In a secret world of forbidden knowledge, power comes at a terrible price....
Quentin Coldwater's life is changed forever by an apparently chance encounter: when he turns up for his entrance interview to Princeton, he finds his interviewer dead - but a strange envelope bearing Quentin's name leads him down a path very different from any he'd ever imagined.
The envelope, and the mysterious manuscript it contains, leads to a secret world of obsession and privilege, a world of freedom and power; and, for a while, it's a world that seems to answer all Quentin's desires. But the idyll cannot last - and when it's finally shattered, Quentin is drawn into something darker and far more dangerous than anything he could ever have expected....
©2016 Lev Grossman (P)2016 Penguin Books Limited
I get that Grossman is trying to create a three-dimensional protagonist with weaknesses and problems. In doing so the character is probably supposed to be easier to identify with. But I never identified with Quentin, and I lost my interest in him throughout the book. I want to read something that inspires me, but reading about Quentin's self-pity and his poor view on life and people in general is just depressing.
Along with this I must say the plot is not intriguing enough and it seems like the novel is missing some editing. Loose plot ends are thrown out now and again without being picked up which made me think the author forgot about them. And for an "adult fantasy" it just doesn't seem to be intelligent enough. You never understand what is the agenda of influential off-screen characters (Fogg, Mayakovsky), which makes me think there are none. The only way this fantasy novel is adult is in the frequent occurrence of drugs, sex and alcohol, I was hoping there would a more sophisticated side to the story than that but I did't find it.
Grossman's language and imagination is good enough for a good fantasy novel, but "The Magician's" misses out on too many other things.
I did like it, but the stereotypes about women were a bit much. I've heard people say it's Harry Potter for older people, with the swearing and the drinking and such, but I do not agree. I like the concept of what it is to go on an adventure as an adult, but it lacks depth, and the story isn't the best. but it is entertaining.
A wonderful performance of the embodiment of tedium and chasing happiness beyond the horizon. Annoyingly depressing and yet the story sucks you in and along the dark and gloomy alley towards the blackness at the end.
It's the same magical concept as Harry Potter, but for older people. It's better than harry potter for adults. Brilliant. The writing, the story, the characters. I loved it and can't wait to listen to the others.
If I could have listened to it in 1 sitting, I would have. I'm happy that it was as long as it is. The interruptions made it better, I would think about the book when I wasn't listening.
"Narnia and Harry Potter combination for adults"
This story was certainly entertaining. I would suggest that if you grew up with Harry Potter and found that you were never invited to Hogwarts, then your sense of disillusion with the world can be sorted out with this original, if not ground-breaking tale. I liked the concept and the characters were quite well formed, although as the story progressed it got a little bit too referential - Narnia "Magician's Nephew". However, I do like books that refer back to the earlier genre works, and Grossman has certainly wrought something new from children's fantasy fiction. When the next one comes out on audio (only available currently in the US audible site) I shall probably download it and continue listening, but I wasn't left with a desperation to continue to the story. The protagonist, Quentin, was that rather in vogue mixture of brilliance tinged with flaws and issues. I have to say though, that I was increasingly unsympathetic towards him, which could arguably be Grossman's plan with the whole 'disillusionment' thing. Mark Bramhall was a brilliant reader, well paced with good characterisation.
"The Magicians - absolute magic"
It isn't often that you listen to the first in a trilogy and actually want to be bothered to listen to the others, but in this case - you will. Give it a little time to warm up I would say, the first third of the book sets the characters. It is an adults book, similar to 'The Kingkiller chronicles' by Patrick Rothfuss, but with a little more sex and adult language. I am certainly going to use my precious monthly credit to read the second book. Mark Bramhall is easy to listen to, which isn't always the case with American accents if you are British. I would recommend this book.
I found that dealing with 'magic' can sometimes give a book a childish slant, but in this case not. It is matter of fact and deals with magic as if it were a science for those with a natural give. You accept it as such.
The introduces this magical land Phillory, which they all read as a child in much the same way as 'The lion, the witch and the wardrobe'. However, it isn't all candyfloss and lemon trees, and allows the adults to experience it in an adult way, which is quite enchanting.
Absolutely nothing. Easy listening - but be careful you don't fall asleep in the bath as I did and then have to try to find your place again. He reads so nicely, it's very relaxing.
If you are looking for fairytale book, perhaps this isn't for you. The language and sexual references could be offensive for some, although this doesn't take over the book, it is only in a few parts.
"The love child of Lewis and Salinger"
This post modern flurry into fantasy is an enjoyable, if not a cynical look at what would happen if Narnia was invaded by this current depraved generation. Of course they never use the name, for legal reasons I expect, however anyone who is even remotely familiar with Lewis' fantasy saga will see the parallels. The protagonist, Quentin Coldwater, owes more than a little to Holden Caufield and it has the same dry, broken view of this world that Salinger so vividly created.
There are some truly wonderful sequences. The reader spends almost 1 full chapter as a goose and it is delicious. I also had some in the narnia like world that feels like the far more grotesque and gritty version most of us have imagined at some point in our lives.
I enjoyed this book however I never truly connected emotionally to the characters. I guess that is because I am not as cynical as they are and even though lots of exciting things happen it never felt epic. I just didn't care enough about the outcomes. Not that it is a fault with the book per se as I believe this is exactly what the author wanted to achieve. It will never be my favourite book but worth a read.
Harry Potter meets Narnia- not exactly the freshest of ideas but entertaining none the less.
Will see how the story develops.
"Not what you think it's going to be"
This has often been dubbed as a grown up Harry Potter, which I think is utter bull. This is a fantasy book with a magical school however the part that makes it unique has nothing to do with learning magic at all.
I hated the main protagonist as a person but loved him as a character (if that makes any sense). He starts out completely self absorbed but I think the books' strength lies in telling you why he's such an ass. It explores some really important things about most people's dissatisfaction with the world, no matter what they gain or achieve. If anything it uses fantasy as a setting for some really awesome character development and exploration.
I do hope audible adds the second and third books.
"miserable but relatively interesting."
main protagonist was so boring. only so much you can take. narrative was good but lacked excitement
"THe Magicians a book review By Lead Astray."
I liked it enough to buy the other two books. However it does get a bit of a feel of the lion the witch and the wardrobe part way through.
"You're a morbid emo Harry."
The narration was above par, pity it couldn't lift the story.
Have some happiness
By the time the principal announces that what makes them magicians is that they are miserable the reader will have already found that out.
"Slow and boring"
I'm only a quarter way through, I'm finding it hard going. The story is slow and boring and the narrator is awful, his voice is really starting to irate me with a snobby American accent that just drones on and on.
"Fantasy lovers beware"
As a lover of fantasy, I actually found this book rather insulting. It felt as though it was written by someone who disliked fantasy and had set about to 'debunk' or send up the genre to some extent. Almost as if he had read the Potter books and said to himself "This is all ridiculous" and had set about creating unexceptional, boring characters who are mean, unfaithful, selfish and to whom very little happens. Then towards the end of the novel, he cops out and places them into an actual fantasy setting.
And as for the JD Salinger comparisons, I'm sorry but Quentin Coldwater is no Holden Caulfield. He is completely void of anything like wit, and unable to really engage the reader in his experience.
I like to be swept away by a narrative into a parallel/imaginary world - that's kind of the point of fantasy - and if, like me, that's what you're looking for, I would honestly think twice about trying The Magicians.
I know that reading a book is a very personal experience, and I hate to sound mean, but in my experience this book was dire.
I'm listening to The Name of the Wind now. Phew! A relief to be back in a 'real' fantasy realm...
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