AudioFile Best Voices - Sci Fi, Fantasy, and Audio Theater, 2014
A blazingly inventive near-future thriller from the best-selling, Hugo Award-winning John Scalzi.
Not too long from today, a new, highly contagious virus makes its way across the globe. Most who get sick experience nothing worse than flu, fever, and headaches. But for the unlucky one percent - and nearly five million souls in the United States alone - the disease causes "Lock In": Victims fully awake and aware, but unable to move or respond to stimulus. The disease affects young, old, rich, poor, people of every color and creed. The world changes to meet the challenge.
A quarter of a century later, in a world shaped by what's now known as "Haden's syndrome", rookie FBI agent Chris Shane is paired with veteran agent Leslie Vann. The two of them are assigned what appears to be a Haden-related murder at the Watergate Hotel, with a suspect who is an "integrator" - someone who can let the locked in borrow their bodies for a time. If the Integrator was carrying a Haden client, then naming the suspect for the murder becomes that much more complicated.
But "complicated" doesn't begin to describe it. As Shane and Vann began to unravel the threads of the murder, it becomes clear that the real mystery - and the real crime - is bigger than anyone could have imagined.
BONUS AUDIO: Audible's audio edition of Lock In contains the bonus novella, Unlocked: An Oral History of Haden's Syndrome, written by John Scalzi and narrated by a full cast.
"I love working with Audible, in no small part because they’re committed to doing what’s right, both for my books, and the people who listen to those books. There's a really excellent reason for Lock In to have two entirely different versions, so when it came time to make the audiobook, Audible did an ingenious thing: they asked both Wil Wheaton and Amber Benson to record entire versions of the book. As the author, I’m impressed with Audible’s commitment to my narrative - and I’m geeking out that both Wil and Amber are reading my book. This is fantastic." (John Scalzi)
2 editions. 2 narrators. 1 thrilling story. You can enjoy Amber Benson's narration here.
©2014 John Scalzi (P)2014 Audible Inc.
"Hugo-winner Scalzi successfully shifts away from space opera with this smart, thoughtful near-future thriller resonant with the themes of freedom, ethics, and corporate greed….This powerful novel will intrigue and entertain both fans and newcomers." (Publishers Weekly)
"The novel--which contains plenty of action, great character development, vivid and believable worldbuilding and a thought-provoking examination of disability culture and politics--is definitely worth the ride." (Kirkus)
"Another brilliant novel from a writer who has quickly become one of the genre’s most successful and intriguing practitioners." (Booklist)
"With narrator Wil Wheaton attacking Scalzi's text with both vigor and nuance, this story tells about a silent minority being given voice, then having that voice threatened.... Thanks to Wheaton's skillful efforts, this production is an enjoyable melding of narrator and material." (AudioFile)
In pursuit of truth, justice, and an end to spoilers!
1. The story is a crime solving procedural in a sci-fi setting, and both sides of that are very well done! If you don’t care for either of those genres this probably isn’t for you. If you like one more than the other and the plot sounds interesting then I’d say give it a go. Just don't go in expecting a dystopia or a panicked medical thriller.
2. Confused about the two narrator options? There’s nothing in one version you might miss by choosing the other, so listen to the samples and go with your favorite. They really are two readings of the same book! Yes, there’s something a bit clever behind having different narrator options, but I'll let you discover what it is on your own. Both narrators do a fantastic job, so really you can’t go wrong.
3. There’s an attached novella at the end, a faux nonfiction-style account of the beginnings of Haden’s Syndrome. It originally came out as an optional prequel so you can choose to read it first or last. If you want to jump to it first, it’s 2 h 15 min into the second download on the Wil Wheaton version, 2:58:30 on the second download of Amber Benson’s. The novella’s many narrators were a great touch but overall I found the novella too scattered to add much. I had no problem jumping into the main story without reading it first, and I'm glad I didn't bother.
As for my personal impressions? Fun book! Not too dark, not too fluffy, good pacing, likeable characters and interesting concepts -- I can see a lot of people enjoying this one. I don’t normally seek out procedurals, but the quick pace and sci-fi quirkiness kept things fresh. The Scalzi fans are going to be happy! I’m beginning to recognize Scalzi’s humorous touches and short and sweet closes. When I got to the end I wanted to talk to someone about the story, so I guess I’m going to have to start recommending this so I can! (I’d also love to know who catches the extra little bit of social commentary without being told first…. Yet another reason I need to go push this book on people!) There’s room in the world building for more stories in this setting. I don’t really expect one, but if there ever is a sequel I’d definitely buy it!
Wow. Mind bending concept, well-written.
This is not typically the kind of book I listen to, but I followed to the hype and pre-ordered. I was pulled in! I could not stop listening to this near future tale about newly minted FBI agent Chris Shane. I am not familiar with John Scalzi's writing, this being my first of his novels, but I'm sure hoping there will be another book soon following Chris's career.
Wil Wheaton did a great job, as usual, reading the novel. I have NOT listened to my other narrator option, but am saving her for the next listen. I think Wil fit the Chris character well. Not sure how I'm going to like a feminine voice narrator with a male main character narrator.
One small disappointment: The book itself is only 7.75 hours long. There is a "bonus" novella appended to the recording of Lock In. I was hoping for two more hours of action around the 7.5 hour mark, but then realized the story was wrapping up. The novella seems to be pertinent information about Haden's, which, I hope, means I sequel is coming!
Two great passions - dogs and books! Sci-fi/fantasy novels are my go-to favorites, but I love good writing across all genres.
John Scalzi doesn't do a lot of fancy footwork with language (he's not a writer that will give you a punchy new metaphor or a lot of symbolism), but for my money he is one of the best storytellers out there. You can count on Scalzi to give you an exciting plot with a great climax and a satisfying conclusion, characters you can love and love to hate, and a great sense of humor woven into the story to keep things fun and on pace. Lock In is no exception - the story follows Chris Shane, a new FBI agent, and his more experienced and jaded partner, Leslie Vann, as they work to solve a crime and uncover a conspiracy in a world radically changed by a pandemic and the technology that has evolved to cope with the affects of the disease. As much as I enjoy traveling the universe in sci-fi, I love the occasional look at the future from planet side and Lock In does that nicely with a lot of focus on bio-engineering, virtual reality, and software programming as well as a smattering of economics, politics, and sociology mixed into a story that is at heart a fast action police procedural. Scalzi gives you just enough science and logic to buy in to his world without slowing the plot down with too much detail.
I had a little trouble getting started with the story because you enter the story about 20 years after Haden's has struck so although this is a near-future sci-fi and you will recognize some aspects of the world as similar to today, the story begins after the radical changes the virus has wrought and it took me a little time to catch up. Once I did, I couldn't stop - lots of action and great characters. There seems to be some room in here for "the continuing adventures of Chris Shane" and I really hope to see more - I was so sorry when this ended.
I have liked Wil Wheaton's narration each time I've heard him, but I think he has matured as a narrator and is even better now. He doesn't really do "character voices", but he has the perfect emotional inflection for the dialog and the narrative both. Since this story is mostly told first person from the POV of Chris Shane, Wheaton was a good fit.
The novella, Unlocked: An Oral History of Haden's Syndrome, which is at about 2:15 on the second download is terrific also. It is the story of how the virus struck and spread, the government and medical community response to it, the outcomes of the disease, and the beginning stages of the technology developed to cope with Haden's Syndrome. This is told sort of documentary style with a whole cast of narrators (including some of the really fun ones like Luke Daniels and Bronson Pinchot) and reminded me a little of World War Z. The novella is recorded after the book, but you could read these in either order. The book is much more action packed so it's probably a more exciting way to learn about Haden's, but I think I would have liked to have heard the novella first because I would have had a better understanding of Lock In from the beginning. Either order really is OK; neither the book nor the novella would spoil the other.
Very entertaining and a little thought-provoking - highly recommended!
I focus on fiction, sci-fi, fantasy, science, history, politics and read a lot. I try to review everything I read.
This book is a cop procedural mystery with a nice sci-fi story. As with most of Scalzi the science is well thought out and interesting. This story mixes a lot of action with a compelling mystery, good characters, and a lot of humor. This is not Scalzi’s best work, but it is still quite good. Scalzi works in a bit a social commentary which adds an extra level of interest to the book. This is yet another good example of Scalzi’s unique style and high quality.
The book has a long (2+ hour) audio performance of a fictional documentary covering the disease that is pivotal to the book. I listened to this after the book, but I wondered if it would have been more interesting integrated into the novel, or even before the novel. Perhaps it would be a little too dry before the book without knowing the characters.
I enjoyed the narration and was not annoyed by the use of “he said”. Having listened to unabridged for many years, I think I am used to authors that attribute each line of dialog.
I finished the book wanting to know more about the world and the characters. Lock In was not quite good enough for me to buy and listen to the second narrator addition, and I will not likely listen to this addition again, but if Scalzi writes a sequel, I will certainly get it ASAP.
I am not the biggest fan of John Scalzi. I usually find him a bit of a sort of post-modern Robert Heinlein. But I really enjoyed this novel. Very cool premise, very well explored and a tremendously sympathetic, if perhaps slightly flat, main protagonist. There are enough interesting secondary characters to make it interesting.
I'm not sure how I feel about the 2 hour novella tacked on at the end. It does give the novel context and has a bit of a post-apocalyptic aesthetic about it.
If you enjoy social sci-fi, combined with clever detective fiction, you'll like this.
Book blogger at Bookwi.se
I enjoy Wil Wheaton as a narrator and his dry reading style seemed to match the book well. Scalzi is doing a near future FBI mystery here. There is good humor and tension and the scifi elements are handled well so that those that are not fans of scifi will still probably enjoy it.
I am mixed about whether you should listen or read the non-fiction-ish introduction piece before or after the book. It is at the end of the audiobook, but I didn't realize it was there until I was done. The beginning of the book is a bit confusing if you haven't read it. But on the other hand, it may give away some of the story if you read it first.
Overall though I really liked the book and while Scalzi wrapped up the story well, I could see this becoming a series.
Love to read. Mysteries, history, romance, biography, current events, science, classic fiction. No vampires. No zombies. No self-help. Find me on GoodReads and BookLikes.
Another fine outing by John Scalzi. Loved it for all the reasons already given and won't bore anyone by repeating them.
I managed to pre-order my copy before the offer deadline and was able to get both versions for one credit--and I am so glad that I did. I will tell you straight away that it is very strange listening to this story in two different voices but rewarding. If you never thought that the narrator was key to an audiobook, listening to both readers will show you just how much the narrator influences the read.
If the book wasn't so predictable and the dialogue didn't sound like it was written by a teenager
People say I resemble my dog (and vice-versa). He can hear sounds I can't hear, but I'm the one who listens to audiobooks.
Some things fade with time. Not John Scalzi and Wil Wheaton. Not thus far. Lock In is their fifth audiobook collaboration, all of which I've listened to, and it is at least as good as any that have come before, possibly even the best of the bunch (close call with Android's Dream and Redshirts).
The difference this time is that unlike its predecessors, Lock In is not meant to be humorous. True, neither Scalzi nor Wheaton can help themselves, so the main character, Chris Shane, and Shane's co-investigators do get typically smarmy and sarcastic as they discuss matters among themselves and especially when interrogating people. That tone, modulated expertly to suit specific situations, only elevates the overall experience.
But this one is meant to be serious. In the near future, a flu-like virus has killed off hundreds of millions of people, left millions more physically paralyzed (though still mentally cognitive), and spawned huge new industries in giving lock-Ins (as the paralyzed are called) the ability to interface with the world, including an android-like mechanism allowing them to circulate in the world (called a threep due to its resemblance to the Star Wars android C3P0).
Chris Shane is a lock-in with a state of the art threep who has just joined the FBI in a unit that specializes in investigating crimes involving lock-ins. He is immediately thrown into a murder case that has wide-ranging ramifications. He and his partner (who is not a lock-in) and his roommate (who is also a lock-in and a technological genius) slowly peel away the layers and expose everything that is going on, all in classic Scalzi style.
The disease and its consequences -- social, political, economic -- give Scalzi a lot of leeway to comment on contemporary issues, with metaphors aplenty at the ready. But these are no more than glancing blows that just add depth to the novel. They do not, indeed cannot, ever overtake the story, which moves forward at breakneck pace, fueled by the momentum Wil Wheaton never fails to deliver as my favorite all-time narrator.
This book,uses a vague future setting, basically as a vehicle of 'something has changed'. The story itself doesn't explain where we now are, rather, the bonus novella at the end does that. The sad thing here is that this fake history told in reports by various fictional characters is better put together than the simplistic crime story that makes up the bulk of the story.
So, who would enjoy this more? High school students who think robots are cool, and they might get some perspective on why their creative writing is criticised by their teacher.
The high school level writing style which completely fails to use synonyms, especially for the word 'said'. Constantly the narrator utters "Said ... Said ... Said ... Asked ... Said ... Said". It will make you cringe. Wheaton doesn't differentiate the characters much but I think that might have actually made it worse because you would recognise the statement and be reminded by 'said'.
Overall, for a simplistic story with few characters this was well read and presented, unfortunately the source material was poorly written and dumb.
Anger, because the authors style is identical to a 12 year old, who isn't great at choosing his/her words.
One of the main characters is female, but comes across as such a masculine pain it was hard to keep track of who is in the conversation. Additionally, the main character is a smart ares kid, who was utterly unbelievable as being an FBI agent. This is a complete day dream with no basis in reality, and is offensive to behold.
Maybe it was marketed wrong in that it appeared aimed at adults, but it holds nothing except for at most 16 year olds, who probably would not know who Wil Weston is, who is prominently featured on the "cover".
"Classic Scalzi - but just misses the mark for me."
This was an enjoyable listen, if quick. This book was released with 2 narrators, and I settled for the Wil Wheaton version (being a fan of his work). I believe he delivered a good narration, but would be nice if he varied his voice just a little more.
The book was fairly quick. I listened to this in a day. I had read the Short Novella before hand (and it is included in the audio version as a bonus - read by a cast).
The world is interesting, and I liked the crime/police angle. However, there was a little something missing for me. I would have liked a little more interaction with his new flat mates, to build up a more rounded character. I think some of the chapters could have been lengthened a little and may a couple of twists/dead ends.
All in all, this was a good read, but nothing fantastic. I do hope that we will visit this world again in a sequel.
"Good read! Engaging, fun ride!"
I was sceptical on trying this out after a series of bad books and also being spoilt by some really good ones! I enjoyed this and found it very engaging, much more so than I had expected from the outset. Interesting concept - in a nutshell people get a flu-like disease (Haydens) that spreads and ends up with someone being "locked in" i.e. completely conscious but unable to communicate with the outside world (body is pretty much in a coma). To overcome this two alternatives are created so people can interact with the world 1) a "robot" body that a person's consciousness can inhabit 2) people can effectively rent other people's bodies. That's the basic premise and the story spins out from there from there.
I like Will Wheaton reading generally and he's well suited to this kind of sci fi book. He does a good job and is well cast as a narrator for this book.
If you liked any of the following, you'll probably like this one too:
"The Martian" - Andy Weir, "Ready Player One" - Ernest Cline, "14" -Peter Clines
Btw, I highly recommend the books just mentioned.
"He said, she said, they said"
Had so looked forward to this one, but for me it fell flat. No memorable characters, I just didn't give a dam about any of them,a boring story with little action that read like a bad Columbo episode set in future. The story felt rushed characters were under developed and it leaned more on murder mystery then sci fi.
Wil Wheatons narration was mundane there was no variation between character voices they all read the same and there where times during the narration he sounded bored, he could of read a Haynes manual with more emotion.
I remember thinking the story was coming to the end and checked the time remaining, my heart sunk when I saw It still have 2 hours to go.I really just wanted it to conclude and was relieved when the story did end and included a bonus novella. Now this I did enjoy. My advice forget the main story, and fast forward to the novella much more enjoyable with decent narration.
There are no listener reviews for this title yet.
Report Inappropriate Content