Audie Award, Audio Drama, 2013
Award-winning author, narrator, and screenwriter Neil Gaiman personally selected this book, and, using the tools of the Audiobook Creation Exchange (ACX), cast the narrator and produced this work for his audiobook label, Neil Gaiman Presents.
A few words from Neil on Swordspoint: "It's as if Jane Austen wrote fantasy... an imaginary world where the characters are real people: a Vanity Fair of aristocrats, rogues, orphans, and heroes; a book where the best swordsman in the land can make far more money dueling at private parties than he can as a knight-errant. Ellen Kushner casts her sharp eye over them all, but with great affection and lavish detaiI.... couldn't think of a better performer for Swordspoint than Ellen, and her reading is polished, intimate, and – since Riverside is of her creation – wholly authentic.
"What really makes this production of Swordspoint unique, though, is the supporting cast in this special "illuminated production". Several key scenes are fully dramatized, and throughout the entire book's soundscapes you will hear the cadences of the marketplace, the music of the drawing rooms, and of course the ring of steel drawn from the scabbard. Ellen actually wrote new dialogue for the crowd scenes, so the actors aren't just mumbling "rhubarb rhubarb" to simulate speech.... You'll be able to hear performances from acclaimed and award-winning actors, including Dion Graham, Katherine Kellgren, Robert Fass, Nick Sullivan, and the remarkable Simon Jones."
In this exciting new "illuminated production", the author herself reads her own work, supported by a full cast. Author Ellen Kushner is also a popular performer and National Public Radio host (Sound & Spirit). For years, fans have been asking her to record her own audiobook of Swordspoint. To mark the 25th anniversary of the book's publication, Ellen teamed up with Sue Zizza of SueMedia Productions, known for her signature touches of soundscapes and sound effects, multi-voiced dramatizations, and all the techniques of "illuminated production". Together they have made Swordspoint a brand-new audio experience, in which the full supporting cast dramatizes and illuminates key scenes from Ellen's compelling narration.
On the streets of Riverside, a man lives and dies by the sword. Even the nobles on the Hill turn to duels to settle their disputes. And in this city, the swordsman Richard St. Vier is the undisputed master, as skilled as he is ruthless – until a death by the sword is met with outrage instead of awe, and the city discovers that the line between hero and villain can be altered in the blink of an eye. Because every man lives at sword's point, if you can only find his weakness. And even the greatest swordsman in Riverside has one thing he cares for deeply.
Hailed by critics as "a bravura performance, a delight from start to finish" (Locus), "intelligent, humorous and dramatic" (Publishers Weekly) and "witty, beguiling and ingenious" (Interzone) , Kushner's "Melodrama of Manners" has become a classic, a favorite not only of Neil Gaiman but a host of distinguished colleagues, including George R. R. Martin ("unforgettable!"), Orson Scott Card ("powerful") and Gene Wolfe ("as if Noel Coward had written a vehicle for Errol Flynn!").
The artwork used for the audiobook edition of Swordspoint is based on the artwork and design by Thomas Canty for the original first US edition of the book.
To hear more from Neil Gaiman on Swordspoint, click here, or listen to the introduction at the beginning of the book itself.
©1987 Ellen Kushner (P)2011 SueMedia Productions
"A glorious thing, the book we might have had if Noel Coward had written a vehicle for Errol Flynn. It’s wicked and visual and witty, and it pulls you in like the doorman of a Bourbon Street bar." (Gene Wolfe)
"Swordspoint begins with a single drop of blood on a field of new-fallen snow, an image that burned itself forever into my mind the first time I encountered it. I can close my eyes and see it still. It’s a terrific opening, an unforgettable opening... and the book just gets better from there." (George R. R. Martin)
“Ellen Kushner delivers her utterly unique blend of modern fantasy and nineteenth-century novel of manners with absolute conviction, affectionate humor, and perfect phrasing. “Neil Gaiman Presents” has provided original music, lively soundscapes, and the voices of some of the audio world’s most distinguished performers. Hearing Katherine Kellgren, Dion Graham, and others sharpen the cutting, insightful dialogue is pure pleasure.” (Audiofile)
I was excited about the Neil Gaiman production, the talented vocal cast and the "fairy tale for adults." All of that was there, but I did not expect the constant sexual content. Everyone appears to be bisexual and the pace of the novel ceases as every move and glance is described in uncomfortable detail. I found myself skipping forward through half the scenes and finally gave up halfway through.
Disappointing, and I wish a review had tipped me off. It will not be a problem for many, but if detailed sex scenes between men and women or men and men are not what you are looking for, skip this book.
I listened to this book, my first dramatised audiobook, while I was taking a break from high fantasy. The story is definitely melodramatic! If you are looking at branching out from high fantasy like Tolkien, GRRM, Terry Brooks, or Jim Butcher - beware! This is not the book to come to. It reads like a stage act, which may have been the intent of the producers. I just could not enjoy the plot at all.
If you are like me and do not care for gaudy levels of romance in your fantasy novels, look elsewhere, too.
People who like stories without a clear storyline.
I she ever learns to write coherently
Cheesy narration, cheesy sound effects
All of the ridiculous fighting scenes with their prolonged sound effects accompanying the narration. Ellen Kushner needs to learn something about swordsmanship and the martial arts in general before she attempts to write coherently about these sequences. Combat sequences, especially if you are describing the actions of an individual with a high level of mastery in a form of combat should be decisive, not romanticized posing. I would recommend that Ellen Kushner would benefit from reading both The Art of War and The Book of Five Rings before attempting to write combat sequences.
From the just over half of this atrocious attempt at a fantasy novel that I was able to stomach I could not get a clear sense of where the storyline was going. The book seemed to be more of a vehicle for setting up disjointed romantic scenes between the various characters than providing a cohesive story.
Jane Austin wrote romance. This novel is not a romance. There is sex and political intrique but no romance. The sound effects are clunky and distracting. I read the novel before listening to this reading. I thought maybe I had not appreciated the novel by not reading it closely but the reading leaves no doubt. The characters are not interesting enough to sustain the reader's interest. Fancy language does equal a good plot.
Having some action, and less talk.
All right. Background sounds were annoying. They were OK, but they had pretty much just boring trite conversations. Nobody stood out as a character, and you didn't wonder what happened next. You wondered if anything was going to be interesting.
Can't even remember who was who.
What good is it to have such a complicated cast, if the story goes no where and is so boring?
almost all gay
count of monte cristo
first fight scene
no. i could only take so much
This book was not for me. Wish someone could have explained a little better before i bought it. But that does not mean its not for you.
Something from an author I've previously enjoyed
The premise of the book intrigued me. But there were too many narrators, and the sounds effects left no room for imagination to take hold. The effects were a poor copy of those used in early radio shows which for me, further degraded any enjoyment I might have had. I will not pursue the rest of the series.
I am a huge fan of both Neil Gaiman and the narrator Simon Jones. It was on the strength of their association with this book that I bought it, despite misgivings. I hoped, I suppose, that the many enthusiastic reviewers of the audiobook were onto something, and that the minority of negative reviewers were perhaps a bit trollish. Well, I'm voting with the trolls.
I might have tolerated this book well enough if the whole thing had been read by, say, Stephen Briggs or Simon Jones -- both masters of many voices. Either one could say every name on a half-page in the phone book in a convincingly distinct voice. Instead, this book was read by many different men and women who spoke essentially alike. Incredibly, the main narrator (the book's author) sometimes reads her characters' voices and sometimes other people do. It was just a mess.
The idiom of the written book was overtly British, featuring an array of titled nobles. But unlike any noble of my acquaintance, the audio characters all spoke in nearly identical American accents. Apart from the author, the character actors sound like students -- and not even not drama majors at that -- reading dialog they wrote for a school play. It was so cognitively dissonant, and fell so short of the standard of narration that I expected, that I could barely focus on the story. Not to mention the absurd background sound effects; don't let's even start on that!
The author was a better reader than most of the other voices, but not a lot better. I tried to listen and follow the thread, hoping if I got engaged in the story I could tune out the goofy reading, but nearly every time a character spoke, I found myself imagining how much more authentically the lines could have been delivered. "I think we should get a cat of our own," for example, as opposed to, "I-ee think WEee should get a cat of our OWN." Who eNUNciates like THAT? Nearly every line of dialog was so over-acted that I'd have laughed if it hadn't been so grating.
I got about a third of the way through the book, and since I knew I was going to return it for a refund, I stopped listening. I needed something refreshing for the rest of my drive, so I turned to a random place in one of my favorite Terry Pratchett Discworld books, The Truth, read by Stephen Briggs. I happened upon a scene where half a dozen aristocratic men of similar age are seated in darkness around a table. Stephen Briggs' reading -- always astounding -- is here beyond brilliant. I know every one these people! -- or at least I know their kind from British costume dramas. Every cadence, every intonation, every pitch is so unique to each unnamed character that I could be eavesdropping on six living, breathing, upper-class British men sitting in total darkness around my own table!
I am not sure whether or not I would have liked the book had it been read by a master narrator (probably not), but this rendition was ridiculous.
Unfortunately everything was a disappointment. I now understand why there are so few books in this genre. It's incredibly lame. The actors, and there are many, are pompous and silly. There's really no point to the story. I'm super disappointed because I LOVE Neil Gaiman, however, this one really really really missed the mark.
not sure, I'm going to need a break after this one
The horrible over-acting and ridiculous inflections. Tone it down, I couldn't tell if the writing was pretty or not because the reading was awful.
Frustration, annoyance and finally total disappointment.
This book is more like an action movie. It is not a "melodrama of manners". If you like tough talk and fisticuffs-- well there are several hours of it to be found here. But that's all there is.
There is a bad guy, and an unlikely but clever hero. There is also insult humor. Mostly, the hero makes fun of how stupid everyone else is. And people get beat up.
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