like and must consider how a different culture, and even a different anatomy, might dictate the types of sin a society is prone to. (It seems unlikely that the missionaries don’t know what the Martians look like by now, but we must keep in mind that The Martian Chronicles is a story collection, not a novel with a continuous story.) When the missionaries meet the Martians, they have even more theological questions to deal with. “The Fire Balloons,” has a beautiful ending.
Male explorers and settlers have been the main characters so far but “The Musicians,” a story original to The Martian Chronicles, shows us what boys do for fun on Mars, “The Wilderness” features two women who are getting ready to emigrate from Earth, and “The Old Ones” focuses briefly on the elderly. Those first courageous men won’t be forgotten, though; in “The Naming of Names” we learn that they’ve been immortalized — many places on Mars have been named after them. These human names, and other industrial-sounding names, have replaced the nature-focused names used by the Martians.
In “Usher II” Bradbury returns to one of his favorite pet peeves — book burning. A man who has left Earth to get away from the “moral climate” police is angry that they’ve now shown up on Mars. To get back at them for outlawing Edgar Allen Poe’s work, he uses his fortune to build his own House of Usher and he invites them all to a party. This story is entertaining, but I’m not sure that Bradbury makes his case. After what happens, I think the moral climate police will feel they have even more grounds for banning Poe.
“The Martian” is a terrific horror story which shows us what becomes of one telepathic Martian when humans, full of painful memories and wanting to start over, arrive on his planet. This is one of the best stories in The Martian Chronicles.
The next few stories, “The Luggage Store,” “The Off Season,” and “The Watchers,” tell of the nuclear war on Earth that was predicted in earlier stories. It can be heard on the radio and seen from Mars and soon the colonists get an urgent message: “Come home.” And so they go back to Earth.
“The Silent Towns” tells the story of Walter and Genevieve, living hundreds of miles apart, who assume they’re the last humans left on Mars. This story is entertaining, but highlights the rampant sexism so often found in the science fiction written for pulp magazines. Where does Walter decide is the most likely place to find a woman? The beauty shop. (Genevieve, what the heck are you doing in a beauty shop on a deserted planet?) Then, after driving for hundreds of miles to find her, Walter rejects and runs away from the last woman on Mars because she’s overweight. Really.
Bradbury is back to doing what he does best with the next two stories. “The Long Years” tells of Hathaway, one of the crew of the Fourth Expedition, who stayed on Mars with his family when the rest of the colonists left. When Captain Wilder, his former commander, returns to Mars after exploring other planets in the solar system, he finds Hathaway and wonders how his wife and kids stayed young while Hathaway kept aging normally.
“There Will Come Soft Rains” returns us to Earth where the atomic war has wiped out most of the people. An automated house (common in Bradbury’s stories) still stands in California, going about its daily routines as if the family who lived there is still alive. This story was inspired by Sara Teasdale’s post-apocalyptic poem “There Will Come Soft Rains” in which we see nature taking back the Earth after humanity is destroyed. This imagery in this excellent story is chilling and unforgettable. Unforgettable.
After all of the destruction that humans brought upon themselves (we nearly obliterated the population of two planets), the last story, “The Million-Year Picnic,” offers a bit of hope as two families escape the devastated Earth and plan to start over. To ensure that humans don’t make the same mistakes we made before, they burn books, maps, files and anything else that contains the sorts of ideas that may have led to our destruction. (A little ironic, I think. Apparently, Bradbury thought it was noble to burn some of our literature.)
Whenever I read Bradbury, I’m struck by his lofty visions, in the early 20th century, for future technological developments and space exploration. He envisioned a degree of achievement by the 21st century that we’re not even close to yet. However, at the same time, it seems that he didn’t foresee how much American social culture would change even during his lifetime. Thus, in most of his stories set in the future we find the juxtaposition of robots and rockets with the same sexism and racism experienced in 1950. Fortunately, the nuclear world war that he and many SF writers imagined has also not happened. Perhaps we can give Bradbury some of the credit for warning us so vividly.
The Martian Chronicles is some of Ray Bradbury’s most-loved work and foundational reading for science fiction fans. If you’ve never read it, or haven’t read it recently, I encourage you to try Blackstone Audio’s version.
Leaving behind a world on the brink of destruction, man came to the red planet and found the Martians waiting, dreamlike. Seeking the promise of a new beginning, man brought with him his oldest fears and his deepest desires. Man conquered Mars and in that instant, Mars conquered him. The strange new world with its ancient, dying race and vast, red-gold deserts cast a spell on him, settled into his dreams, and changed him forever. In connected, chronological stories, a true grandmaster enthralls, delights, and challenges us with his vision, starkly and stunningly exposing our strength, our weakness, our folly, and our poignant humanity on a strange and breathtaking world where humanity does not belong.
Originally posted at FanLit.
Bradbury's stories are always thought provoking. There are some very good ones here and the rest are solid. This audiobook suffers from poor narration. Hoye has a good voice, but his inflection is affected and annoying.
a Tech Exec who loves the stories about what could be and what should have been. Mixed with histories told from an outside perspective.
The first Bradbury novel I have read...and I was quite surpised by the content. It is obvious that this is a compelation of many stories written over many years. I actually loved the forward of the book, the second time I read it. You really begin to appriciate the referances to Ray being a poet.
Bradbury's introduction, included in this edition, explains how these short stories came to be knitted together to form The Martian Chronicles, a future history of Mars. Written in the 1940s, and influenced by Edgar Rice Burroughs's works and Percival Lowell's canals of Mars, this is not hard science fiction, but rather lovingly, descriptive prose from an earlier age. A classic.
This arrangement of the short stories comprising the Martian Chronicles seemed well organized, however I am not familiar with the other arrangements that have been done in the past.
The narration was very good.
Bradbury has a brilliant story-telling style. Having said that, I didn't find any big ideas present in this book besides that everyone should be worried about nuclear war.
Parts of the Martian Chronicles can be seen as precursors to Bradbury's masterpiece Fahrenheit 451.
John Christmas, author of "Democracy Society"
I love to write and read I work as an SEO copywriter for Utah SEO
"There Will Come Soft Rains" is a classic story.
Great bit of Sci-fi. Bradbury is a master craftsman weaving together multiple narratives into one whole picture of the planet mars.
I've always heard that this is a classic, so I thought I'd give it a try.
Sorry, but I think this book is a bit childish and simple minded in it's outlook.
Perhaps it would have been more interesting if I read it when I was 14.
The characters were 2-dimensional, and their actions and motivations were ludicrous. I know The Martian Chronicles is not supposed to be hard scifi, but for me to enjoy even a work of Fantasy, the people have to seem like people... not just some ethereal shadows of sophomoric emotions.
I listened to this a while back and to be quite honest, it is not particularly memorable. It is a selection of stories based around a dated concept of what life would be like on Mars. Some of the stories are quite interesting but on the whole I did not really find they kept my attention. Maybe this was because they have not aged well, but this is not usually a problem for me - I think it is more likely that the stories were not very good.
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