2 editions. 2 narrators. 1 thrilling story. You can enjoy Amber Benson's narration here.
"I love working with Audible, in no small part because they’re committed to doing what’s right, both for my books, and the people who listen to those books. There's a really excellent reason for Lock In to have two entirely different versions, so when it came time to make the audiobook, Audible did an ingenious thing: they asked both Wil Wheaton and Amber Benson to record entire versions of the book. As the author, I’m impressed with Audible’s commitment to my narrative - and I’m geeking out that both Wil and Amber are reading my book. This is fantastic." (John Scalzi)
A blazingly inventive near-future thriller from the best-selling, Hugo Award-winning John Scalzi.
Not too long from today, a new, highly contagious virus makes its way across the globe. Most who get sick experience nothing worse than flu, fever, and headaches. But for the unlucky one percent - and nearly five million souls in the United States alone - the disease causes "Lock In": Victims fully awake and aware, but unable to move or respond to stimulus. The disease affects young, old, rich, poor, people of every color and creed. The world changes to meet the challenge.
A quarter of a century later, in a world shaped by what's now known as "Haden's syndrome", rookie FBI agent Chris Shane is paired with veteran agent Leslie Vann. The two of them are assigned what appears to be a Haden-related murder at the Watergate Hotel, with a suspect who is an "integrator" - someone who can let the locked in borrow their bodies for a time. If the Integrator was carrying a Haden client, then naming the suspect for the murder becomes that much more complicated.
But "complicated" doesn't begin to describe it. As Shane and Vann began to unravel the threads of the murder, it becomes clear that the real mystery - and the real crime - is bigger than anyone could have imagined.
BONUS AUDIO: Audible's audio edition of Lock In contains the bonus novella, Unlocked: An Oral History of Haden's Syndrome, written by John Scalzi and narrated by a full cast.
©2014 John Scalzi (P)2014 Audible Inc.
"Hugo-winner Scalzi successfully shifts away from space opera with this smart, thoughtful near-future thriller resonant with the themes of freedom, ethics, and corporate greed….This powerful novel will intrigue and entertain both fans and newcomers." (Publishers Weekly)
"The novel--which contains plenty of action, great character development, vivid and believable worldbuilding and a thought-provoking examination of disability culture and politics--is definitely worth the ride." (Kirkus)
"Another brilliant novel from a writer who has quickly become one of the genre’s most successful and intriguing practitioners." (Booklist)
"With narrator Wil Wheaton attacking Scalzi's text with both vigor and nuance, this story tells about a silent minority being given voice, then having that voice threatened.... Thanks to Wheaton's skillful efforts, this production is an enjoyable melding of narrator and material." (AudioFile)
In pursuit of truth, justice, and an end to spoilers!
1. The story is a crime solving procedural in a sci-fi setting, and both sides of that are very well done! If you don’t care for either of those genres this probably isn’t for you. If you like one more than the other and the plot sounds interesting then I’d say give it a go. Just don't go in expecting a dystopia or a panicked medical thriller.
2. Confused about the two narrator options? There’s nothing in one version you might miss by choosing the other, so listen to the samples and go with your favorite. They really are two readings of the same book! Yes, there’s something a bit clever behind having different narrator options, but I'll let you discover what it is on your own. Both narrators do a fantastic job, so really you can’t go wrong.
3. There’s an attached novella at the end, a faux nonfiction-style account of the beginnings of Haden’s Syndrome. It originally came out as an optional prequel so you can choose to read it first or last. If you want to jump to it first, it’s 2 h 15 min into the second download on the Wil Wheaton version, 2:58:30 on the second download of Amber Benson’s. The novella’s many narrators were a great touch but overall I found the novella too scattered to add much. I had no problem jumping into the main story without reading it first, and I'm glad I didn't bother.
As for my personal impressions? Fun book! Not too dark, not too fluffy, good pacing, likeable characters and interesting concepts -- I can see a lot of people enjoying this one. I don’t normally seek out procedurals, but the quick pace and sci-fi quirkiness kept things fresh. The Scalzi fans are going to be happy! I’m beginning to recognize Scalzi’s humorous touches and short and sweet closes. When I got to the end I wanted to talk to someone about the story, so I guess I’m going to have to start recommending this so I can! (I’d also love to know who catches the extra little bit of social commentary without being told first…. Yet another reason I need to go push this book on people!) There’s room in the world building for more stories in this setting. I don’t really expect one, but if there ever is a sequel I’d definitely buy it!
Wow. Mind bending concept, well-written.
This is not typically the kind of book I listen to, but I followed to the hype and pre-ordered. I was pulled in! I could not stop listening to this near future tale about newly minted FBI agent Chris Shane. I am not familiar with John Scalzi's writing, this being my first of his novels, but I'm sure hoping there will be another book soon following Chris's career.
Wil Wheaton did a great job, as usual, reading the novel. I have NOT listened to my other narrator option, but am saving her for the next listen. I think Wil fit the Chris character well. Not sure how I'm going to like a feminine voice narrator with a male main character narrator.
One small disappointment: The book itself is only 7.75 hours long. There is a "bonus" novella appended to the recording of Lock In. I was hoping for two more hours of action around the 7.5 hour mark, but then realized the story was wrapping up. The novella seems to be pertinent information about Haden's, which, I hope, means I sequel is coming!
I focus on fiction, sci-fi, fantasy, science, history, politics and read a lot. I try to review everything I read.
This book is a cop procedural mystery with a nice sci-fi story. As with most of Scalzi the science is well thought out and interesting. This story mixes a lot of action with a compelling mystery, good characters, and a lot of humor. This is not Scalzi’s best work, but it is still quite good. Scalzi works in a bit a social commentary which adds an extra level of interest to the book. This is yet another good example of Scalzi’s unique style and high quality.
The book has a long (2+ hour) audio performance of a fictional documentary covering the disease that is pivotal to the book. I listened to this after the book, but I wondered if it would have been more interesting integrated into the novel, or even before the novel. Perhaps it would be a little too dry before the book without knowing the characters.
I enjoyed the narration and was not annoyed by the use of “he said”. Having listened to unabridged for many years, I think I am used to authors that attribute each line of dialog.
I finished the book wanting to know more about the world and the characters. Lock In was not quite good enough for me to buy and listen to the second narrator addition, and I will not likely listen to this addition again, but if Scalzi writes a sequel, I will certainly get it ASAP.
I ordered this book early and got both versions. I listened to the Will Wheaton version first, and I thought I had the alternate narrator figured out (I figured it would be from the point of view of the other protagonist and a completely different book).
Hmmm. Not so much. In fact I was disappointed at first when I realized it was the "same" book. Except it isn't the same book. The nature of the protagonist is completely different in the second narration of the thing by Amber Benson. I haven't finished the second one yet, but I can't believe the difference in the way I think of the character. What a fantastic concept. This had to be a very difficult book to write. Kudos to the author.
I don't want to drop a spoiler, and in this case it is extremely difficult not to do that.
The story is quite creative as are all of Scalzi's worlds. I will never think of "robots" the same way again. That is one of the author's strengths. He is able to create a world with unbelievable concepts and make it real for me. I haven't decided which narration I prefer -- both have their strengths. Will Wheaton is one of my favorite young narrators (after Ready Player One), but I really like Amber Benson's take on the character. I'm just glad I got the 2 for 1 special when I did.
Two great passions - dogs and books! Sci-fi/fantasy novels are my go-to favorites, but I love good writing across all genres.
John Scalzi doesn't do a lot of fancy footwork with language (he's not a writer that will give you a punchy new metaphor or a lot of symbolism), but for my money he is one of the best storytellers out there. You can count on Scalzi to give you an exciting plot with a great climax and a satisfying conclusion, characters you can love and love to hate, and a great sense of humor woven into the story to keep things fun and on pace. Lock In is no exception - the story follows Chris Shane, a new FBI agent, and his more experienced and jaded partner, Leslie Vann, as they work to solve a crime and uncover a conspiracy in a world radically changed by a pandemic and the technology that has evolved to cope with the affects of the disease. As much as I enjoy traveling the universe in sci-fi, I love the occasional look at the future from planet side and Lock In does that nicely with a lot of focus on bio-engineering, virtual reality, and software programming as well as a smattering of economics, politics, and sociology mixed into a story that is at heart a fast action police procedural. Scalzi gives you just enough science and logic to buy in to his world without slowing the plot down with too much detail.
I had a little trouble getting started with the story because you enter the story about 20 years after Haden's has struck so although this is a near-future sci-fi and you will recognize some aspects of the world as similar to today, the story begins after the radical changes the virus has wrought and it took me a little time to catch up. Once I did, I couldn't stop - lots of action and great characters. There seems to be some room in here for "the continuing adventures of Chris Shane" and I really hope to see more - I was so sorry when this ended.
I have liked Wil Wheaton's narration each time I've heard him, but I think he has matured as a narrator and is even better now. He doesn't really do "character voices", but he has the perfect emotional inflection for the dialog and the narrative both. Since this story is mostly told first person from the POV of Chris Shane, Wheaton was a good fit.
The novella, Unlocked: An Oral History of Haden's Syndrome, which is at about 2:15 on the second download is terrific also. It is the story of how the virus struck and spread, the government and medical community response to it, the outcomes of the disease, and the beginning stages of the technology developed to cope with Haden's Syndrome. This is told sort of documentary style with a whole cast of narrators (including some of the really fun ones like Luke Daniels and Bronson Pinchot) and reminded me a little of World War Z. The novella is recorded after the book, but you could read these in either order. The book is much more action packed so it's probably a more exciting way to learn about Haden's, but I think I would have liked to have heard the novella first because I would have had a better understanding of Lock In from the beginning. Either order really is OK; neither the book nor the novella would spoil the other.
Very entertaining and a little thought-provoking - highly recommended!
Lock In is sort of a prequel to Old Man's War. It continues Scalzi's fascination with the mind, identity and how humans will begin to physically interface with technology. It is interesting to see how an idea germinates within an author and manifests throughout his career with a multitude of facets. Like all true SciFi Scalzi probes the implications of dislocated/transferable consciousness from many angles. What separates this from The Surrogates or the Matrix is the implication of race, sexuality, gender, and self when a significant portion of the population is disembodied from birth or at least early development. The audio book is sold in two versions. One read by Wil Wheaton and another by Amber Benson. This is possible because the story is told in first person and the gender of the narrator is never revealed in the text. It's a little bit of a magic trick, but not a gimmick. The gender of the character is never pertinent to us or the other characters. The race of our character is not even approached or implied until the final third of the book, and in general race itself is not character trait. This is science fiction done well. They are always telling us gender and race are not important in the societies of the future, but it is in the telling that undermines the point. The omission is powerful and successful.
I loved the set up and extensive fictional history related to the "lock in" disease. Its a well fleshed out world for the story to take place.
No. I like Wil Wheaton's narration and he fits well with John Scalzi's work but the way he reads It, the characters all have very similar voices. This is not entirely his fault.. Scalzi doesn't differentiate them very well either. They all pretty much speak the same. Having said that, it didn't detract very much from the excellent story. I did have a couple of instances where I lost my place in conversations though.
The treatment of the Navajo is very smartly done. In particular in the relationship of a minor character who dies at the beginning to his family.
The Novella following the main story is a great plus. It tells the history of "Hayden's Syndrome" that is the prime mover of the book in a series of interviews. It is read by an ensemble cast and is very well done.
Book blogger at Bookwi.se
I enjoy Wil Wheaton as a narrator and his dry reading style seemed to match the book well. Scalzi is doing a near future FBI mystery here. There is good humor and tension and the scifi elements are handled well so that those that are not fans of scifi will still probably enjoy it.
I am mixed about whether you should listen or read the non-fiction-ish introduction piece before or after the book. It is at the end of the audiobook, but I didn't realize it was there until I was done. The beginning of the book is a bit confusing if you haven't read it. But on the other hand, it may give away some of the story if you read it first.
Overall though I really liked the book and while Scalzi wrapped up the story well, I could see this becoming a series.
Love Sci-Fi, Fantasy and Romance books.
One part science fiction, one part crime drama with a dash of political thriller. Smartly written, the story moves quickly and holds your attention. The story is based in a futuristic world and Scalzi does a good job integrating and explaining the technology while not letting the story get bogged down. Crime/police stories are not typically my thing, but I really enjoyed this one. If you like his other books, this one will not disappoint. I also loved the Will Wheaton version.
Love to read. Mysteries, history, romance, biography, current events, science, classic fiction. No vampires. No zombies. No self-help. Find me on GoodReads and BookLikes.
Another fine outing by John Scalzi. Loved it for all the reasons already given and won't bore anyone by repeating them.
I managed to pre-order my copy before the offer deadline and was able to get both versions for one credit--and I am so glad that I did. I will tell you straight away that it is very strange listening to this story in two different voices but rewarding. If you never thought that the narrator was key to an audiobook, listening to both readers will show you just how much the narrator influences the read.
"Classic Scalzi - but just misses the mark for me."
This was an enjoyable listen, if quick. This book was released with 2 narrators, and I settled for the Wil Wheaton version (being a fan of his work). I believe he delivered a good narration, but would be nice if he varied his voice just a little more.
The book was fairly quick. I listened to this in a day. I had read the Short Novella before hand (and it is included in the audio version as a bonus - read by a cast).
The world is interesting, and I liked the crime/police angle. However, there was a little something missing for me. I would have liked a little more interaction with his new flat mates, to build up a more rounded character. I think some of the chapters could have been lengthened a little and may a couple of twists/dead ends.
All in all, this was a good read, but nothing fantastic. I do hope that we will visit this world again in a sequel.
"Good read! Engaging, fun ride!"
I was sceptical on trying this out after a series of bad books and also being spoilt by some really good ones! I enjoyed this and found it very engaging, much more so than I had expected from the outset. Interesting concept - in a nutshell people get a flu-like disease (Haydens) that spreads and ends up with someone being "locked in" i.e. completely conscious but unable to communicate with the outside world (body is pretty much in a coma). To overcome this two alternatives are created so people can interact with the world 1) a "robot" body that a person's consciousness can inhabit 2) people can effectively rent other people's bodies. That's the basic premise and the story spins out from there from there.
I like Will Wheaton reading generally and he's well suited to this kind of sci fi book. He does a good job and is well cast as a narrator for this book.
If you liked any of the following, you'll probably like this one too:
"The Martian" - Andy Weir, "Ready Player One" - Ernest Cline, "14" -Peter Clines
Btw, I highly recommend the books just mentioned.
"He said, she said, they said"
Had so looked forward to this one, but for me it fell flat. No memorable characters, I just didn't give a dam about any of them,a boring story with little action that read like a bad Columbo episode set in future. The story felt rushed characters were under developed and it leaned more on murder mystery then sci fi.
Wil Wheatons narration was mundane there was no variation between character voices they all read the same and there where times during the narration he sounded bored, he could of read a Haynes manual with more emotion.
I remember thinking the story was coming to the end and checked the time remaining, my heart sunk when I saw It still have 2 hours to go.I really just wanted it to conclude and was relieved when the story did end and included a bonus novella. Now this I did enjoy. My advice forget the main story, and fast forward to the novella much more enjoyable with decent narration.
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