To quell the unrest, Ysandre, the queen, sets her decree. She will not divide the lovers, yet neither will she acknowledge them. If they marry, Sidonie will be disinherited, losing her claim on the throne.
There's only one way they can truly be together. Imriel must perform an act of faith: search the world for his infamous mother and bring her back to Terre d'Ange to be executed for treason.
Facing a terrible choice, Imriel and Sidonie prepare ruefully for another long separation. But when a dark foreign force casts a shadow over Terre d'Ange and all the surrounding countries, their world is turned upside down, alliances of the unlikeliest kind are made, and Imriel and Sidonie learn that the god Elua always puts hearts together apurpose.
©2008 Jacqueline Carey; (P)2008 Tantor
Book Lover and Traveler
I have read all the books in this series, and yes, it helps to know the background of the characters, but it is a good story on its own as well. This author tends to sort of set the stage in the first book, further complicate the plot in the second book, and then bring it all to a grand and satifying conclusion in the third book, which this is. The first book featuring Imriel(Kushiel's Scion) is now out on Audible, but not the second, so hopefully that will soon change. I must admit that I listened to this production three times because I enjoyed Simon Vance's narration so much - he does a particularly excellent job here. I would like to see all of this series on Audible.
It is not easy to listen to a novel after working for 13 hours but I somehow managed! This is the last of Phedre and Imriel's stories. I am saddened but Carey certainly ended the series with a bang. I just couldn't stop till the end.
Imriel and Sidone were brilliant. There were answers to some people's whereabouts from the previous novels. (Sorry, not trying to be vague but don't want to give anything away.)
Much stronger feelings than before and their consequences. As Imriel and Sidone said in the novel "It is not wise to meddle with D'Angelines in matters of love". Hah!
Hope Carey writes more about this family and soon.
From here I am off to Naamah's Kiss and Naamah's Curse.
It is truly difficult to know which book is first so here it is: Kushiel's Dart, Kushiel's Chosen, Kushiel's Avatar, Kushiel's Scion, Kushiel's Justice, and Kushiel's Mercy.
Note: While this is Book 6 in Kushiel’s Legacy (also referred to as the Terre D’Ange Cycle) it is Book 3 in the second trilogy and focuses on Imriel de la Courcel, who we met in Book 3 of the first trilogy, Kushiel’s Avatar. Kushiel’s Mercy is best read as part of the second trilogy, if not as Book 6 in the larger series, since there are plenty of characters and situations referred to from the previous books.
Imriel de la Courcel, a Prince of the Blood, and Sidonie de la Courcel, Terre D’Ange’s princess and next in line to the throne, are in love. This doesn’t sit well with much of the realm because Imriel’s estranged birth mother, Melisande Shahrizai, betrayed the nation a generation ago. Imriel and Sidonie are faced with a difficult choice: Bring Melisande to justice or Sidonie will not inherit the throne. After beginning their search for Melisande in earnest, an unlikely city nation, Carthage, comes with luxurious gifts, promises of alliance, and an apparently heartfelt hope that Sidonie will consider their General Astegal for marriage. Things do not go as expected, for anyone.
This historical fantasy is another beautiful addition to the Terre D’Ange cycle. Through the adventures of Imriel and Sidonie, we learn more about this alternate world Carey has created. Carthage is a budding empire, rich in gold and gems but also dependent on slavery. General Astegal comes off as a very charming man, willing to bend to Terre D’Ange’s way of things when it comes to love; for instance, he wouldn’t be in a miff if Sidonie decided to have a harem of pretty young men. The other culture that really stood out for me was the Euskerri, which is akin to the Basque. Deeply proud and also demanding equality from their two neighboring countries – Terre D’Ange and Aragonia.
In the previous books, there has been some magic, though much of it is left up to the reader’s interpretation. In this novel, the magic is direct and has immediate consequences. Even though this is a reread for me, I always find myself surprised by how not subtle the magic component is in this story, as compared to the previous books. So how do you fight strong magic when you only have a passing experience with it? That is something that Imriel and Sidonie will have to figure out, though I do like all the hints that Elua, Terre D’Ange’s primary deity, may be giving them a hand. The magic does follow certain rules, which I liked, though it was quite the trial for Imriel to figure out what those rules were.
There’s plenty of adventure and sneaking about in this story. Imriel must make alliances with the most unlikely of people to even make a solid attempt to not only rescue Sidonie but the entire capitol of Terre D’Ange, the City of Elua. Indeed, spying, misdirection, and disguises make up a good part of the book. I think it was hardest on Imriel to deceive his beloved foster parents, Phedre and Joscelin. There’s some pretty intense scenes that had me holding my breath! Also, those scenes with Barquiel L’Enver, a man who has disliked Imriel since he was born, were quite worthy.
Sidonie really shines in this book. Even with everything told through Imriel’s eyes, Sidonie had some tough decisions to make and was at the center of some dangerous situations. Carey has this magical way of writing female characters behaving in feminine ways and still getting important stuff done. While Imriel is the character that carried me forward in this story, there’s a strong argument for Sidonie being that star of the story.
Each time we think our heroes have found the key to winning the day, there’s another twist or another spell or another hurdle or another bad guy that must be vanquished. One of the hardest things about this was that sometimes they had to find a way to sneak past, trick, or even fight friends and family that were ensnared in the magic. My poor nails! I was biting my nails too often with this story!
As with the series, there are incredible sex scenes that range from playful to desperate to healing to sad to joyful. Carey is just as detailed in her love scenes as she is with her use of cultures and linguistics. I always enjoy these scenes because they reveal something further about the characters.
The ending was well done. I was very satisfied that things were not easy to unravel and iron out. Not everyone gets everything they want. There’s plenty to be forgiven all around. Still, it was beautiful and satisfying.
The Narration: Simon Vance does this final book in Imriel’s trilogy justice. He had to take on further accents as our heroes experienced new cultures. There were also plenty of complicated emotions and intense scenes and Vance did a great job capturing the subtleties of those emotions in his voice work. Also, he did a fantastic job with the sex scenes.
Great chase against all odds. Still hate narrator voice is great, less conversation with older characters (30 not too old ) that don't emphasize discrepancy in ages with voice tones. storyline truly creative and thrilling.
I loved the story overall. The narrator killed me though. All the accents would change and some character would one moment be his vampire accent then change to some kind of scott. It really started bugging me by the end. No doubt he did a good job of portraying emotions though.
There are dire magics involved in this conclusion to the story of Imreal. To win the hand of the princess he loves he must bring his mother to justice. Yet it is his mother he must seek help from when the city of Eloa is enchanted and memory of his relationship with the princess been forgotten by all including the princess herself. Can he save his love and his country from dire delusions.
I thought this narrator did a fine job. The many non-English names and words sounded about the same as rendered by the narrator of the first trilogy. The queen was a bit harsh but ok, and I adjusted to the somewhat older voice for Imriel by imagining him telling his memoirs rather than imagining the narration was 'real time'. After a few chapters it was fine. I've only listened to this third book so far (I've read them), and it's possible it's the best of the 3. I thought the narrator did an especially effective and subtle differentiation between the two 'personalities' of Imriel - it really enhanced my enjoyment of the story and gave it more depth and drama. The only character that sounded totally wrong to me was Mavros, but I could live with it. All together a fine listen.
In Chapter 3, on page 24, during Queen Ysandre's speech, a paragraph is skipped and the next paragraph is read twice, but the whispersynch stays aligned. For those without the text, the two paragraphs are as follows:
There was a genuine ache behind her words, and I did not think she took any pleasure in the fierce nods of agreement from those assembled on the left of the hall. I'd had my differences with Ysandre, but I'd never doubted she loved Terre d'Ange.
"Blessed Elua cared naught for crowns and thrones," she said quietly. "Those words, I'm told, were spoken by Melisande Sharizai."
I would recommend this book and all the others in the series. They take place in a completely different world and they are brought to life in your mind. I keep wishing that a movie or TV series could give us the kind of visual that the minds eye brings up. The stories and the plots or storylines that Ms. Carey gives us are so very engrossing. I was trying to figure how the plot would go and so I hurried to finish each book but when I was done I wanted it to go on.
I liked his performance but he seemed to make too many men sound like they were older than they should be.
No. I wanted to spread it out over a few days.
Report Inappropriate Content
If you find this review inappropriate and think it should be removed from our site, let us know. This report will be reviewed by Audible and we will take appropriate action.