Isaac Vainio is a Libriomancer, a member of the secret organization founded five centuries ago by Johannes Gutenberg. Libriomancers are gifted with the ability to magically reach into books and draw forth objects. When Isaac is attacked by vampires that leaked from the pages of books into our world, he barely manages to escape. To his horror he discovers that vampires have been attacking other magic-users as well, and Gutenberg has been kidnapped.
With the help of a motorcycle-riding dryad who packs a pair of oak cudgels, Isaac finds himself hunting the unknown dark power that has been manipulating humans and vampires alike. And his search will uncover dangerous secrets about Libriomancy, Gutenberg, and the history of magic....
©2012 Jim C. Hines (P)2012 Audible, Inc.
"This may be Jim Hines's best work. Libriomancer is smart, silly, and deadly serious, all at the same time. It's a book about loving books. This is the magic librarian and ass-kicking dryad adventure story we’ve all been waiting for." (Seanan McGuire, The New York Times best-selling author of Discount Armageddon)
"All writers believe in the magic of books; Jim Hines has created a system where that magic becomes real, usable, and very definitely not always safe." (Tanya Huff, best-selling author of the Blood Books)
"This funny and fast-paced series opener...will be sure to surprise and entertain urban fantasy fans.... Isaac is sure to be an instant fan favorite, and the secondary characters are vivid and multidimensional." (Publishers Weekly)
Nerd, Gamer, Avid Doodler, SQA/Customer Service Engineer... need I say more?
Having read this book before in written format and enjoying it, I looked forward to this new version as audiobooks add something else to the story. What I got was about the same that I felt about the original book, that the concept and setup was a good one that promises to continue to get more interesting as things continue and I certainly craved more, but at the same time there wasn't quite enough to the substance of this one to fully satisfy me, which isn't entirely a bad thing since I'll likely leap upon the next book when it comes out.
As for the narrator, while I didn't quite find him a perfect match (this is the second narrator not the original which I wonder if the other reviewers do not realize they might have) he wasn't awful. He does a serviceable job of voicing Issac, but I felt his voicing of the female characters in the story were not quite as differentiated as one might have hoped for. I would have perhaps suggested Luke Daniels as a better match since he has a good mastery of a variety of character voices and his work on Iron Druid has impressed me every time. He could still provide the youthful enthusiasm that Issac's character requires while having enough flexibility to handle the rest of the cast better. Still the narrator didn't ruin the book for me at all, just didn't give to the story quite what I would have hoped for.
Overall it's a reasonable start to what promises to be a fun series and I'm looking forward to more.
I grew up on Golden Age Radio, I love to learn about a great many things, and I enjoy a wide variety of genres. Me, bored? Never!
I absolutely looooove the idea of this book. The rules are there, the idea is simple and effective, and the possibilities are endless. If you could pull objects from books into the real world, what would you pick?
The story itself is light and fast, but there's still plenty of room for some character development, most of which is definitely aimed at a teenage audience. But for every misstep or perceived shortcoming, this book offers a great deal of fun and imagination.
The narrator is decent. What would have been a higher score for performance is dropped by his inability to pronounce the word "automaton." This word is used a LOT, especially in the second half of the book, so the more it's mispronounced, the more it grates. Apart from that, it's clear the narrator had as much fun with this as I did.
The narrator seemed wrong for this book. The main character was fine, but the females were all very nasally. The story itself was entertaining though, and the magic system was pretty novel. If you're looking for something to tide you over until the next Dresden book comes out this one isn't bad.
Libriomancer was recommended to me, but I was skeptical about heading into another variant on the paranormal-contemporary world theme. I quickly discovered that I couldn't stop listening and picked up the second volume minutes after finishing this one.
The heroes of this story, Isaac Vainio and Lena Greenwood, were refreshingly real and accessible while still being unique and multidimensional. If you're a fantasy & sci-fi geek or fanboy (or fangirl, for that matter) you can't help but like Isaac and want to be with him every step of the way.
Acting as a backdrop to the whole story is the tapestry of sci-fi and fantasy stories that so many of us have loved for so long, from the awful, guilty-pleasure pulps to the great works of speculative fiction. Hines manages to pay homage with a fine sense of humor that manages to make jokes without every allowing the story to become one, evoking nostalgic moments, eager anticipation, and shouts of delight as you see in your fanboy/fangirl heart exactly what's about to happen.
This was my first experience with David DeVries as a reader. I was immediately struck by his skillful rendition of character dialogue, but initially found his narration a bit stiff. That impression didn't last, however, as the story continued to be skillfully delivered.
This is a series I hope to see go far, and I doubt you'll be disappointed if you give it at try.
I would recommend the book, but not the audiobook. The narration is just bad, particularly the voicing of the female characters.
Luke Daniels or James Marsters.
Likes to listen while doing chores; likes to write reviews while he should be doing chores.
This book is imaginative. It has an interesting magical system that is enough to draw you in. Hines is obviously a fan of his own genre and that makes for some sci-fi/fantasy cannon-driven plot points. The narrative is adventurous and silly and Hines leaves enough of a mark to show that he is a fantasy fan's fantasy fan. This is an easy book to like.
My problem is that characters are what really draw me in. Hines's characters are not poorly described, but they are very poorly portrayed by DeVries. For someone who really counts on characters to cheer for or against or who really wants to inhabit their trials, that puts one off.
Also, he does mispronounce, "automaton," which you probably know by now if you're reading other reviews. I read that myself and thought, "Well, how often can that word come up? Shouldn't be too much of a problem." The book is silly with automatons, ok? If mispronunciations are like nails on a chalkboard for you, get the print edition.
I love the book. Cool idea. Neat execution. Bad narration.
Whiny voice, annoying accents, and the strangest pronunciation of automaton I've ever heard. It is not "otto-mah-tun"
Still well worth getting if you can get past the narrator. Otherwise, buy the book.
I have sadly had to abandon the audible version and will return to print to finish this novel. The narrator sounded so wrong for the part (look at the guy on the cover- he doesn't sound like this!!) and relentlessly mispronounces words (autoMAYton), but the killer for me was the female voices! Must they all sound so 'ditzy'?? I just couldn't get past it- I envisioned them all as candy floss haired drag queens bitching about their high heels....
I would not recommend this audible edition. Should always listen to a sample first.
Disappointment. Received a good recommendation.
The fact that the narrator mispronounces automaton, a key word in this book, makes it impossible for me to continue to listen. The story could be great but I will never know. How hard can it be to make sure a word is being said correctly? Especially a word that is used repeatedly, at least in the chapters of this book that I did manage to get through.
I could tell from the words (although not remotely from the way the words were spoken), that this was a good solid book. Interesting premise (although I usually find stories about "authors" and other "books" a bit lazy in a 'write what you know" category, I could live with this one) and I would have loved to have been more into the characters if at times I could even tell who was talking to whom!
When the voice acting is all you can think about in a book and you have to listen so carefully just to figure out who and what is speaking at the time, then there is an issue. I KNOW the story is good... I can tell that I could really enjoy this book... but I cant get passed the voice, which reminds me of a really tired John Hodgman. The voice cadence and natural sleepy tonal quality and lilt take you away from any action and there are technical issues that actually change the loudness of the words in mid sentence at times. Not only that, but the constant odd pronunciations are also an incredible distraction.
The book starts off with some interesting characters and action that should have been riveting, but the voice killed the momentum. There is a lot of action and backstory that I am interested in and that really takes you into the main characters life without feeling like you are starting from scratch - he has a rich history and is quite fleshed out from the start, which is a nice change from so many books.
I LOVE the sci-fi and fantasy nods and references throughout the story. Call it the big geek in me that loves all the Dr Who and HGttG that slips in and out, but it really adds to the character of the book itself as much as the actual protagonist in the book.
Im not sure the plot in the book all ties together yet (as I could not help but write this review in advance since the voice acting HAD to be addressed before I lost my mind), but I will edit the review after I get to the end to let you guys know.
I am working my way through the book, but am really hoping that the next book in the series will have a different voice... otherwise Ill just get the paper version. Yes, it makes that much of a difference.
Anyone! No, really... Im sorry, I hate to trash him, but it was not good.
How about the all incredible Jim Marsters or Bronson Pinchot... perhaps Oliver Wyman. Somebody who can do multiple voices and who doesn't use the same lilt in every single sentence.
Im sure i would have been more moved by many parts.
Looking forward to actually reading the book so I can really get the full effect of it.
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