This fine, new, direct-to-English translation of Solaris allows listeners a new opportunity to marvel at the way Stanisław Lem managed to pack so much into such a compact story. As well as being a gripping sci-fi mystery, his novel stands as a profound meditation on the limitations of knowledge and the impossibility of love, of truly knowing another: how a vast, cold galaxy can exist between two people. In how many relationships does the other turn out to be a projected hologram? At the book's heart is the dark and mysterious planet of Solaris: working out what it means is half the fun of the book. One thing is clear: the possibility it offers of alien contact represents "the hope for redemption", a Schopenhauerian longing to be rid of the endless cycle of want, need, and loss. In one passage, the main character notes with a touch of envy that, "automats that do not share mankind's original sin, and are so innocent that they carry out any command, to the point of destroying themselves". The motivating forces that have traditionally sustained mankind - love, relationships, belonging - are exposed as so much space debris. In a book that contains one of the most tragic love stories in modern literature, the idea of a love more powerful than death is "a lie, not ridiculous but futile".Alessandro Juliani is a veteran of television's Battlestar Galactica, though here it's a young, pre-parody William Shatner-as-Captain Kirk that his performance sometimes evokes: the same cool, clipped delivery and occasional eccentric choice of emphasis. If he occasionally under-serves the book's dread-filled poetry, his character studies clearly carry the wounds of their earlier lives: at first, his Kris is an opaque tough guy, coolly removed from the unfolding, terrible events, until he touchingly gives way in the end to an overwhelming sense of loss. His performance as Snout is a mini-masterpiece in feral intensity, an intelligence crushed by the immense weight of limbo. As Harey, caught in "apathetic, mindless suspension", he manages to make his voice unfocussed and passive, as if distilling the bottomless sadness of her self-awareness of her own unreality. It's also a strong tribute to his performance that he can carry the pages and pages of philosophising, argumentative theology, and semi-parodic scientific reports without coming across as didactic. What could easily drag the story to a standstill is, in this recording, compellingly conveyed as an essential part of Lem's heartfelt investigation into the painful limitations of human knowledge. Dafydd Phillips
At last, one of the world’s greatest works of science fiction is available - just as author Stanislaw Lem intended it.
To mark the 50th anniversary of the publication of Solaris, Audible, in cooperation with the Lem Estate, has commissioned a brand-new translation - complete for the first time, and the first ever directly from the original Polish to English. Beautifully narrated by Alessandro Juliani (Battlestar Galactica), Lem’s provocative novel comes alive for a new generation.
In Solaris, Kris Kelvin arrives on an orbiting research station to study the remarkable ocean that covers the planet’s surface. But his fellow scientists appear to be losing their grip on reality, plagued by physical manifestations of their repressed memories. When Kelvin’s long-dead wife suddenly reappears, he is forced to confront the pain of his past - while living a future that never was. Can Kelvin unlock the mystery of Solaris? Does he even want to?
©1961 Stanislaw Lem. Translation © 2011 by Barbara and Tomasz Lem (P)2011 Audible, Inc.
"Few are [Lem's] peers in poetic expression, in word play, and in imaginative and sophisticated sympathy." (Kurt Vonnegut)
"[Lem was] a giant of mid-20th-century science fiction, in a league with Arthur C. Clarke, Isaac Asimov and Philip K. Dick." (The New York Times)
"Juliani transmits Kelvin’s awe at Solaris’s red and blue dawns and makes his confusion palpable when he awakens one morning to find his long-dead wife seated across the room. Juliani’s performance is top-notch." (AudioFile)
I choose this book based on the reviews, so a lot of people like the book. Personally I found it pretty dull, very slow and generally boring. I like quite a bit of classic science fiction, but this book was not for me. I did like the reader and probably would have not finished but he did a good job. This is the only book I have listened to or read by Stanislaw Lem, if you like the author then this book is probably for you.
No, but doubt I will read another book by Stanislaw Lem.
I would not let my comments stop you from choosing the book. But you might want to try the sample first. I choose it based on the reviews and personally I did not care for the book.
The narrator did a great job, but the story dragged in a few places. Too much of the story is spent explaining research done by the characters.
After reading the reviews and seeing it pop up in several "Top Sci-Fi" lists I was excited to listen to this book.
I can understand some of the praise that this book has received, but I have some problems with it.
When you start to listen, you can quickly tell that it was written in the early 60s. The fact that the station is on another planet, but there are no computers as we know them. It is easy to get past this, but it gives a very nostalgic feeling to the story.
The descriptions of the structures and formations that occur on the planet's surface don't occur until the book is over halfway over. These are things that could have really instilled a sense of awe and wonder with the planet. Because they arrived so late, I was already starting to become bored with the story and remember thinking "if these are supposed to be so impressive why are they just now mentioned?"
Many of the ideas that the author proposes are quite intriguing. What does it mean to be alive, what kinds of life forms are in our universe, if we encountered intelligent life would we recognize it?
It is because of these points and discussions that I didn't consider this book a waste of time, but I don't rate this as one of my favorite books.
maybe. it was interesting but some of the descriptions were a little wordy
The strange characters
Whew, maybe something is lost in the translation, really struggled with this one, gave up I'm afraid, certainly no best seller in my view.
The story was so boring, it was like having a made-up science book read aloud.
Bill Johnston could have chosen an interesting book to translate.
The narrator was fine. I didn't mind him at all.
I was disappointed this book didn't end sooner.
I believe that those with a deep interest and knowledge of science, particularly biology and astronomy, may enjoy the fictitious exploration of the planet.
This book has a very loose plot; the central point of the book was in trying to understand, scientifically, a very unusual planet and its side-effects. There is just as much written about the history and controversy, in textbook format, as there is any progression of time within the novel. This may be interesting to some, but did not fare well for the storyline, in my opinion.
All characters performed by Alessandro Juliani were great. His distinct voices and expression fit the characters almost perfectly. I would consider the discovery of this talented narrator as the highlight of this audiobook.
I would say that they all serve a purpose, though only the main character has enough depth and development over the course of the novel.
This book is full of imagination, however it does not use the imagined world for a very interesting plot or storyline. I felt more like the book was about history and research than it was about progression of characters and of containing any message.
I have no idea what this story was about! I am a long time sci fi fan and widely read in that genre - the message in this book could (should) have been conveyed in one paragraph. Shame on Audible for even promoting this.
As I listened to this story it difficult to understand where it was going. In the end, it was unsatisfying. The story was clogged with psychological ramblings and many unanswered questions. Perhaps it was the translation or the age in which this was written. The concept was solid but the execution was not.
Perhaps it is just the way I listen, but I often listen in the car. The constant changes in volume meant I was constantly rewinding and raising the volume. While I can appreciate an attempt to act through it, I still need to be able to hear it. And as a previous user mentioned, the descriptions go on and on.
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