People move to New York looking for magic, and nothing will convince them it isn't there. Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his black skin that attracts the eye of wealthy white folks and their trained cops.
But when he delivers an occult page to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic and earns the attention of things best left sleeping. A storm that might swallow the world is building in Brooklyn. Will Black Tom live to see it break?
©2016 Victor LaValle (P)2016 Macmillan Audio
Utilizing some of the established Lovecraftian mythos almost as an afterthought, Victor LaValle spins his tale in a manner so engrossing that you lose yourself in the New York of yesteryear.
By the end of the tale, you're unsure exactly who to root for- Black Tom or the world he would destroy- and the story's monsters are so vile and detestable that you'll find yourself wishing they were supernatural.
My highest possible recommendation- both for story and for Kevin R. Free's nuanced storytelling.
Five of Five stars- in all categories.
This story does a lot in a short space but never loses its cool focus. The author played with all the tropes just right to dig into the atmosphere, the character, and the unknowable, untameable, supernatural forces at play. Having blues music (its lyrics, its power, its emotion, its loss, its use as plot lure for the protagonist as musician) merge with a well-paced Lovecraftian tale of temptations and mistakes was a treat, and that state of segregation and blatant racism from whites with blacks and chinese and whoever else deemed foreign and as low as a beast in society of that time is emphasized by, and helps to emphasize, the sense of dangerous boundaries, of being an outsider and of having outside forces lurking in the corner of our lives. But besides these societal and Lovecraftian forces at play, we also have the protagonist's personal relationships and self-awareness bringing in a sad, touching thread of humanity struggling to survive its fall. I also enjoyed having the story flip to another character's view in the middle to give us another layer to the horror. Highly recommended listen. The narrator was spot on, and gave justice to different character accents. Get it.
On the subject of Lovecraft's racism and Lovecraft's racist fandom of the past Nick Mamatas wrote that those who write and read Lovecraftian literature of today side with "the glory of the outsider things." We do not see ourselves in the xenophobic protagonists because many of us who read Lovecraftian lit are people if color and non racist people of European descent.
This book is the perfect example of the new Lovecraftian revival that doesn't seek to ignore, excuse and bury Lovecraft's racism, we will subvert it. We will codeswitch it and turn it inside out, the pro Trump, all lives matter crowd doesn't like it at all.
The story is engrossing with its perspective view of the other side of the Horror at Red Hook and I enjoyed it. I wish it had gone into the transformation of Black Tom and his experience before switching to Malone's perspective, which to me was not that interesting.
The reading was relatively good, especially the Black Tom chapters but the performance of Malone was annoying as he made him sound rather whiney. Perhaps a full cast version or dual cast would improve it. If you liked this read Nadia Bullion's Red goat black goat and pick up some Nick Mamatas and Matt Ruff. Long live the new Lovecraftian Revolution!
"Quirky Lovecraftian horror"
An interesting short story that provides a corrective to the vile racism of Lovecraft's Horror at Red Hook. It's atmospheric and well-written but possibly best enjoyed if you are already a fan of Lovecraftian weird fiction.
Well narrated by Kevin R. Free
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