With no other resources at his disposal, Sylveste forges a dangerous alliance with the cyborg crew of the starship Nostalgia for Infinity. But as he closes in on the secret, a killer closes in on him because the Amarantin were destroyed for a reason. And if that reason is uncovered, the universe - and reality itself - could be irrevocably altered.
©2008 Alastair Reynolds; (P)2008 Tantor
"One of the best books of the year." (Science Fiction Chronicle)
"Ferociously intelligent and imbued with a chilling logic - it may really be like this Out There." (Stephen Baxter, co-author of The Light of Other Days)
Tell me about hard sci fi books!
The world building. Reynolds gives a good feel for the Revelation Space universe while not diverting from an entertaining plot.
I like the convergence of the characters' stories. They initially seemed quite unconnected.
The little skirmish on the surface of Resurgam with Khouri and Volyova
Reynolds is yet to make me cry, but this book has a lot of suspense and excitement.
This book held my interest enough for me to finish listening to all 22 hours, but just barely. The biggest problem with this book was that I didn't particularly like any of the main characters, and therefore didn't care what happened to any of them. As I listen while driving and while working on physical tasks like woodworking, I was frequently completely lost about what was going on. This was due to the author's tendency to throw wild technological ideas at the reader while switching between protagonists with little or no warning that a context switch had occurred.
For most of the book I had little understanding of the motivations of the protagonists, although it becomes more clear at the end.
On the positive side, the author did a good job of creating a universe limited by the speed of light. The ship itself was fascinating, an ancient vessel which had over the years become decrepit like a 30 year old automobile which the owners had kept on the road but most of the non-essential features are either broken or have quirks.
As a space opera, of course the fate of mankind is on the line. The story is original, but the whole crisis seemed rather abstract and really did not have me on the edge of my seat. The narrator does a good job except for the occasional mispronounced word.
Overall, I thought this book was not terrible, but could have been better. I will not be rushing to get the next book in the series.
The book sets up some very interesting premises. I'm curious to see how it all wraps up.
That said, the book moves painfully slow, at times. I wouldn't say any of it was superfluous, everything seemed to have a reason, but there was a lot of time spent with not much happening.
And I agree with previous reviewers that the editing makes it a very hard listen. A lot of times I can multi-task when listening to an audiobook but not much with this one. Even walking to and from work could be a challenge as I had to pay close attention to scene changes or I'd miss them. There literally is no pause between segments.
The explanation for the state of the galaxy was an intriguing one and something I'd not heard before.
More distinction between character voices. Everyone has almost the same accent. Couple that in with the lousy editing job and you've got a recipe for confusion. Normally I love John Lee's narration but this was not his best work.
Pretty sure it has one.
Fro me, this book is a little hard-core science fiction. I can appreciate that the author is himself a scientist, but maybe that's what got in the way. It has been a few days since I finished this book, and to tell you the truth, I can't remember any of the characters. There is one, Sylveste(?) but I only remember the name because I used to live near Sylvester, GA. See, I couldn't stay on track with the story if nonsense like that kept bubbling up in my mind in the middle of the thing.
Just so you know I did slog through it, this is what I DID get, that Revelation Space is some kind of liquid planet where when you go swimming, it takes all your personality and knowledge and sometimes gives you back some of the knowledge it's been sucking out of other people. And sometimes it just spits you out, a mass of salmon-colored slime. Apparently some people think this is a great idea, because they are all looking for it.
1. There was no apparent pause or breath or whatever between the scene changes. I often had to back track to make sure I hadn't dozed off. Only now, by reading other reviews, did I learn that I am not crazy.
2. The narrator's fakey fakey accents were terribly distracting. Why, in the middle of space, millions of miles from earth, and several centuries forward, are people still talking with accents? I heard French mixed with German, Japanese that sounded like Charlie Chan (and that was fakey to begin with). I think the narrator got confused as to who was speaking with what accent, because at times it appeared like the entire dialogue was coming from a single character. Even when there was no dialogue, the narrator was sometimes reading with an accent...
3. Another thing, the characters had no character.
4. And, forget figuring out what gender a person is. The narrator didn't even TRY to sound female. We got all these Russian names, Spanish names, etc. and whatever. I could not figure out what sex these people were. After a while I didn't care.
I really wasted my time with this one. I have another of this author's books in my library and I am definitely not going to go there. The narrator is the same - oh, joy.
P.S. I looked this book up on Wikipedia and even after the "glowing" things it has to say about the Revelation Space Universe and Mr. Reynolds, I am not moved.
Not sure.. I love Doomsday books
I love John Lee in other books but this one is Bone Dry!
I could not get past the first 4 hours.
I couldn't wait to listen to all the books.
But after a little while by this Narrator I just couldn't take it. I'm sure the story line must be OK, but it was narrated like a dull history class! They should screen narrators to make sure they can tell a story not just read it.
Well, thats just my opinion. It felt like I was watching(Listening) a foreign movie. Felt like the writer wanted to make sure that you know that he was a well read and intelligent individual and he probably is but it made for a trying story that was easy to get confused with.
Anybody who really gets a kick out of being thoroughly confused.
I really couldn't tell. The narrator decided that since everybody had foreign sounding names, that they should all have accents which made deciphering their speech give me a headache.
I'd sooner cut off my toes with a boltcutter. His fake French accent for everyone with a French last name was horrendous. His fake Russian accent was worse. Then when a French character spoke to a Russian character he lost all distinction between them and it sounded like an insane person with a speech impediment arguing with himself.
If they ever re-do this book with a different narrator, I'd get it again. As it stands, I had to turn it off after 2 hours.
I might as well have thrown my money in a toilet, because that's the same amount of enjoyment I got out of his performance.
I wouldn't cut any. I need 15 words. 15 words.
In addition to the horrifying accents, there was no pause or break between scenes. A scene on a spaceship blended seamlessly into a scene on a planet leaving the listener completely lost. Mr. Lee's uninflected deadpan narration moved so hurriedly from scene to scene that it was like trying to read a technical manual with pages removed and replaced with pages from The Joy Of Sex. Both instructional, both manuals, but you'll never get the whole picture from either.
Tell Mr.Lee to go back to waiting tables.
a Tech Exec who loves the stories about what could be and what should have been. Mixed with histories told from an outside perspective.
This book is a mixed bag for interest. It starts out like the Martian Chronicles, has a bit of Blade Runner in the middle, and ends with a storyline straight out of the Matrix.
This is not my first Alastair Reynolds I am sure I will
The Narrator does a pretty good job dealing with several accents to add depth to some of the characters, I am not sure if it has been remastered or if some listeners are simply not thrilled with a blend of accents. But, to me it added to the listening.
This book, and subsequent series could easily be a lost type series, as there is plenty of characters and setting to make for an interesting view. I am not sure a movie could contain enough detail to do the book justice.
I have read & listened to hard science fiction for decades; this goes down (way down) as one of the worst of the worst. I found it incredibly difficult to keep track of who/where/when.
Part of the problem is the reader's fault; he does not pause, even slightly, at scene or chapter changes. The book will jump character, time (decades, even), & setting all at once but there is no cue at all to let the listener know of the transitions. I am not sure I could keep track of this mess even in print.
Cheesy, cartoonlike accents do not help, which could be blamed on the reader but nevertheless add to the annoyance factor.
It's easy to believe that this is his first work; it has the neophyte habit of tossing out cool, futuristic-sounding terms just to make the reader feel "primitive." At first, I went back & checked to make sure this wasn't a sequel to another book, thinking a lot of this garbage must have been explained previously. I've read &/or heard & enjoyed 2 other Alistair Reynolds books --Pushing Ice & Century Rain. I will approach any others with caution.
Its a bit all over the place for half the book, but just stick with it and it all come nicely together! Its my favourite series now.
Mr Reynolds and John Lee; just stick to the long listen and hardly ever will you be disappointed .
Characters all unlikeable, story meandering and tedious, narration monotonous. I listened to half of it and then gave up.
a good plot line, keeps u wrapped in the book right until the end. have listened twice now. excellent narration, I was able to identify individual characters from their accents.
"Great writing, narrator is fine too"
This is another great story by Alastair Reynolds, in fact I was surprised to learn it was his first published book. It has all the ingredients I like, a convoluted plot, interesting tech ideas and frequent good descriptive writing. However, I can't understand all the bitching about the narrator. Like any field, there are superstars, like Stephen Fry, Toby Longworth and Stephen Briggs and John Lee isn't quite in that league but this is a perfectly good narration.
"ambitious and imaginative"
a great story that was very engaging. seemed to loose its way towards the end. good concepts. stayed away from sex and gore to focus on the sci fi. almost 5 stars.
"As others have said: Brilliant story ruined"
By awful narration.
Spend your credits on the Iain M Banks culture novels read by Peter Kenny.
Could not follow the plot - every sentence is sounded with an initial air of alarm tapering away, repeated over and over again. This reading style irritates and completely distracts you from following the plot.
Not with this reading style.
"Only for hardcore SciFi-Fans"
The narrator is awful. The story is very boring and confused.
Solution: Stringent novel and a better narrator.
Less confuding, more real confliczs bitween peoble and less preusotechnic.
The narrator is telling the story always in the same voice and sound and without excitement.
Not to recommend.
"Bit confusing at times"
The story was good but the narration left a bit to be desired. It jumped from viewpoint character to viewpoint character with no gap or notice and really confused me at times. Otherwise, epic in scope and can't wait to hear what happens next.
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