Soon he finds himself living in a London most people would never have dreamed of: a city of monsters and saints, murderers and angels. It is a world that exists entirely in a subterranean labyrinth of sewer canals and abandoned subway stations. And it is the home of Door, the girl whom Richard rescued, and whom, if he is ever to return home, he must now help in her mission to preserve this strange underworld kingdom from a mysterious figure determined to destroy it.
If Tim Burton rewrote Phantom of the Opera, if Jack Finney had a dark side, if you rolled up the best of Clive Barker, Peter Straub, and Caleb Carr into one, you still wouldn't have Neil Gaiman. In Neverwhere, he delivers one of the most absorbing reads to come along in years.
©1996, 1997 Neil Gaiman; (P)2007 HarperCollins Publishers
"Gaiman's gift for mixing the absurd with the frightful gives this novel the feeling of a bedtime story with adult sophistication. Readers will find themselves as unable to escape this tale as the characters themselves." (Library Journal)
"[Gaiman] is, simply put, a treasure house of story, and we are lucky to have him in any media." (Stephen King)
The audio is great. I loved how Neil Gaiman was able to create a feeling for every character. I didn't like some of the music that was played, but it was there to create a feeling of mystery I suppose. Luckily it wasn't inserted too often.
The story is a the tale of a simple man, Richard, being whisked off into an adventure he never expected and was not prepared for. I enjoyed listening to the story and was intrigued to see where it would lead next and how Richard would deal with the adventure. I like the characters in the story and found it well written with just the right amount of humor, grief and adventure.
I am addicted to Audible! I spend many hours listening while knitting or bonding over a great story with my family.
I purchased this book many years ago when I found it at a library sale for twenty-five cents. Since then, I have read and reread it, given it as gifts to friends, and listened to it on Audible. It truly is my favorite story of all time and I can't stress enough the merits of Neil Gaiman's brilliance which is captured at its best in this novel!
The story is so inventive and original and I found myself being drawn into a rich fantasy world where the unimaginable can and does happen. The hero of the story begins as beyond average, but through the trials and tribulations he faces throughout, he finds that he is much more. The antagonists are so vile that they are almost likable and, in the end, a surprising twist happens that ties everything together. The bonus of Neil Gaiman narrating this himself is also a huge plus! He does an amazing job at preforming the characters and lends the story a great feel. Also, I think that when an author preforms their own work, they are able to fully develop the tone the way that they originally intended.
Overall, this is an amazing "feel good" book that left me wanting more. My only disappointment was when it ended, but alas, all good things must come to an end.
So far, this is the only book I've ever given a 5 star rating. Neil Gaiman's style enchants with his marvelously painted characters and vivid, always entertaining, plot. Few writers approach his skill for not only capturing the soul of his characters but also doing so with such exquisite dialogue that each phrase plays flawlessly. He is truly a master of the written word. This books is well worth the price!
Gaiman likes otherworldly, mythical tales, and this one wanders around English folklore all the while telling a modern fantasy story in a interdimensional underground London. It's not his greatest work, but it's still better than many other people's greatest works. Some of the characters are simple or bare cartoon sketches. Others are more vivid and intricate, but a little stock. That's a minor criticism--the story is original enough and even the stock characters are portrayed so well that the whole tale is exciting and different and lively.
The book is also a minor education for us Americans, offering a nice glimpse of modern London culture mixed in with a bit of English history, without interrupting the story to do so. Not that Gaiman is on a level with or similar to Dickens, but you can tell he's read a lot of Dickens. He also, like Dickens, enjoys a well turned phrase or a clever pun, and rarely underestimates his audience's ability to follow him.
Gaiman himself reads this, and I enjoyed that. He must have some acting or voice training in his past, because he does a credible job, though not brilliant. What I like is the intimacy of having the author read it--somehow it feels more nuanced and more personal than many professional readers can muster.
Very good book. Worth the listen.
One more thing--I've seen some reviews say it's more for kids, and others say it's too graphic for kids. It is a bit graphic in violence at times, but not more than kids would see on network television. The story is not as mature as, say, American Gods. I'd say it's safe for anyone over twelve unless they are just squeamish. There may be a mention or two of sex, but I don't recall anything vivid. My kids listened, and I never cringed over it.
For any audio book the most important thing to me is enjoying the narrator's voice -- love Neil Gaiman reading his own work! The story is captivating and very engaging. Loved the imaginative use of London as the backdrop. Only taking one star off because it does take a little time to get into the story at first, but give it time! It's a great listen!
I'm trying to wean myself and learn to function without earbuds for more than ten minutes at a time. It hasn't been easy. I lose balance...
If you like a great voice reading you fairy tales this is the guy. Yes, it does remind you a little of Rowling with it's subway stations - but he not only did it first, but it's different. I'm never sad to relisten to a Gaiman tale. Don't miss his others. In fact, not to hear Anansi Boys or frankly, any is a mistake.
It's unfair for Mr. Gaiman to give us such great characters as Mr. Croup and Mr. Vandemar and not write a sequel.
I loved this book. It's hard to believe that this book is based on an awful british tv series.
I went to the theater and saw Stardust, loved it,
and thought Gaiman was a very clever and amusing writer.
Listened to the free copy here on Audible of A Study in Emerald, and bought American Gods and Anasi Boys in print.
I don't think it makes sense to be critical about
Gaiman, he breaks new territory and frankly you either get it or you don't. The door sort of pops open, and you are in London underworld. It's just not about you, and what you think; it's about the consistency of how he puts together his worlds and lets you visit. Whether you happen to like that visit is sort of beside the point because he is letting the characters do the talking and that's what they are coming up with. I'm just
happy to have made their acquaintance.
I have listened to several of his books and get swept up in them every time. I love to hear him narrate and the story lines give you the feeling of being transported somewhere else, and isn't that what a great book should do. I can't make up my mind if I like Marquis de Carabas of Neverwhere or Silas of The Graveyard Book best.
Living in Northern NJ. Addicted to that spine-tingling rush of fear.
struggled to finish. I was hoping for something to happen to wake the story back up, but never really took off for me. Nice storyline, but. ...eh
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