Return to Fillory in the riveting sequel to The New York Times best-seller and literary phenomenon of 2009: The Magicians.
The Magicians was praised as a triumph by readers and critics of both mainstream and fantasy literature. Now Grossman takes us back to Fillory, where the Brakebills graduates have fled the sorrows of the mundane world, only to face terrifying new challenges.
Quentin and his friends are now the kings and queens of Fillory, but the days and nights of royal luxury are starting to pall. After a morning hunt takes a sinister turn, Quentin and his old friend Julia charter a magical sailing ship and set out on an errand to the wild outer reaches of their kingdom. Their pleasure cruise becomes an adventure when the two are unceremoniously dumped back into the last place Quentin ever wants to see: his parent's house in Chesterton, Massachusetts. And only the black, twisted magic that Julia learned on the streets can save them.
The Magician King is a grand voyage into the dark, glittering heart of magic, an epic quest for the Harry Potter generation. It also introduces a powerful new voice, that of Julia, whose angry genius is thrilling. Once again Grossman proves that he is the modern heir to C.S. Lewis and at the cutting edge of literary fantasy.
©2011 Lev Grossman (P)2011 Penguin Audio
"[A] serious, heartfelt novel [that] turns the machinery of fantasy inside out." (The New York Times Editor's Choice)
"The Magician King is a rare achievement, a book that simultaneously criticizes and celebrates our deep desire for fantasy." (The Boston Globe)
"Grossman has devised an enchanted milieu brimming with possibility, and his sly authorial voice gives it a literary lift that positions The Magician King well above the standard fantasy fare." (The New Yorker)
It is unusual when a following book is better than the original, and even more rare when considering that the first book is marvelous in its own right. In the first book Quentin was somewhat pathetic, but you loved him even so (one of those negative people who is never satisfied, regardless), he was an antihero who yearned to be a hero. But discovering Breakbills through Quentin's eyes was nonetheless magical, and haunting, and when the first book ends you pretty much have to go back and read it again. Book 2, The Magician King is even more all that than the first book, replete with Julia's experiences, and Julia is probably even a better character than Quentin, although her unbelievable constant fury matches Quentin's omnipresent ingratitude and teenage lack of direction. Julia and Quentin are both utterly believable as highly intelligent, unique-thinking braniacs (Grossman is brilliant, in dialogue, characterization, and plotting). Fillory is much more engrossing in this second book and finally provides a worthy contender to C.S. Lewis' Narnia (albeit a raunchy, F-bomb laced Narnia, drunken and drugged). There is a lot of raunchy language, but The Magician King is haunting and beautiful, and quite a read, and more satisfying than the first book (which was quite satisfying, read it first). Mark Bramhall as narrator is skilled and sophisticated (and I keep thinking I'm listening to David Hyde Pierce's Niles Crane, with a slight cold, and a little drunk on cough syrup, but his voice changes and delivery is masterful). Great book, and worth the wait! Art et Amour Toujours
I'm a voracious audiobibliophile, mainly interested in speculative fiction, with the occasional mimetic fiction or non-fiction title sneaking in.
After 2009's groundbreaking The Magicians, Lev Grossman takes his "hero" Quentin on a hero's quest, by ship, magic gate, hell, and high water. Where the first book saw classroom scenes of painstaking practice and learning, here Quentin, Eliot, Janet, and Julia are the kings and queens of Fillory and have been for a good while -- long enough for boredom to set in, and Quentin realizes that he really must find something to do. That something turns out to be a tax collection at the Outer Island, setting Quentin and Julia off on a magical, poorly understood ship East into the half-charted seas. There may or may not be a magical golden key which winds the world. There may or may not be dragons. There are prices to pay. Then there is the other half of the novel. Interleaved with the story of Quentin's hero's quest are "the Julia chapters", filling in the backstory of Julia, one of Quentin's childhood friends, left behind when Quentin passed the entrance exam for Brakebills. Slowly, Julia unravels, at the same time unraveling the mystery of what happened to her, and discovering that there is a world -- an ad-hoc, more jagged-edged world -- of magic beyond Brakebills, found in basements and squatted buildings and various other safe houses. Through these compelling, moving, memorable chapters we see the price Julia had to pay for her magic, with both storylines coming together for a stunning finish and very satisfying denouement. On the narration: Once again, Bramhall brings his at-times delicate and heartbreaking, at other times sarcastic and dry, narration back to wonderful life. Particularly memorable in The Magician King is his characterization of the whiny, bookish Benedict, as well as the greater beings encountered along the way. Throughout, he builds a magical atmosphere and tone, never saccharine, maintaining the perfect knife's edge between the fragile and the real, charting well the heady waters of a truly worthy sequel to one of the new century's great fantasies.
Most sequels that follow a really fantastic first book usually fall flat and lack the magic, the imagination, and the originality of the first; this is not the case with The Magician King. Grossman succeeds in pulling the reader even further into the magical side of the world, and the other worlds, that he created in The Magicians. This expertly crafted tale explores the growth and changing world views of the characters in a breathtakingly realistic way through both internal and external dialogue. In short, the story is captivating, enthralling, and perfectly paced. The only two problems were a result of the reader, Mark Bramhall, who, although a wonderfully gifted and talented reader, consistently mispronounces the word sloth (as 'sloath') and a poorly done Australian accent that is reminiscent of Steve Irwin mocking (which is easily forgiven, as performing accents is incredibly challenging for even the most seasoned actors). The rest of the reading is the consummate Bramhall - perfection. I highly recommend this to anyone who enjoyed The Magicians - if you liked the Magicians, you will love The Magician King.
After finishing the second book, I am wondering if the polarity of the first book was actually between people who have experienced the spinning wheels of significant depression, anxiety, or other mental malady and those who have not. ( For those who have not, good for you, stay healthy! ) Lev Grossman's ability to convey what it feels like to be a smart person suffering from depression and ennui hits a bit close to the bone, but that is what makes the characters ring deeply true.
The second book is likely to hit a nerve differently than the first book. The result is that, as our anti-hero muddles along, there are plenty of new emotional hurdles to face as a reader.
The bottom line is that I continue to both love and struggle with this story. That, to me, is the mark of literature.
Gen-Xer, software engineer, and lifelong avid reader. Soft spots for sci-fi, fantasy, and history, but I'll read anything good.
The Magicians, the novel that preceded this one, was one of my favorite works of fantasy of recent years. Grossman took the sugary soda pop of novels like the Harry Potter or Narnia series, and spiked it with a stiff shot of vodka. Instead of cute, well-mannered kids, the protagonists become a group of brilliant, angsty, self-absorbed young adults, who go to a special school to learn a lot of complicated magic, but don't pick up a whole lot of maturity or direction to go with it. Indeed, there's strangely little for them to DO after graduation, at least not until their poking around with powers above their heads reveals a dangerous world they all thought was fictional.
Had it just been a sardonic send-up of cherished works of children's fiction, I might not have enjoyed it so much, but under the hood, it also felt like a metaphor for the coming of age of the more privileged members of the generation that read all those Harry Potter books. A blurring line between fantasy and reality? Check. Too much power at one's fingertips? Check. Being well-trained to jump through hoops without necessarily being well-prepared to make good decisions? Check. An absent older generation? Check.
However, you can’t make a series out of gifted youth disaffection and parodying CS Lewis, and so The Magician King offers its characters the opportunity to grow up. For Quentin, now one of Fillory’s four rulers, the chance comes after the boredom of an easy life in the royal palace inspires him to set off on a diplomatic mission to the far end of the kingdom. As one might expect, this minor quest unlocks a much bigger one, which drags our mopey hero and various friends back to Earth and to other places, teaching him lessons about heroism, sacrifice, and seeing the potential of others. Those readers who felt there wasn't enough plot in The Magicians might be pleased that there's more structure in this outing, though I thought all the place-hopping got to be a little too on rails. Sure, Quentin makes fewer bad decisions, but more often than not, the right pathway simply lines up in front of him. Go through this door because, well, the talking sloth says so.
Grossman also uses this book to fill in the backstory of Julia, who got rejected by Brakebills in the first book, suffered the kind of emotional breakdown one might expect from a brittle overachiever who doesn't get into Harvard, and then disappeared until the end, at which point we learned that she somehow picked up magic on her own. Here, flashbacks interspersed with the main story reveal exactly how that happened, and introduce us to a gnarlier, off-the-grid alternative magic community. To be honest, I found this tale a bit of a slog, given that Julia's as unlikable as the other characters were in Book One, albeit in a fiercer way. But it's not uninteresting, and expands the world in ways that'll no doubt figure into Book Three. Until now, we’ve only seen the bored, bourgeois side of magic education -- here we get the Fight Club kind.
The story also answers a few other questions, some probably of more interest to readers. We learn more about the forces behind the magical multiverse (old and powerful, of course), meet some new characters, and find out what became of Josh and Penny. And plenty of groundwork is laid for a sequel.
All in all, The Magician King, if not as bracingly original as its predecessor, carries forward its momentum without too many stutters. More than just Harry Potter with f-bombs, it’s “adult” fantasy in the truest sense: the magic isn’t safe, the people best suited to it are flawed, and being a hero can come with steep costs. As before, Grossman continues to balance a dark, smartly sardonic sense of humor with a world whose unreality is genuinely haunting. And as before, it's a rather narrow, self-aware audience that will see much of themselves in his characters, but, if you do, this series might speak to you.
I would certainly recommend the audio version. IMO, Bramhall’s slightly arch but sophisticated reading finds the grain of the story while buffering some of Grossman’s snarkiness.
I read the reviews and was pleasantly surprised to confirm that they were accurate. I enjoyed the ride and especially loved that this was more of an "adult" magic story - if this world existed I'm sure it would be very similar to the picture that was painted here.
Great audio! Very original and just as great as the first. If you liked the first you will like this one too... However, if you didn't like the first, it is a different plot, but with the same style of writing as the first.
Yes, absolutely. I did enjoy the storyline of Grossmans series however I believe the reader made it even better. For the first time
Once again, the critics love a book and it leaves me completely cold. A seemingly endless journey where characters change little and spend more time talking about it instead of doing.
I'm not going to completely trash this book as its not 100% bad; however, read the review from the Washington Post and verbatim- thats exactly how this book is. The language takes away from the book way too much. As the Washington Post said it: "its been done before and better."
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