Ray Bradbury's The Illustrated Man is a kaleidoscopic blending of magic, imagination, and truth, widely believed to be one of the grand master's premier accomplishments. Collected here are eighteen tales, startling visions of humankind's destiny, unfolding across a canvas of decorated skin, visions as keen as the tattooist's needle and as colorful as the inks that indelibly stain the body.
The Chapters Include:
Dancing, So As Not To be Dead
Prologue: The Illustrated Man
The Other Foot
The Long Rain
The Rocket Man
The Last Night of the World
No Particular Night or Morning
The Fox and the Forest
The Concrete Mixer
The Illustrated Man
©1951 Ray Bradbury; (P)2009 Blackstone Audio, Inc.
"Here is an open circuit on ideas, which range from religion, to racial questions, to the atom bomb, rocket travel (of course), literature, escape to the past, dreams and hypnotism, children and their selfish and impersonal acceptance of immediate concepts, robots, etc." (Kirkus Reviews)
"A must for sci-fi fans!" (School Library Journal)
I have an old dog-earred paperback copy of this book and have enjoyed the 30-minute versions of several of the stories produced for radio. But nothing beats the unabridged book when it comes to my listening enjoyment. Paul Michael Garcia does a very good job with the narration. This is one of those audio books I will listen to again and again.
I'm a big fan of SF/F/Horror, and all things in between and out.
I???ve listened to Bradbury???s seminal collection of short stories twice now, and it???s very much like hanging out with an old friend whom you haven't seen for ages, but jump back into things as if you'd been speaking to every day. Some have suggested that it hasn???t aged well, but I disagree: the stories certainly have aged (the book itself is over 60 years old), and they certainly look different than today???s SF/F/H stories, but they???re still full of imagination, excitement, fear, and wonder. The stories contained are as diverse as the titular characters tattoos ??? whether it???s lonely astronauts floating through space as their oxygen runs out, the ghosts of some of our greatest authors and poets exiled to Mars, or a poor father who can???t afford to send his family on vacation in outer space ??? and each one is a treasure.
Paul Michael Garcia does an amazing job reading these, adding an additional layer of emotion and character to each story. If it???s been a while since you read Ray Bradbury, Paul Michael Garcia is the narrator to reunite you with him.
The book contains the following stories: The Veldt, Kaleidoscope, The Other Foot, The Highway, The Man, The Long Rain, The Rocket Man, The Last Night of the World, The Exiles, No Particular Night or Morning, The Fox and the Forest, The Visitor, The Concrete Mixer, Marionettes, Inc., The City, Zero Hour, The Rocket, The Illustrated Man
Faced with mindless duty, when an audio book player slips into a rear pocket and mini buds pop into ears, old is made new again.
Flights of imagination sparkle and spin in this updated 1950s classic by Ray Bradbury, “The Illustrated Man”.
Bradbury spins stories reminding one of late night re-runs of Rod Serling’s “Twilight Zone”. Every episode sparkles with stars and planets, habitable by man but riddled with fear, death, and destruction. Bradbury grasps human nature and turns it against itself by writing stories; i.e. stories that illustrate man’s selfishness, insecurity, wantonness, and aggression. Bradbury is a master story-teller.
Paul Michael Garcia’s narration is a tribute to Bradbury’s skill.
Ray Bradbury was one of the favorite writer’s from my youth; Fahrenheit 451 was one of the first books I read about “ideas” it was not just a cool story but it was actually about something. I followed that up by devouring most of his work. I decided to revisit him.
He was not as good as I remember. But I am not listening to this with fresh ears. But even so, I have read numerous books numerous times but I just found listening this to be a trudge listening to these familiar stories again. It felt like I was watching a bad sitcom and I remembered all the punchlines.
However to fresh ears this collection of short stories might be as exciting and exhilarating as my first reading. This book would be great for a family roadtrip or something. The stories are short and punchy and are relatively easy to comprehend but are real involving. It is great YA material that has kind of been lost in a midst of hip YA Fiction that is out. However once you know the twist or what it is about a large chunk of the enjoyment is gone. I think it boils down to Bradbury being a great storyteller and mediocre craftsman of language. As opposed to something like the Great Gatsby (a book I have read and listened to numerous times) which is a triumph of storytelling and language.
To be honest you can find a large chunk of these stories as radio plays on Audible or as free podcasts. That is the best method to hear most of these stories. The narration is rather utilitarian hardly as magical as the old radio show some of these appeared on like X Minus One and Dimension X.
The narration is quite good. This is a classic from the genre. It is well written and entertaining. 3-stars are as a result of the depressing nature of this collection of short stories. At first I really enjoyed hearing the stories, but I was ready to jump off a building after listening to a dozen of them. It is the most depressing look at the future that I could imagine. Of all the stories, only a couple would I consider as containing hope or a positive outlook from the characters.
His voices for any woman character range from "Mrs. Doubtfire with a slight lisp" to "whiny shrieking anime character." The latter borders on offensive and is so annoying it makes you want to stop listening.
On the real tho, why does he even need to do a separate voice for women? So unnecessary.
A different narrator possessing greater fluidity, subtlety and range. The stories themselves are wonderful. and I'm glad I'm finally getting around to reading/hearing them.
The concept of these stories appearing from within the very skin
I've started listening to Ray Bradbury's works and immensely enjoyed Steven Carpenter as narrator of I Sing the Body Electric. I also enjyed Jeff Halberstadt as narrator of Fahrenheit 451. I encountered these two narrrators horugh National Library Service audiobooks (I'm visually impaired) and they may not be available in comnmercial audiobooks. However, their work doe sillustrate hat it is possible to convey the wonder, whimsy and poetry of Bradbury whereas Garcia's narration, in my opinion, turns strips the stories of their poetry.
Bradbury's preface is well written and actually rather well read. It definitely gives the sense that Bradbury is inviting the reader to "come explore with me." These stories are best approached with that in mind.
This is a great reminder that the 1950's weren't as wonderful as some people seem to think. As far as I can tell, most of the female characters are pathetic and whiny. In several of the stories, female characters are bad not because some people are bad, but specifically because they are women. Pretty depressing book.
Nothing. It is what it is.
I would like to have listened to Inside Coca-Cola, but it is not in audio.
If you like nighmarish, creepy stories like the old Twilight Zones, this is your book. Although I did not like the stories, the narration was well done.
"Flawed but interesting."
An imaginative collection of stories, and beautifully written. But alas, the undertone of chauvinism (sometimes dipping its toe into misogyny) stopped me from engaging as fully as I'd have liked to.
"Unfortunately showing it's age"
Ray Bradbury has a way with words that verges on the poetic. The premise behind this collection is quite a clever way of binding together disparate short stories.
These stories were obviously written some time ago, and the "sci-fi" element seems somewhat "1950s" in feel - rockets as opposed to space ships, atmospheres on the solar systems inner planets, etc.
The Science fiction settings for these stories seem almost surplus to requirements, they don't seem to add an awful lot to the plot and offer only a backdrop for Mr. Bradbury's emotive prose.
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