Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.
But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.
Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.
Post-apocalyptic fiction is about worlds that have already burned. Apocalyptic fiction is about worlds that are burning. THE END IS NIGH is about the match.
TABLE OF CONTENTS: Introduction by John Joseph Adams | The Balm and the Wound by Robin Wasserman | Heaven is a Place on Planet X by Desirina Boskovich | Break! Break! Break! by Charlie Jane Anders | The Gods Will Not Be Chained by Ken Liu | Wedding Day by Jake Kerr | Removal Order by Tananarive Due | System Reset by Tobias S. Buckell | This Unkempt World is Falling to Pieces by Jamie Ford | BRING HER TO ME by Ben H. Winters | In the Air by Hugh Howey | Goodnight Moon by Annie Bellet | Dancing with Death in the Land of Nod by Will McIntosh | Houses Without Air by Megan Arkenberg | The Fifth Day of Deer Camp by Scott Sigler | Enjoy the Moment by Jack McDevitt | Pretty Soon the Four Horsemen are Going to Come Riding Through by Nancy Kress | Spores by Seanan McGuire | She's Got a Ticket to Ride by Jonathan Maberry | Agent Unknown by David Wellington | Enlightenment by Matthew Mather | Shooting the Apocalypse by Paolo Bacigalupi | Love Perverts by Sarah Langan.
©2014 John Joseph Adams & Hugh Howey (P)2014 John Joseph Adams & Hugh Howey
This is one of my favorite audio books, and I have listened to quite a few. I prefer short story anthologies and every single piece in this book was a new gem.
I loved that so many of these stories came at the apocalypse premise from unusual directions. Every time the world is going to end in a different way, and the character viewpoints are also very different so each new story brings a different perspective. Sometimes the protagonists are likely to live, sometimes they don't make it to the last paragraph. As a reader, the uncertainty makes each story exciting.
It was great to hear famous podcast voices such as Mur Lafferty, Tina Connolly, Kate Baker, Jack Kincaid, Norm Sherman and others who consistently deliver clear, evocative story narrations - these are artists at the top of their craft delivering excellently edited performances.
John Joseph Adams compiled a GREAT set of stories in this anthology. I can't wait for the next book in this series to be released!
This is similar to JJA's anthology Wastelands, though I believe Wastelands to be superior. That being said, this anthology is a good fix for you apocalypse junkies. I am also very much looking forward to the continuations of some of these stories in the next anthology that Hugh and John are doing: The End Has Come.
The narrators in this book are flat. It seems like they took a lot of brand new performers and threw them in with little or no direction. In many places, the narrators took me completely out of the story. I ended up returning the book.
Flat. Amateurish. Really did not like them.
Geeky, photography-loving stitcher. Hobbits, zombies, space cowboys, agents, avengers, & clones are welcome in my post-apocalyptic dystopia.
Absolutely. Another wonderfully edited anthology of stories by John Joseph Adams.
Stories about the world’s end should prompt the reader to ask tough questions. How do you pick who gets to survive? At what point is it okay to give up on survival? Is society worth saving in the first place? To what lengths would you go to survive? Do you deserve to survive if you’re the reason the world has ended in the first place? Along with all of these questions, The End is Nigh highlights a wide variety of social issues, including same-sex marriage, global warming, euthanasia, genetic manipulation, human medical testing, and eating disorders, to name a few. The End is Nigh tackles these questions head on, and frequently the resulting answer is appropriately unsettling.
The menu of characters is similarly varied: con men; cult members; tech-savvy teenagers; scientists with OCD; artists; unfaithful husbands; computer hackers; grandmothers; and astronauts (astronauts who are also grandmothers). Good people doing good things, good people doing horrible things. Horrible people doing horrible things, horrible people doing good things.
Additionally, I was very pleased with the character diversity, whether it was with regard to ethnicity, gender, or sexual orientation. Women written by men and men written by women.
The strongest stories in this collection are anchored by these strong, complex characters and issues and tack on the utter destruction of everything as a side note. My honorable mentions are:
- “Wedding Day”—Follows a same-sex wedding that is left too late, and the resulting conflict around the characters' ability to save legal family members.
- “Removal Order”—Brings us a responsible teenage girl trying to care for her terminally ill grandmother as the world burns around her.
- “Spores”—Introduces one of the more unique characters I’ve met in the apocalypse; a laboratory scientist with severe OCD who is tasked with surviving the outbreak of a genetically engineered fungus. (This story also gets my award for most disturbingly icky plague.)
- “The Fifth Day of Dear Camp”—Imagine the guys from the SNL “Bill Swerski’s Superfans” sketches encountering an alien invasion while hunting in the woods. Lovable, but deadly.
I listened to the Jake Kincaid-produced audiobook as my primary reading experience and found this experience to be fairly hit or miss. A number of the performances were so overly emoted as to be practically unlistenable. In the case of “The Balm and the Wound,” I found the interpretation of the main character to be completely off. (Would you follow a spiritual cult leader, if he sounded like mob lackey from The Jersey Shore?) On the flip side, the accents in “The Fifth Day of Dear Camp” were performed very admirably and added nicely to the story. And, those stories that were treated more as unacted narrations were generally well done.
reader who hates the new look of the webpage (which has stayed really bad)
This book felt like a compilation of first chapters of books done by several different authors. None of the first three stories felt like a completed whole.
While I'm sure this is a group of talented writers it's more the readers preference that will say yay or nay to this. I discovered that I don't like a few minutes/or a few pages. It's a bunch of short stories, some very short. There are just too many very short snippets; so short that I never really got interested in any of them. I wonder if they would have made this just 4-6 stories and fleshed them out a bit more (ok, a lot more) I could have developed an investment. Know thyself. It's not my cup of tea, way too short and way too many.
First of all, too many stories and some of the readers left much to be desired.
Second, based on my morals, I didn't care for the "obviously" gay slant in some of the stories. Too far fetched!!
I think so.
One narrator sounded like a novice at narrating.
Disappointment and too dark for my taste.
I am musician and mom of several little musicians. Love good narrators. Love good stories. Love Audible.
I came to this book cause I listen to John Joseph Adams' Lightspeed podcasts. Who did this production? As an anthology the stories I managed to listen to, are good. The editor knows what he's doing. His selections are historically dynamite. The writing is solid. But as a listening experience I don't think there was a guiding hand, it felt patched together, because the reading styles and effects are all over the place, which made it horrifyingly distracting in most cases.
Never made it to the end. I'm buying the book.
Who are these readers? I listen to lots of podcasts and short stories. And there's always inconsistencies in talent. But this is an audiobook. I'm assuming this was a new production, not a grab bag podcast. The ClarkesWorld narrators did well in this one (Kate Baker?) drawing me in, but where were the Lightspeed folks? There were tremendous inconsistencies in style and talent levels. You've got Jack Kincaid doing over-the-top Radio Style, and then You've got fake-oh FX effects of God's Voice in the middle of a woman's narrative; then what I call "Barnes and Noble" author-type-reads which are barely comprehensible. Who are these people? Genre fiction needs the best; we're picky. ;0) We get spoiled by productions like Cascadia and Ender's Game Alive, and RipOff and World War Z and V-Wars. Howey is certainly capable of demanding a certain level of production, no??? He's one of the big boys now, no? Sigler and Mur were good, but they're veteran readers. The rest? Yikes.
I don't want to be unkind here. But I jumped around, listened to the first minutes of each story; only a few pulled me in; the rest I skipped. Didn't feel I was in good story-teller hands. Didn't make it to the end. I plan to buy the book and read it. Maybe. The authors were not well served here. Variety's good when the narrator supports the story; but when they detract ... not good.
Seems from what he says in the intro that John Joseph Adams, the anthologer had a good grip on arc and concept on paper; but no follow through on the production. I was disappointed in the Hugh Howey narrator choice on a previous audio and thought I'd try this one cause of Adams does a great job on Lightspeed, but was once again let down by the casting. Makes one wonder who was in charge here. If anyone.
I would recommend fans of apocalyptic fiction stick to the written versions of this anthology. The performers often detracted from the generally compelling and sometimes surprising stories. The inclusion of extradiegetic sound effects in all stories was distracting and intrusive.
The majority of the stories were satisfying in their own right. The same writers are meant to continue most of the pre-apocalyptic narratives in this volume through the experience of the apocalypse and the aftermath in two forthcoming volumes. While the concept is unique and somewhat interesting, it seems more like a stunt after listening to all the stories in "The End is Nigh". The best stories in the book ("Wedding Day", "Dancing with Death in the Land of Nod", and "Goodnight Moon") are gems, and the less-interesting offerings ("Agent Unknown", "Spores") did not leave me looking for more time in their fictional worlds. John Joseph Adams has edited a number of memorable anthologies with some of the best short fiction I've read, but I think the rules driving the Apocalypse Triptych project could result in a less satisfying package.
Jack Kincaid's work was painful, littered with solecisms and extraordinarily awkward pacing, particularly when reading dialogue. The use of multiple narrators for Ben Winters' "Bring Her to Me" was a distracting and draining folly. Several of the readers were unable to convey the emotion or pacing of their stories.
Why ask why? The End is Nigh.
Audible versions of John Joseph Adams' other anthologies would be welcome.
There was no enthusiasm in the reading. Seemed to be reading a book that was required rather than interested in. Seemed amateurish to me. Very boring and bored reader.
Yes, but different reader
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