Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. It’s a prestige posting, and Andrew is thrilled all the more to be assigned to the ship’s Xenobiology laboratory. Life couldn’t be better…until Andrew begins to pick up on the facts that (1) every Away Mission involves some kind of lethal confrontation with alien forces; (2) the ship’s captain, its chief science officer, and the handsome Lieutenant Kerensky always survive these confrontations; and (3) at least one low-ranked crew member is, sadly, always killed.
Not surprisingly, a great deal of energy below decks is expended on avoiding, at all costs, being assigned to an Away Mission. Then Andrew stumbles on information that completely transforms his and his colleagues’ understanding of what the starship Intrepid really is…and offers them a crazy, high-risk chance to save their own lives.
©2012 John Scalzi (P)2012 Audible, Inc.
Yes. Wil Wheaton does an excellent job giving voice to the characters and pacing the story well.
Maybe. It felt like the book could benefit some from a Thesaurus and a harsher editor. While the plot moved along fine, his sentence structure and vocabulary remained low and repetitive to the point of annoyance. Lines like "he quietly entered the quite alley" just hearken me back to what I used to write in Junior High. Ultimately, its tolerable, but it is something I wish could be improved.
**********(this isn't revealed until 1/3 of the way through)**********
Star Trek meets Stranger Than Fiction: Star Trek redshirts seek compromise with show writers to escape their imminently written deaths
Ultimately, I found the book just okay. I enjoy the Star Trek universe, and thought that despite being simply a combination of 2 basic plot lines with only average writing the book had a decent pace and was fun to read. Personally I would recommend books like Daemon, Ready Player One, or Reamde to the geek looking for a modern SciFi adventure but if you have exhausted those top shelf options this is certainly worth the time to listen through.
Every single absurdity about the show - the ones I remembered as well as the ones I didn't even remember - was addressed. I kept going "yes! yes!" But of course in a nice way. We love Star Trek, after all.
This book may or may not be interesting for people not familiar with / fans of Star Trek. I couldn't say.
Not sure about the Coda yet... Still mulling that over.
Very witty - loved the sarcasm and creative thinking that went in to the storylines. Basic conversational prose conventions were a little annoying at times, but overall it was entertaining and well worth the credit.
the fact that Mr. Wheaton does not do different voices for the characters (beyond very slightly pitching his voice on occasion). Really, you do - though it may not be imaginable at the beginning when (phonetically) "Dall" and "Duvall" are talking to each-other.
The story, on the other hand -- dang those three codas were enjoyable. Just, dang.
The universe rearranges itself to accomodate your picture of reality.
Yes, it was funny and I love star trek.
I wouldn't have anything to add
Yes, this one was just as enjoyable
can't think of one.
Yes, made the miles fly by.
Pretty much like them all.
Made the miles fly; easy entertainment for me. Some hard core SciFi folks may find it offensive but I enjoyed it.
Wil Wheton was great. He was very expressive and had more then a few voices. There are only a few people who are really good at reading books and he is one of them.
I listen while commuting and part of my drive is I-5 through down town Seattle during rush hour right at the begining so everybody is still going fast but there is bumber to bumber cars. I was at the part about the "magic box". I almost crashed my car. My eyes were watering and I was rocking with laughter. I couldn't focus on anything. Even after I turned it off I kept thinking of the lines and cracking up.
This book starts out as a stupid cartoon, and that is intentional. It is funny and bizarre, and wonderfully read by Wheaton, who was absolutely the right choice for this. Using the cartoon as a hook, Scalzi gets down to his usual business of writing about serious existentialism in a fun way. Super book!
I purchased this because of the recent deaths in my life of loved ones (both human and animal) thinking i needed a light hearted action comedy along the lines of Douglas Adams. The first 3/4's of the book did not disappoint... then, in the the mode of the highest aspirations of Science Fiction, the novel moved to a higher plane, meta on top of meta, and my amusement and escapist fantasy turned into serious self reflection that was as deep as it was unexpected.
Well played Mr. Scalzi.
"Great Book But Annoying Over Use of The Word "said"
Like a previous reviewer stated this author really needs to learn another word for "said"; Yes, almost every line contains "...said" or "said...", it really does get annoying and you can almost hear the annoyance in the voice of the narrator.
The storyline is pretty good and I did enjoy it; a subtle, or perhaps not so subtle, parody of Star Trek which mocks the fact that in almost every Star Trek episode you knew who was going to die as soon as the "away party" beamed down; those poor guys in red.
"Meta- but in a good way"
I've probably listened to 30 audiobooks in the last 2 and a half years. Almost all of them have been very good. I'd say this was in the top half of those.
I loved the paradox, that the characters were supposedly vulnerable because they were not the main characters of the show, but of course they're the main characters of the book so in fact a slightly different set of rules apply. As much as the idea is (as the characters know) derivative of Galaxy Quest, Last Action Hero etc, Scalzi does a great job of making it feel fresh without it getting stuck up its own arse.
The last scene, which I won't say more about, because it would spoil it.
Both actually, but it was surprisingly touching towards the end, considering how tongue in cheek the concept seems.
Really recommended. I'm not a big Trekkie or into anything particularly similar, but I think it's enough to have a passing familiarity with the tropes of the genre, which virtually everyone surely does.
"One annoying flaw in an excellent piece of prose."
I liked the principle most, and the inner monologues. The fact that nobody knew why they were doing what they did.
The only book other than John Scalzi's other books that this reminds me of is John Ringo's Last Centurion. Both books have soldier protagonists, both are commentary on how f-ed up the world they are living in is, and the tone and humor are similar. So are the narrators' voices.
I liked everything about the way he portrayed the characters, with the exception of Duvahl (not sure of spelling) Some narrators are able to portray female voices well, but Wheaton's female voice was indistinguishable, which is part of the flaw this book has.
I actually started crying somewhere near the end. It might have been when Dahl got skewered. Or it might have been during the epilogue when Finn lectures Nick. Actually Nick's epilogue is a pretty good part in itself.
The big flaw in this audiobook is a combination of writer and narrator. Scalzi overuses the word 'said' which _in print_ probably doesn't matter too much. He also named two of his main characters Dahl and Duvahl.
When you get lines like:
"Are you sure?" Dahl said.
"I'm sure." Duvahl said
Near the start and you can't tell which one is the female character because the narrator isn't that capable of female voices and the names are too similar to connect with the identifying information you were given...
After the first hour I'd gotten over the "said,said,said," thing, but that section near the beginning is really annoying.Still a good listen though.
"Metafandom meets Galaxy Quest"
I love John Scalzi. Just have to get that out there. All of his books are phenomenal, though I confess I do love his humorous standalones a tiny bit more than the Old Man's War series. I can't say enough good things about his writing.
So I guess it's no surprise that I loved Redshirts - it is certainly one of the funnier concepts he's come up with. What if a Star Trek-like TV show was not only real somewhere, but controlled by the pen of the show's writers? What if all those poor redshirts, the guys destined to die to make the audience realize the problem in any given episode was SERIOUS, were real people, who really died every time bad writing dictated?
But don't be fooled by the absurdist premise - this is an incredibly well conceived novel, with a definite punch to the stomach in emotional weight, and a brilliant resolution.
Highly recommended. And the narration by Wil Wheaton - of Star Trek Next Generation fame, no less - is spot on.
"poor concept, but well performed"
the concept was very frustrating, and it did not work for me
disappointed, as the plot was basically a single concept
"A delight for a snarky sci fi fan"
The concept of this novel is just as delightful as you're probably imagining it. It works well as a satirical love-in for whatever space opera holds a place in your heart (Stargate Atlantis, for me, but it hardly limited itself to a single show, as most of the concepts and conceits were universal to the genre). The lead characters are fun, but its the secondary characters who really make this awesome - they're the dumber substitutes for Shatner and co, and it MAKES SO MUCH SENSE. With some intimations of self-love including body doubles, which is pretty much everything the internet has ever laughed about in clones and Mirror Universe episodes.
The execution was occasionally slightly confused. Aside from the main plot line, the three codas (taking up a surprising chunk of the whole novel) are probably not going to suit everyone. One or two moments resonated with me, but there were long philosophies of the writing process (not Scalzi's process), and writers writing about writing is not everyone's favourite thing. There is a surprising happily ever after I didn't expect, so the codas aren't worth avoiding, just a little odd.
The narrator has a mellow, sarcastic way of speaking, which was for the most part awesome and added to the experience. The combination of speed and snark meant that dialogue stretches of, 'he said, she said, Dahl said' were occasionally confusing, and hard to follow who was saying what (though this usually didn't matter much). This gripe wasn't hugely annoying, however, and probably was neat in print form.
"Great narration, writer skill let it down overall"
Having a better editor, or the author listening to his editor. Even pre-warned by other reviews, the dialogue is monotonous with the 'he said' repeated ad nauseum. There are also other instances where the poor writing skill of the author lets down what is otherwise an excellent story.
Writing skill of the author. Phrases/grammar just gratingly bad (and that's leaving aside the constant 'he said' after every line of speech by a character) in places. This distracts and detracts from the storyline.
No I've not listened to any other performances so can't compare, but given the material he had to work with, he made a very good job out of what must have been a frustrating performance to give.
Amusement, annoyance, frustration, disappointment.
This book is *probably* worth persisting with despite the writing flaws. The story is good, it is a tongue in cheek caper through all things star trek, and I enjoyed it for that, but it's definitely not one for those easily annoyed by repetitive words.
"Two good books tacked together"
In hindsight I would say yes, it was a good idea, with some very interesting angles, and therefore I can think back on it and draw some good memories of it.
However, the writing of it was painful lazy and a massive surprise after the excellence of Old Mans War.
Yes, but with warnings. I think people who enjoy the Star Trek Universe will get a kick out of it, and it is a good concept for Sci-fi in general, but it is terribly written.
Sorry Wil, but he didn't bring anything extra to improve the book - but he did a good job. Wesley Crusher telling a story is about all I can say.
I could see this being a 1 hour special on Sci-fi if they drop the last third of the book.
Seriously disappointing, yet still I'm pleased I read it - a contradiction but one I can live with.
"A quick witted parody of a distopian Star Trek"
Don't wear Red
The story quickly dismantles a Star Trek-like distopian universe into a funny, if slightly silly, fantasy. It asks the age old questions, "what do the redshirts think about their survival chances and what can they do to improve them?"
"Entertaining story with well matched naration"
The tone suited me and I enjoyed the meta-story
A great story that drags a little with the extra codas - they become a little too meta - but an entertaining story that suits Wheaton's drawl.
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