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The Bone Clocks
- Narrated by: Jessica Ball, Leon Williams, Colin Mace, Steven Crossley, Laurel Lefkow, Anna Bentinck
- Length: 24 hrs and 30 mins
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Publisher's summary
David Mitchell is an eloquent conjurer of interconnected tales, a genre-bending daredevil, and a master prose stylist. His hypnotic new novel, The Bone Clocks, crackles with invention and wit - it is fiction at its most spellbinding and memorable.
Following a scalding row with her mother, 15-year-old Holly Sykes slams the door on her old life. But Holly is no typical teenage runaway: A sensitive child once contacted by voices she knew only as "the radio people", Holly is a lightning rod for psychic phenomena. Now, as she wanders deeper into the English countryside, visions and coincidences reorder her reality until they assume the aura of a nightmare brought to life. For Holly has caught the attention of a cabal of dangerous mystics - and their enemies. But her lost weekend is merely the prelude to a shocking disappearance that leaves her family irrevocably scarred. This unsolved mystery will echo through every decade of Holly's life, affecting all the people Holly loves - even the ones who are not yet born. A Cambridge scholarship boy grooming himself for wealth and influence, a conflicted father who feels alive only while reporting from occupied Iraq, a middle-aged writer mourning his exile from the bestseller list - all have a part to play in this surreal, invisible war on the margins of our world.
From the medieval Swiss Alps to the 19th-century Australian bush, from a hotel in Shanghai to a Manhattan townhouse in the near future, their stories come together in moments of everyday grace and extraordinary wonder. Rich with character and realms of possibility, The Bone Clocks is a kaleidoscopic novel that begs to be taken apart and put back together.
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Crime reporter Eve Singer's career is on the downward slope when a spate of bizarre murders - each carefully orchestrated and advertised like performance art - begin in her territory. Covering these very public crimes revives her byline, and when the killer contacts Eve to discuss her coverage of his crimes, she is suddenly on the inside of the biggest murder investigation of the decade. But as the killer becomes increasingly obsessed with her, Eve realizes there's a thin line between inside information and becoming an accomplice to murder.
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What is this
- By J.Hamp on 02-09-21
By: Belinda Bauer
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Some Kind of Fairy Tale
- A Novel
- By: Graham Joyce
- Narrated by: John Lee
- Length: 9 hrs and 57 mins
- Unabridged
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Twenty years ago, 16-year-old Tara Martin disappeared from a small town in the heart of England. Now, her sudden return and the mind-bending tale of where she’s been will challenge our very perception of the truth. For 20 years after Tara Martin disappeared, her parents and her brother, Peter, lived in denial of the grim fact that she was gone for good. Then suddenly on Christmas Day, the doorbell rings at her parents’ home, and there, dishevelled and slightly peculiar looking, Tara stands. It’s a miracle, but alarm bells are ringing for Peter. Tara’s story just does not add up.
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Extremely Well Done
- By Amanda on 07-11-12
By: Graham Joyce
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Darling Jim
- A Novel
- By: Christian Moerk
- Narrated by: Stephen Hoye, Justine Eyre
- Length: 10 hrs and 31 mins
- Unabridged
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When two sisters and their aunt are found dead in their suburban Dublin home, it seems that the secret behind their untimely demise will never be known. But then Niall, a young mailman, finds a mysterious diary in the post office's dead-letter bin. From beyond the grave, Fiona Walsh shares the most tragic love story he's ever heard---and her tale has only just begun.
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Great Story
- By Book Worm on 05-28-09
By: Christian Moerk
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High Dive
- By: Jonathan Lee
- Narrated by: Doyle Gerard
- Length: 11 hrs and 51 mins
- Unabridged
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Taking us inside one of the 20th century's most ambitious assassination attempts - "making history personal", as one character puts it - High Dive moves between the luxurious hospitality of a British tourist town and the troubled city of Belfast, Northern Ireland, at the height of the armed struggle between the Irish Republican Army and those loyal to the UK government.
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Humor? Not Funny.
- By W Perry Hall on 04-10-16
By: Jonathan Lee
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Crimes by Moonlight
- Mysteries from the Dark Side
- By: Charlaine Harris - author/editor
- Narrated by: Natalie Ross
- Length: 12 hrs and 55 mins
- Unabridged
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In number-one New York Times best-selling author Charlaine Harris’s "Dahlia Underground,” venerable vampire Dahlia Lynley-Chivers survives an attack by an anti-vampire terrorist group, only to show them they tried to blow up the wrong bloodsucker. Bailey Ruth Raeburn, a ghost assigned to assist humans in trouble, steps into the middle of a marital dispute with surprising twists in Carolyn Hart’s “Riding High”....
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Pleasantly surprised
- By Bonnie on 08-06-11
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Suspect
- By: Michael Robotham
- Narrated by: Simon Prebble
- Length: 11 hrs and 17 mins
- Unabridged
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After a woman is brutally slain, investigators bring psychiatrist Joe O'Loughlin in for expert consultation. Joe is shocked to discover the dead woman is a former patient of his who cried rape when he rebuffed her sexual advances. Citing doctor/patient confidentiality, Joe hides this information. But the truth emerges, and suddenly he is the prime suspect.
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reviewers love it or hate it -- i loved it
- By Kelly on 03-23-14
By: Michael Robotham
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Now and in the Hour of Our Death
- By: Patrick Taylor
- Narrated by: Tim Gerard Reynolds
- Length: 17 hrs and 36 mins
- Unabridged
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Patrick Taylor’s first novel of the Irish Troubles, Pray for Us Sinners, introduced us to Provisional IRA bombmaker Davy MacCutcheon and the love of his life, Fiona Kavanagh. Davy planned to leave the Provos after one final mission. But the deadly mission backfired, and Davy ended up in prison. Six years later, in Now and in the Hour of Our Death, Fiona Kavanagh has found sanctuary in Vancouver, Canada. But news of a breakout at the Maze prison brings back memories she thought she’d left behind.
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The Perfect End of a Great Epic
- By J. Lindsey on 03-01-15
By: Patrick Taylor
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Hero: A Simon Serrailler Short Story
- By: Susan Hill
- Narrated by: Steven Pacey
- Length: 51 mins
- Unabridged
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When Simon Serrailler was a rookie constable with the Met, he did something reckless in the course of a night's work which caused a man's death. But his act was praised by his colleagues, and he was called a hero. Years later, now a detective chief superintendent who has been badly injured in the course of duty, he receives a medal for bravery at Buckingham Palace while recollecting that fateful night of his early career, when chance disguised itself as bravery.
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This 'story' makes no sense to me
- By Pamela Donaldson on 05-10-17
By: Susan Hill
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The Night Ferry
- By: Michael Robotham
- Narrated by: Clare Corbett
- Length: 12 hrs and 12 mins
- Unabridged
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Police detective Ali Barba receives an urgent letter from her estranged friend Cate. Startled by the letter's alarming tone and eager to atone for egregious past actions, Ali meets Cate at their high-school class reunion. The obviously pregnant Cate begs Ali to stop those who are trying to take her baby. But the plot takes a bizarre twist when a careening car kills Cate - and Ali discovers the truth about Cate's pregnancy.
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An ok read
- By Elgee on 02-11-08
By: Michael Robotham
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Shadow Show
- All-New Stories in Celebration of Ray Bradbury
- By: Sam Weller - editor, Mort Castle - editor
- Narrated by: George Takei, Edward Herrmann, Kate Mulgrew, and others
- Length: 14 hrs and 11 mins
- Unabridged
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Ray Bradbury - peerless storyteller, poet of the impossible, and one of America's most beloved authors - is a literary giant whose remarkable career spanned seven decades. Now 26 of today's most diverse and celebrated authors offer new short works in honor of the master; stories of heart, intelligence, and dark wonder from a remarkable range of creative artists.
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THE MAN WHO FORGOT RAY BRADBURY
- By Jim "The Impatient" on 05-27-17
By: Sam Weller - editor, and others
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Honor
- By: Elif Shafak
- Narrated by: Mozhan Marno, Piter Marik
- Length: 12 hrs and 54 mins
- Unabridged
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An honor killing shatters and transforms the lives of Turkish immigrants in 1970s London. Internationally best-selling Turkish author Elif Shafak’s new novel is a dramatic tale of families, love, and misunderstandings that follows the destinies of twin sisters born in a Kurdish village. While Jamila stays to become a midwife, Pembe follows her Turkish husband, Adem, to London, where they hope to make new lives for themselves and their children. In London, they face a choice: stay loyal to the old traditions or try their best to fit in.
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Complex but Compelling
- By Cariola on 04-14-13
By: Elif Shafak
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The Best Horror of the Year, Volume 4
- By: Ellen Datlow - author/editor, Stephen King, Peter Straub
- Narrated by: Meredith Mitchell, Rebecca Mitchell, Michael Healy, and others
- Length: 16 hrs and 55 mins
- Unabridged
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With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.
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Only a few decent stories in this bunch.
- By Jerry on 12-06-14
By: Ellen Datlow - author/editor, and others
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Trust no one. Pull the trigger. Hide. Run. Stay away from the other survivors. Stay away from the Infected. Emma has obeyed her father's rules since she can remember running from the car accident that claimed his life. But one night that all changes. The knock at her cabin door and the voice of the girl on the other side don't make Emma help the girl. No - it's the fact that the girl, Anna, is willing to die to save her wounded brother that changes everything in Emma's world.
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The romance crap is torture
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Michael Havel was flying over Idaho en route to the holiday home of his passengers when the plane's engines inexplicably died, forcing a less than perfect landing in the wilderness. And, as Michael leads his charges to safety, he begins to realize that the engine failure was not an isolated incident.
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Misleading description....
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The world holds its breath as the colossal asteroid 2011 AG5 hurtles towards the Earth. As humanity is faced with extinction, archaeologist Sarah Morgan is in a race against time to uncover a secret that has been buried for millennia: that an advanced ancestor once populated the Earth. As Sarah travels across the continents in search of the truth, she discovers there are those that will kill to protect this most ancient of secrets....
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Fascinating story.
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The Nomad Series: Books 1-4
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Bestselling author Matthew Mather presents all four books in the Nomad series, now available in a single audiobook collection: Nomad, Sanctuary, Resistance, and Destiny.
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Great story and attention to detail
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What listeners say about The Bone Clocks
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Mel
- 09-23-14
Not Short Listed, This Time
There's nothing wrong with pretending you know what's going on...sometimes you are along for the ride and will get it later. (Take Cloud Atlas for instance.) Mitchell does that best, and at a speed that sometimes reminds me of trying to have a conversation with a hyper active person at the height of their hyper arc (and pharmaceutically enhanced). His brilliance and out-there creativity require a catch-up period; you don't wait for the story to develop, you wait to catch-up with the story. I'm not a member of the Mitchell cult, but I've read many of his books and recognize an author with a rare creative talent and freshness that almost promises there are still great books to come. The Bone Clocks was a good one, (it was long-listed for a Man Booker before it was even released). I liked it enough to say Mitchell fans will be okay with it, but it is a departure from his more sophisticated novels.
Bone Clocks is not just a journey through time at warp speed, it is a frenetic jump in and out of ages with the future periods reflecting on some I-told-you-so moments that are frighteningly timely (global warming, Iraq, etc.),major issues to us presently, but just back ground for an eternal battle raging between the forces of good and evil. He obviously has a message for his readers in here.
Mitchell bends the boundaries, as usual, with connected characters, engaging backstories, and places in time, but pinning down which character you are with, and at what moment and where, is tricky. The constant present tense, the static back and forth, and the similarities in the characters, present challenges -- and not the kind intended by the author. The audio version is probably an advantage in some ways, (the presentation is done well) but the voice alone doesn't tell you when or where. Mitchell's presence is always looming subconsciously; Bone Clocks seemed to be lacking separation from the author.
The level of writing and creativity have already been expounded on by reviewers. Worth mentioning again is Mitchell's superb "ventriloquistic" style that pulls you in while the story unfolds around you. The story itself expands on Mitchell's on-going play with fantasy; he gives us a version of *vampires* -- soul sucking fiends that feed on children. But, these are Mitchell's vampires, so I am pretending I get it... that these undead might just be metaphors for something deeper and more meaningful.
The story is enjoyable and reminded me a little of the fantastical film, Highlander (the movie with the Scottish swordsman that battles the evil immortal, the two swordsmen popping in and out of time periods and places). It wasn't exactly the book I anticipated, but I saw plenty of glimmers of Mitchell's brilliance. Worth the read, but probably not worth the Man Booker.
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- Jim "The Impatient"
- 12-30-16
I HEAR EVERY WRINKLE IN EVERY WORD
BIG FAT SECONDS
The first couple of hours of this was a beautiful pleasure. I have never enjoyed the language of a book as much as I loved this writing. I often complain about overly descriptive language, but that is not what this is. Mitchell just has a way of speaking, of thinking that is unique to him. When other writers try this style of writing it always seems fake to me, but I truly believe this is how Mitchell thinks.
INSIDE I GLOW
So, your wondering why the low rating. I enjoyed the first couple of hours and the female character. She seem like a fairly normal British teenager who just happens to hear RADIO PEOPLE. Oh yea, this is very British. The British English with the colorful language, can make it a little hard to understand at times. That was not the problem for me. For some reason we switched characters and I was bored by the male character. I listened for three more hours, hoping he would get more interesting or we would return to the girl, but I lost patience. For three hours Mitchell bored me and that is something I don't have to put up with. Slade House is a shorter work, so I might try it. The plot was also taking to long to come together.
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- S. Weaver
- 11-13-14
a masterful writer, an uneven narration
I sort of worship at the altar of David Mitchell, so of course I loved this book. He is simply a masterful writer. And the narrators were all quite good. But the narration was nevertheless a major problem for me. The character around whom the book is structured is Holly Sykes, who we meet in her own voice in the first and last decades of her life. In the other episodes, someone else's story is told, though Holly Sykes is always a character in their stories. It makes sense to have different narrators for different episodes, since many of the stories are told by other characters. The problem is that Holly absolutely comes alive in the first episode: beautifully narrated and wonderfully written. In all the later episodes, she is incredibly flat. I kept looking for some sign of her individuality and her humanity, but really never saw it. So either David Mitchell has not successfully drawn an engaging portrait of Holly through the various decades of her life (quite possible), or I just couldn't get past the fact that when Holly talked in all the later episodes, she had a different voice and thus was not herself, making it difficult for me to connect her to the girl I met in the first episode. So now, after having invested many many hours in listening to the audiobook, I have to buy the book and read it if I want to decide whether or not David Mitchell really is all that. A lot is at stake here! I've been telling everyone I know that he's the best writer of his generation in the English language, and if he's written a crappy central character, I have to stop saying that! Or else he has to let me edit his next novel before it goes to press. Everybody needs an editor or twelve or twenty.
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- Darwin8u
- 09-13-14
Brilliant at ventriloquism and style-jumping
It is hard to not like David Mitchell. He is literary, just not too literary. He is funky, just not too funky. He is hip, just not too hip. He is political, just not too political. He is spiritual, but also seems to leave room for a bit of humanist doubt. I can't think of another writer who captures the energy or direction of the slick, urban, cosmopolitan, educated, 21st century global zeitgeist.
David Mitchell is brilliant at ventriloquism and style-jumping. His books are filled with multiple narrative and style incarnations (the stacking-doll Cloud Atlas, or narrative leaping number9dream, or his most recent The Bone Clocks), but sometime I feel like he is starting to eat his own tail here. I want to see Mitchell do a Peter Carey and jump out of his slick, crowd-pleasing novels into something a bit different.
Do I know exactly what I want? No. I just see this author who I've liked enough to read everything he's ever published, and fear that we might just get two or three more of these books. I like them. Don't get me wrong. I liked 'The Bone Clocks' enough to give it four stars and review and read it. I just don't want to see Mitchell begin to get so comfortable in his archipelago of interconnected narratives that he doesn't push his talent into dark, rough, and uncomfortable places.
Anyway, Mitchell hasn't written a novel YET that I'm very disappointed with and Bone Clocks is no exception. There might be a couple slower chapters and the ending might have been a bit predictable, but I had a hard time putting the novel down while reading and was sad to put it down when I finished. That isn't rare for me, but it is a pretty good indication that the novel is on solid ground. People keep claiming to see the death of the novel around the corner, but Mitchell's talent and narrative slickness is at least one star that keeps consistently reappearing.
A point on the narration. A couple of the narrations (Jessica Ball, etc) were a tad difficult for me. They worked, but they were so heavily accented that I couldn't listen to it faster than 1.5 speed without losing the thread of what was being said. Not a huge critique, but just my two pence.
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- B. Hardy
- 06-20-16
Man, this author can write...
And write and write and write.....
All I can say is that it got somewhat interesting by say, hour 20. And the final chapters were depressing as heck.
Guess after Cloud Atlas, Mr. Mitchell decided any old idea he had was worth a chapter (or 5).
Can't fathom all the critical praise this monster got last year. My review? Pick a good book for your credit.
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- Ryan
- 09-23-14
Ambitious, many-placed contemplation of mortality
David Mitchell’s sixth novel is a globe-and-time-hopping six-part meditation on the way death shapes human existence, though we may try to deny it beneath the trappings of modernity. As in Cloud Atlas and Ghostwritten, there isn’t a traditional narrative drivetrain, but a loose story thread that passes through multiple characters, all of whom seem like they might have come from different novels, but are pulled together by a shared degree of separation.
While Mitchell has always played with magic realism, here he goes for out-and-out fantasy, an indulgence that editors might would have talked a less-established writer out of. If you recall the ageless villain in The Thousand Autumns of Jacob de Zoet, Mitchell has expanded this mystery into an ongoing supernatural war between two factions of immortals, the Anchorites (who prolong their lives by sacrificing psychically-gifted victims) and the Horologists (who are reborn into new bodies each time they die, but also with a sacrifice of sorts).
For the first four acts of the novel (roughly 400 pages), this conflict remains mostly in the background, with bits of it spilling a la Murakami into the primary characters’ lives, usually in the form of visions or encounters that they don’t understand. The first act follows Holly Sykes, whom we meet through her own words as a teenager in 1984 England, when she runs away from home. In the second, she becomes an important figure in the life of a charming but manipulative young Cambridge University libertine, who has just schemed himself into a corner. In 2004, we see her through the eyes of her husband, a journalist covering the awful early days of the Iraq occupation, who has a glimpse into Holly’s psychic gifts at a crucial moment. And later, she becomes friends with a cantankerous 50-ish author whose star is falling fast, and a vehicle for some good “literary” wit.
As always, Mitchell’s ability to hop between tones, styles, places, and voices is impressive. The first four acts of the novel have to be read as separate stories, though the reader will notice shared elements, images, locations, characters, and ideas that ripple and reflect through them. And, of course, that each protagonist is older than the last, gradually shifting the perspective on mortality. However, several of the characters feel more like artfully crafted "types" than real people, and I wondered if so much time needed to be spent in the worlds of privileged students or famous novelists to make the point. (Maybe?)
The fifth act, where the paranormal Anchorite/Horologist war at last comes to the fore, dragging in Holly, may strike readers as a little silly, with its talk of “psychic voltages”, “old souls”, and “chakra eyes”. There’s an elaborate history here, and we take a trip back to Czarist Russia and 19th century Australia, but the essential struggle isn’t complex. One side seeks eternal youth via a system that exploits others; the other seeks deeper continuity, but has limited power. Looked at one way, it’s fantasy cosmology; looked at another, it’s the very struggle in our souls.
So we arrive at the last act, told from an older Holly’s perspective, set in a grim 2040s where the supernatural good guys have been unable to save humanity from the consequences of its own actions, though there’s a ray of bittersweet hope. In trying to hide from our own individual mortality, do we collectively hasten it for civilization? Good question.
Probably more than Mitchell's other novels, this one is written in the security of a fanbase, and might frustrate the non-initiate who randomly pulls it off a shelf. But, I'm part of the club and I couldn't help but enjoy the ambition, ideas, craft, storytelling, connections, and resonant themes. I also had fun reviewing it in my mind afterwards, working out deeper meanings -- as one needs to with Mitchell.
The voice actors are mostly pretty capable, though Eddie’s and Crispin’s sound a little too old, and some accents might have been better.
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- Bonny
- 09-17-14
Uneven
I'm not a David Mitchell fan; I got through Thousand Autumns, but gave up on Cloud Atlas. I might give Cloud Atlas another try. I tried this book because of Ursula K. LeGuin's review in The Guardian; Ursula's opinion carries a lot of weight with me. I found The Bone Clocks to be seriously uneven. The first three sections & characters I found compelling, interesting and well narrated. The fourth section was difficult because it seemed to go on for a LONG time and the character was just so unpleasant. This might have been an easier read than listen; audiobooks come to life to such a degree that sometimes it's great and sometimes it's a downside. I didn't want to spend any more time with Crispin Hershey . . . but I got through it. I felt section 5 was by far the weakest part of the book. It's where the supernatural elements are strongest, and I just didn't believe it. I'm happy to go along with any number of fantastic constructs and worlds, but I need them to be well constructed and prepared for. These were not; it seemed like Mitchell just came up with a bunch of cool-sounding words and threw them at us. If the psychic weaponry and war make sense to him, that's fine, but it needs to make sense to me as well, and it really, really didn't. The narrator for section 5 didn't really work for me, and constantly mispronounced "Poughkeepsie." A small thing, I know, but it really got on my nerves after the first few times.
I enjoyed the final section of the book.
Overall I feel like Mitchell came up with some really interesting characters and didn't do much of interest with them. He can certainly write, no question about that. But the book didn't move me, and the supernatural aspect of the story was so weak that I'm left with no idea why he wrote the book at all.
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- Selby
- 07-09-15
I hated and loved it!
Would you say that listening to this book was time well-spent? Why or why not?
Yes and no. Loved so many aspects of this book, but sometimes it felt like I was listening to four different stories at once that really never connected. I think I would have preferred to have a little more of the sci-fi/weird story line,which seemed to be the whole premise of the book, yet it was so brief throughout the plot.
But, even the parts of the story that were not relative to the main character's development (her husband's journey in the middle east for example) I feel like these chapters were well written and captivating.
What was your reaction to the ending? (No spoilers please!)
Wrapped up nicely.
Any additional comments?
Good story,but I will never listen to it again.
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- David
- 12-27-14
Very satisfying, needed a little more enigma
No major spoilers below.
Initially, this book seems like Cloud Atlas, with a series of stories taking place in different historical periods that seem at first tenuously related, but gradually reveal connections between them. However, it's ultimately a lot more logical and straightforward than Cloud Atlas:the connections between the stories are soon revealed to have clearly defined reasons and by the end of the novel all has been thoroughly explained with bucketloads of exposition. Unlike Cloud Atlas, which leaves you scratching your head and wanting to go back and read it again multiple times, this novel leaves you satisfied but with no desire to read again. Both kinds of novels are of course good, but I personally preferred the more enigmatic and challenging form of Cloud Atlas.
The novel has six chapters, each of which is read by a different narrator and each of which is a pastiche of a different literary style. Different people will find them differently engaging so here's a brief sense of what to expect.
1. Written in the style of a teenage Essex girl. I found it richly detailed and engaging. The narrator's voice is perfect for the character, although she makes no effort to distinguish characters, making the dialogue scenes hard to follow.This chapter is full of British slang spoken at high speed, which may make it difficult for international listeners, but hang in there, the rest of the novel is easier.
2. Written in the style of a smug, entitled public schoolboy. The transition from one voice to the next is sudden and jarring but Mitchell does a great job of making it quickly engaging. Again, the reader has the perfect voice for the character although he too seems inexperienced at audiobooks and is probably the least smooth of the readers.
3. Written in the style of a middle-aged war reporter. From here on, the readers seem a lot more professional and easier to listen to, and this one is particularly strong.
4. Written in the style of a satire on literary celebrity, with a sneery, over-educated protagonist. The reader is a lot of fun, but this chapter felt longer than the others and a little indulgent. Its comic tone feels (deliberately) discordant.
5. Written in the style of sci-fi fantasy. This chapter suddenly brings in a ton of exposition and the novel takes a turn toward high fantasy. Some of the content is wonderfully imaginative but some of the events felt (deliberately, pastichy?) cliched. The reader is fine, but slightly flat and dull, and makes the complex writing feel somewhat dead. She also gives the wrong accent to one of the major characters in a very jarring way.
6. Written in the style of a post-apocalyptic novel. This sequence is beautifully written and emotionally powerful, with a superb performance by the reader who communicates great emotion with great restraint.
Summary: it's good, but listeners may struggle with some chapters and while it's very satisfying it lacks the limitless fascination of Cloud Atlas.
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- Linda Likes to Learn
- 09-09-15
Is this our future?
Though rather convoluted, this is the story of a woman, and her many friends lovers and acquaintances, as she journeys thru a lifetime of change, with many paranormal - and normal -experiences. I won't spoil the ending, but will warn you that her final years become pretty grim, as the author reveals the end of the book as well as the end of civilization as we know it. Warring, greedy, wasteful mankind is finally, and completely, ruled by the elite few, in true fascist manner. Madmen rule, and the other 90% of the world scrabble just to live in primitive conditions , returning to martial law that is both medieval and deadly, as first the Russian, then Chinese meager boxes of rationed goods run out. The world has turned upside down, to the surprise of the reader. What began as the story of a rebellious teenager turns into the story of a world that should have rebelled against the freedom given up for comfort. Interesting that the author foresaw what is taking place now. Don't expect a happy ending.
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