With no other resources at his disposal, Sylveste forges a dangerous alliance with the cyborg crew of the starship Nostalgia for Infinity. But as he closes in on the secret, a killer closes in on him because the Amarantin were destroyed for a reason. And if that reason is uncovered, the universe - and reality itself - could be irrevocably altered.
©2008 Alastair Reynolds; (P)2008 Tantor
"One of the best books of the year." (Science Fiction Chronicle)
"Ferociously intelligent and imbued with a chilling logic - it may really be like this Out There." (Stephen Baxter, co-author of The Light of Other Days)
Gen-Xer, software engineer, and lifelong avid reader. Soft spots for sci-fi, fantasy, and history, but I'll read anything good.
As hard SF goes, Revelation Space is definitely on the “harder” end of the spectrum. It's a got a complex, ambitious plot, with all sorts of far future tech casually treated as normal fixtures of reality. The novel's vision of dark, mysterious alien powers, which are behind the disappearance of civilizations whose ruins are found throughout the galaxy, is intriguing. The protagonists are the "gritty, complex" sort, driven by their own personal agendas, and not unwilling to manipulate or even betray the others. Reynolds does a good job of writing clearly, conveying a sense of the underlying science without over-examining it. He also deserves credit for writing some convincingly tough female characters, without making a big deal about it. The plot wasn’t uninteresting.
On the minus side, Revelation Space suffers (in my opinion) from a flaw common to other hard sci-fi, namingly that its intricate plot machinations and cerebral focus don't leave much breathing space for the emotional aspects of the story. Though the main characters are credible enough, it’s hard to care about them, and I found myself wishing that Reynolds would slow down on the intrigues, shipboard politics, and space battles, and offer a little more of the awe and wonder that I read science fiction for in the first place. For example, there's a scene towards the end of the book in which a character penetrates a vast alien artifact, but Reynolds barely gives any attention to what it looks like, or the character's reactions. Talk about a wasted moment. Though it’s been years since I’ve read Dan Simmon’s Hyperion, *he* made such scenes into page-turner material.
Unfortunately, the audiobook experience adds another flaw: the reader doesn’t leave any space between scene switches! This led to numerous rewinds on my part, whenever I wasn't paying close attention. The character backstories get a little confusing.
In sum, your opinion of this book will probably depend heavily on whether or not your tastes already include a lot of hard SF (Vernor Vinge, Peter Hamilton). If so, there’s plenty of smart stuff in Revelation Space. However, for other readers, the lack of much emotional resonance might override the other selling points.
I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
In the year 2551 as Revelation Space (2000) begins, Dan Sylveste, the 215-year-old, famous science family scion, colony leader, and archeologist, is pushing his team to excavate an obelisk made by the extinct Amarantin, despite the approach of a terrible "razorstorm," because he wants to learn why "the Event" (apparently a stellar flare) suddenly ended the alien civilization some 900,000 years earlier on the planet Resurgam. Meanwhile (in 2543), the small "Ultranaut" crew of Nostalgia for Infinity, a city-sized, ancient and decaying "lighthugger" starship, including Ilia Volyova, the only crew member currently awake, is on its way to Sylveste to make him cure their captain of the Melding Plague (which merges human cells and machine nanotechnology into cancerous hybrid shapes). Meanwhile again (in 2524), Ana Khouri is a successful assassin hired by the idol rich of Chasm City on planet Yellowstone to relieve them from ennui, when the mysterious Mademoiselle has her infiltrate the crew of Nostalgia for Infinity as their new Gunnery Officer to communicate with the starship's apocalyptic weapons) so that she may hitch a ride to Resurgam and assassinate Sylveste.
Reynolds interweaves the three story lines as he brings Sylveste, Volyova, and Khouri ever closer together in time and space. The three point of view characters might at first seem to be unsympathetic: an arrogant and obsessive scientist, a shanghaiing and loner starship weapons expert, and a coolly efficient assassin. Yet Reynolds forces us to care for them in their various difficult situations by gradually revealing the humanity lurking inside them.
With its varied humans (conjoiners, ultranauts, chimerics, hermetics, etc.) modified in various ways (longevity techniques, prosthetics, implants, neural transformations, software simulations, etc.) and its enigmatic aliens (Shrouders, Jugglers, Inhibitors, etc.), Revelation Space pushes the boundaries of the human (physically, culturally, mentally), revels in the sublime wonders of the universe (space, time, stars), and unfolds an exciting story.
Reynolds' imagination is impressive: he conjures up numerous scientific developments, technological devices, alien species, galactic histories, and cultural extrapolations, ranging from the cool to the sublime. And he's good at evoking creepy and fascinating phenomena, like the malevolent Sun Stealer, the vast starship Nostalgia for Infinity, the fate of the alien Amarantin, and the "world" Cerberus orbiting a "neutron star."
John Lee does his usual efficient job reading the novel. Although his handling of Reynolds' dialogue may rub some listeners the wrong way (like his snide intonations in French, Russian, or Japanese accents), I mostly enjoyed his style and base narration and feeling for the story and characters, and was horripilated by his channeling of the creepy Sun stealer.
There are occasional corny lines in the novel like this exchange: Khouri: "I'm not sure I like this." Volyova: "Join the club." And sometimes I suspect that Reynolds could have told his story with less dialogue. And I'm still trying to decide whether the climax and resolution of the novel are satisfyingly transcendent or disappointingly explanatory. And I think his House of Suns is a better book. But there are plenty of neat descriptions in this book, like, "Volyova was silent until they reached the human nebula that was the Captain. Glittering and uncomfortably muscoid, he less resembled a human being than an angel which had dropped from the sky onto a hard, splattering surface." And plenty of memorably sublime or horrible scenes that make Revelation Space worth listening to for fans of the dark and sublime space opera of the likes of Iain Banks.
Alastair Reynolds is one of the leading lights writing this generation's space opera, and his perspective (European, a PhD in Astronomy) gives his stories a very contemporary feel. I like the hard SF setting, with slower-than-light starships and ancient, dead civilizations instead of living aliens, and parts of this book were quite spooky and sinister. When the crew is prowling the corridors of the huge spaceship Infinity avoiding "rats" and other creatures controlled by a hostile intelligence, it felt like one of those old sci-fi horror movies.
Revelation Space is full of great ideas, especially in the conclusion, where it turns out that the small and large intrigues of the main characters have all been leading them to a confrontation on a much larger scale than they imagined: a threat that could end the human race. I like high-stakes stories like this. So this book was basically a recipe for everything I should love in a sci-fi novel.
So why only 3 stars? Because another crucial ingredient for me (and this is very much my own preference, which is why other people may love this book) is characters who feel real and who I like at least a little. Reynolds's characters aren't as wooden as those of some other hard SF writers, and he gives them plenty of background and motivation and personality, but after describing all those things, he doesn't spend much time letting them live and breathe and reminding you why they are interesting. They just go about their business executing the plot. As soon as the book ended, I was thinking about the story and the technology, but the characters were mostly forgettable.
Unfortunately, there were also parts of the book that just plain bored me; listening to the audio, sometimes my mind drifted and I didn't catch (or care about) all the details. Also, I just did not like John Lee's narration. He gave everyone an accent, not always distinct ones, and I didn't like all the voices.
I loved this book. It was my first from audible.com, and I was not only immediately sucked into the story, but I also really enjoyed the narration. Regardless of what other reviewers have said, I found the accents and dialects to be well done, unlike many contrived and corny variations. John Lee's voice acting is subtle and properly punctuated, without all the histrionics that usually ruin audiobooks. Moreover, although lengthy, Reynolds moved the plot along well while dipping into details that thoroughly paint just the right picture. The description and detail is vivid and expansive, and I frequently felt as though I was wandering the Nostalgia for Infinity spacecraft when some corridor or facility was described. The characters were compelling and interesting, and you really want to know each one's story as the plot thickens. And with no real "good guy," I still empathized with the various protagonists, wanting them each to succeed at their respective goal - even when it meant contradicting or conflicting with other characters' motivations. Really great. I'm suggesting it to all my SF fan friends, and moving on to Chasm City.
I'm a big sci-fi fan, and was hoping I would love this series (of which this is the first book), and could look forward to a lot of good listening ahead. Unfortunately I was very disappointed and couldn't finish this. It's hard for me to judge the book itself, because the narrator is so bad.
1. He gives very little distinctiveness to each character's voice, making it very hard to follow who's talking.
2. There is no pause or any other signal of a change in setting/time/place/etc. This book jumps between very different settings and the reader just reads the text without pause. Combined with the lack of distinction in the voice characterizations, this means that often I will have been listening for 15 min. or more before suddenly realizing that the some major transition took place several paragraphs ago and my mental picture of what's going on is completely wrong. Generally, this means I'm lost most of the time - not a pleasant listening experience.
I'm sorry to say I will not be trying any more of Alastair Reynolds audiobooks because of this.
The book jumps frequently between scenes and plot lines, a common technique for building suspense, which works fine in print where white space on the page is your cue for the scene change. However, for an audiobook, you need cue... normally a long pause in other audio books. In this recording, there is no cue! No pause, no page turn sound, nothing! It makes it very difficult to listen to because the scene changes are often during conversations, so you don't even know which characters are speaking. Very annoying!!
The story itself is wonderful, except for the ending which is literally deus ex machina.
The editor and the narrator were HORRIBLE. I have heard this is a really good book but I will never be able to finish because of this crappy performance.
There is absolutely no indication that the narration has moved from one character story arc to another. It is very confusing. At one moment you are following along, the next you have no clue what is going on. Then you realize you have moved to a separate story arch. There isn't even a pause in the narration. You could believe they are in the same sentence when they have crossed chapters.
Unfortunately due to eye issues I won't be able to read this book. I have heard it is a good book from people who have read it.
I LOVE this genre
ANYONE. He is the only narrator that I refuse to listen to again. (I have 150 audible books and maybe 50 more audio books not through audible). He ruined A Feast of Crows by George R R Martin so bad they sent it back and had Roy Dotrice re-narrate it. Unfortunately I listened to the John Lee version. At least I can go back and listen to the remake with Roy Dotrice who is an excellent narrator.
....be prepared to invest some time in the series as each book is long (a 'plus' for me) and the connecting plot ('long plot') is strung out loosely throughout each book. This isn't a 'con' for the series but its not as direct as Peter F Hamilton's Commonwealth Saga/Void Trilogy and could be an adjustment depending on what you are used to.
I found this to be a good book but i think it was a little tough to listen to b/c the of the way the author used the character names. Maybe it was just me but I found myself confused by characters being called different names at different times w/o being properly linked back to the 'common' name used throughout the rest of the book. Mainly this happened when the author switched from the common last name to the first name in dialogue. Perhaps knowing that upfront, listening to the book will be easier for you.
Other than that, the story was very entertaining and John Lee did an excellent job. At this point i hardly feel its necessary to mention Lee's performance b/c they are a staple of any audiobook. I don't have any doubts about the 'listening' aspect when i see its John Lee.
I will listen to NO boring book. Old Fav's,Card, King , Hobb. New Fav's, Hill, Scalzi, Sawyer, Interested in Lansdale, Crouch, Konrath
I envy those with the IQ and concentration to be able to follow this story. You are certainly on a higher plain then myself. AR shows that he is very intelligent and has a very strong vocabulary.
I have been reading Sci-fi for thirty years, but I don't have the ability or stamina to keep track of what is going on in this novel. This is like learning a foreign language. Even thought this is the first of a series it seems like you have walked into the middle of something. There are lots of science terms. The vocabulary is not only deep, it is British English, not American English. Just as I think I know what is happening the characters change. I never could figure out the plot or story or reason for the book.
To make it even more confusing John Lee has an alien sounding voice. He does accents but not voices, most characters sound the same. When changing from one scene to the next there is no pause. Some scenes change in mid sentence. Lee has done this in other books.
One of the people I am following likes Terminal World, so I will probably try that at a later date. If it is not better then The Prefect, then I will have to give up on AR.
Sci-fi, History, Police Procedurals and Science
If you like really broad, complex space-opera (meant in the very best way) this series is worth the investment of the time and attention it demands. It is on my list of the best SF ever. (Along with: Simmons' 4 Hyperion books, Peter F. Hamilton's Pandora's Star/Void Series and some other really long stuff.)
This is one book in a complex and dark series (see below) -- a good place to start. Revelation Space starts off with three seemingly unrelated narrative strands that eventually meet—and merge—as the novel progresses. This plot device is characteristic of many of Reynolds' works. The subsequent books go further and further.
Here is a thought that I totally agree with: Thomas M. Wagner of SF Reviews wrote that "images and bits and pieces of the novel simply would not get out of my head. This is saying something, since, with the volume of SF and fantasy I read, I do not exactly retain an eidetic memory of everything I've read that I can call up in a second or two unless the book literally bowled me over. But in the case of Revelation Space, two and three years later I still could remember the opening scene. . .with remarkable clarity. The. . .corridors of the vast starship Nostalgia for Infinity still brought haunting images to mind."
That's it -- it just ticks with you just like the Hyperion and Pandora's Star/Void books do.
As I said in another review, I once got hooked on the biography of Alexander Hamilton which led to biographies on all of the Founding Fathers and then the history of the Civil War. . .this was the same thing. You can get so far into it that by the time you end, at least a seaon has passed. Darkly Hypnotic.
The Revelation Space series includes five novels, two novellas, and eight short stories set over a span of several centuries, spanning approximately 2200 to 40 000, although the novels are all set in a 300 year period spanning from 2427 to 2727. In this universe, extraterrestrial sentience exists but is elusive, and interstellar travel is primarily undertaken by a class of vessel called a lighthugger which only approaches the speed of light (faster than light travel is possible, but it is so dangerous that no race uses it). The trilogy consists of Revelation Space, Redemption Ark and Absolution Gap.
Fun in a challenging and broad way.
"Start of a fantastic tale.."
I love this book, just finished it and getting ready to download the sequels (and prequels) set in the same universe. The Narrator is fantastic and I have listened to a lot that he has done, great job done on the narration here and elsehwere by the narrator, who I find very easy to listen to.... I found the following on the Authors website which I think it is worth sharing as the chronology of the publishing dates does not follow the chronology of the story - I really want to pick up where this one leaves me..... so from the Authors website.......... "Of my books to date, five are set in the same universe. The reading order isn't that critical, in my view, but it probably improves things to read REVELATION SPACE, REDEMPTION ARK and ABSOLUTION GAP in that sequence. The other related books, CHASM CITY and THE PREFECT, as well as the collections DIAMOND DOGS, TURQUOISE DAYS and GALACTIC NORTH, can be read at any point (or in fact, not read at all)."
I hope that someone else finds that info from Alastair Reynolds as useful as I have done - if you like Sci Fi, this series is for you... Aliens, Ancient Relics, super weapons, super humas, Ai, cyborgs, vast time scales, vast distances, vast wars, mystery, plot twists, great characters.......this has all that and some :) happy listener.
This is the first book from Alistair Reynolds I've read having previously read several sci-fi titles from Peter F Hamilton. I felt I wanted to broaden my recent foray into the realms of sci-fi and the sample of Revelation Space was alluring and seemed to hint at intrigue and wonder.
I have to say that having just finished Revelation Space I was left feeling unsatisfied.
I felt the plot was rather convoluted and sometimes confusing which also seemed to take very long to get anywhere. The writing was articulate and assured but I really felt Reynolds style far too verbose with often unnecessary reams of dialogue which often tended to slow, confuse or break the flow of the narrative and seemed to just be there to pad out the book in places.
Over use of metaphor or analogy at times too just added to the feeling of unnecessary detail. Everything moved at a much faster pace in the last quarter or so of the book but the reader was taken on a very round about route to get there. Of course, the journey is part of the story, but I found that Peter F Hamilton accomplished this in a much better way with his more direct style of writing which gave the books from him I've read a much more readable and enthralling narrative.
I couldn't say that I particularly liked any of the characters either or felt any real empathy or sympathy for them.
I will give the follow up to Revelation Space - Redemption Ark a go as I don't think one title is fair in judging an author.
A word on the narration; I like John Lee and he has done sterling work on many other epics I've read. However, I think the production of this title could've been better. Several of the main characters all done with French accents. This was a bit irritating after a while and I would've thought that as these were the main characters for the most part that the narration would not give them accents at all and instead focus on trying to make the sound of the voices different to aid in discerning who was talking - not an easy task at times between the Sylvest and Calvin characters which sounded identical to me and was only made worse by Reynolds style of often having long dialogue exchanges between characters and not letting the reader always know who was doing the talking.
Reynolds is a clever writer and sometimes too clever because exotic and complex scientific principles are expounded to explain certain things which I felt only served to further confuse the reader or at least throw difficult to digest or visualize concepts at the reader rather than either simplifying the premise or at least not hanging key plot elements on ideas most people simply do not understand.
Of course, techno-babble is a part of most sci-fi stories to one degree or another and it would be unfair to criticise Reynolds for this in itself. However, other writers either present the concepts in a more digestible way or don't resort to the assumption that quantum physics is a subject all readers are familiar with.
Can I recommend Revelation Space? Well, if you're an Alistair Reynolds fan and like his style of writing then I'm sure you will like it if, like me, you're not familiar with his work and are thinking of trying this story, then I can suggest you try it but cannot recommend it.
"In two minds"
This was a good story, some elements where very imaginative, the technological developments where believable and a nice resolution of the fermi paradox. Overall I enjoyed it, however some things did not sit right with me. The author ends each chapter with a POV character on some form of a cliffhanger. The next chapter starts with the said POV character doing something completely different, drinking some coffee, having breakfast, pondering some thoughts... we only discover what happened through a series of flashbacks. After a while this just gets irritating rather than being clever. But overall a good story and worth picking up. I didn't enjoy the narration very much though. John Lee does not do this justice at all. His accents are corny, and he sounded to me like one of those narrators of old WWII newsreel clips, which used to be shown before a movie! I will probably continue with the other books in the Revelation Space series, however I'll be reading them rather than listening to another John Lee narration.
I love audio books and have listened to loads but this was the first one where the narration spoilt the story so much so that in the end I gave up after around 3 hours.
I might still have carried on if the story had grabbed me but I lost interest and didn't really end up caring what was happening. It all seemed a bit of a ramble and very disjointed. It may well have come together further in the story.
2hr 45mins is all I could manage.
This is my first Alastair Reynolds and unfortunately it will be the last one I listen to narrated by John Lee. The narrator starts every sentence loudly then gets quieter which means he is either too loud or quiet (if using headphones). I found myself constantly adjusting the volume. More importantly, I struggled to tell which character was talking as dialogue between people sounded so similar. The story jumps around space and time which is fine but there are no pauses in the audio to make you aware of this so you are left playing catch up all the time
This is the first time I have written a review as I am normally quite happy how the scoring system produces accurate results. This time however, I felt the need to warn people. I currently have 98 audio books in my library and this is the first I simply couldn't finish.
"Textbook feel with sleep inducing narration"
The whole book feels like a set-up for the other 2 books in the trilogy. The story only really starts in the last few chapters with certain plot points left ignored in the end.
I have to agree with some other reviewers, the narration for 2/3 of this book feels like sitting though a lecture. the story jumps between different times and places without so much as a pause for breath or a change in tone. So it is hard to figure out if you are still on the same planet or even in the same century.
Having enjoyed other works by Alastair Reynolds, I anticipated hours of listening pleasure with this audiobook. Sadly, despite trying several times to get into the story I have found myself neither interested in the plot nor the characters. On the good side, of course, it saves me from bothering to download the sequels.
great story and characters can't wait to hear next bit of the story. narration very good too.
"Excellent story & superbly narrated"
This is, I think, easily the best of Alastair Reynolds' "Revelation Space" stories. His style is to weave a set of interlocking narratives together in a very detailed way, building up to a terrific climax and the manner in which he draws the detail of his SF world as it were is very convincing. Translates very well to audio format. Excellent narration too. Stongly recommended.
"Only for hardcore SciFi-Fans"
The narrator is awful. The story is very boring and confused.
Solution: Stringent novel and a better narrator.
Less confuding, more real confliczs bitween peoble and less preusotechnic.
The narrator is telling the story always in the same voice and sound and without excitement.
Not to recommend.
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