With this outrageous new novel, China Miéville has written one of the strangest, funniest, and flat-out scariest books you will read this—or any other—year. The London that comes to life in Kraken is a weird metropolis awash in secret currents of myth and magic, where criminals, police, cultists, and wizards are locked in a war to bring about—or prevent—the End of All Things.
In the Darwin Centre at London’s Natural History Museum, Billy Harrow, a cephalopod specialist, is conducting a tour whose climax is meant to be the Centre’s prize specimen of a rare Architeuthis dux—better known as the Giant Squid. But Billy’s tour takes an unexpected turn when the squid suddenly and impossibly vanishes into thin air.
As Billy soon discovers, this is the precipitating act in a struggle to the death between mysterious but powerful forces in a London whose existence he has been blissfully ignorant of until now, a city whose denizens—human and otherwise—are adept in magic and murder.
All of them—and others—are in pursuit of Billy, who inadvertently holds the key to the missing squid, an embryonic god whose powers, properly harnessed, can destroy all that is, was, and ever shall be.
©2010 China Mieville (P)2010 Random House
"Mr. Miéville's novels - seven so far - have been showered with prizes; three have won the Arthur C. Clarke award, given annually to the best science fiction novel published in Britain…. [H]e stands out from the crowd for the quality, mischievousness and erudition of his writing…. Among the many topics that bubble beneath the wild imagination at play are millennial anxiety, religious cults, the relationship between the citizen and the state and the role of fate and free will." (The New York Times)
If you like Neil Gaiman, you may like Mieville. I would not describe this story so much as horror (some of Gaiman's stories are more so), but a philosophical fantasy. Kraken has less steam-punk and science fiction than some of Mieville's other stories, although it has plenty of the fantastic. It is a riot. In this story, it is centered very much in the alternate reality of the City of London, which is a major character in Kraken. If you are an architect or interested in cities, you may love it for this reason alone, but if you are interested in more intellectual sci-fi-fantasy with other influences of science and religion, you may also like it. The characters, moreover, are also more developed, or memorable, than some of his other stories. Lastly, the narration, by John Lee, is of course superb. I listened to it twice.
Another classic Mieville immersion into the unconscious of London herself - but this time through the ink of a magical giant squid. And not just any giant squid mind you, but god-spawn... Join Billy the museum curator, and preserver of said deus enfant, on his horryifying and often hilarious journey through the seedy underbelly of London's secret religions. Dark magic and evil, dripping beasties spawn from every crevice as Billy tries to preserve his sanity and his life. Fans of Mieville's Perdido Street Station will feel right at home in this occult city on the brink of apocalypse(s?!). Narration of Mieville's rollicking and eerie prose performed splendidly by John Lee.
I was skeptical about this book from the mixed reviews it got. But being a fan of this "type" of book and seeing all the comparisons with one of my favorite authors Neal Gaimon I took the plunge. I am glad I did. This is an excellent story. This often funny, fast paced, and keep you guessing adventure kept me listening far later than I should have. I can see why this book has been compared to some of Neil
Gaimon's and it felt more like Neverwhere than American Gods to me. Though that being said this author has a style all his own. It should come as no surprise to fans of Jon Lee that he gives a pitch perfect performance that's easy to listen to and that he does a superb job in giving each character their own voice. Those who are easily offended will likely find something about which to find offence in this book. Mieville does use adult language and his characters say unflattering things about religion at times so be aware before you plunge in. This is not a children???s book nor is it for the faint of heart. Personally, I wish more people would be so creatively profane and was impressed by many a turn of phrase heard in this book. This book is now on my short list of books that will be listened to many times. Definitely a new favorite.
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I would call this urban fantasy, except I think it would be an insult to put it on the same shelf as werewolves and vampires in skintight jeans. But it is Urban, yes indeed. And there is a fantasy element here, an element of Gaiman. Anyway, this book is confusing, chaotic, totally weird at times and ostentatiously British. It is so goddamn British that it invents slang on the spot; plausible British slang. It also has one of the best villain duos I???ve read of in some time. Guss and Subby are totally evil, utterly cruel and disagreeable, yet somehow quite charming. This is Peredido Street Station brought back to London. This is the Rat King, only bigger, nastier and all grown up. And John Lee makes it all come alive. So if you can get past the total unwillingness of everyone, including the author to actually come out and clarify anything, the almost obnoxious rambling mysteriousness, then I think you???ll quite enjoy it. I did.
If it weren't for Audible I'd never get any reading done.
This novel could be seen as a parody of Harry Potter, but for grownups. The hero enters a world in which every supernatural fable in the popular canon is in play--including Star Trek! More smoothly plotted than some of Mieville's other work, it's a very fun listen/read, especially since the narrator serves up all manner of London accents.
I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
When the giant squid star of the Museum of Natural History???s collection of preserved specimens goes missing, mild-mannered curator Billy Harrow finds himself mixed up with magical gangsters, bizarre cults, occult bounty hunters, a fiendish father and son hitman team, and the stunningly ineffectual though intrepid FSRC (Fundamentalist Sect-Related Crime Unit) in an apocalyptic competition through the surreal underworld palimpsested onto London to find the missing kraken. Who took the embalmed critter and why and where are they keeping it and why is its fate wrapped up with impending Armageddon?
Billy has to navigate a fermenting sea of dissident gods, millennial churches of biology, and specimen jar angels of memory; unionized familiars, gunfarmers, Chaos Nazis, and rabbi exorcists; pyromancers, necromancers, and Londonmancers; sentient seas and cities; and myriad cultural references, among them Moby-Dick, Barbie, Teletubbies, Amy Winehouse, Virginia Woolf, Buffy, Galactica, Cthulhu, Clint Eastwood, Captain Kirk, and the ghastly truth behind the Star Trek beam-me-up procedure.
And that list barely scratches the surface of the mad fertility of Kraken. At times the myriad references and ideas risk swamping the reader/listener into numb fatigue, and at times the novel threatens to become a frustrating police procedural with various characters asking similar questions and getting similarly incomplete answers, but at its best, Kraken crackles along with ebullient imaginative energy, its climax is cool, and the whole work has more unpredictable twists, original plays on cultural artifacts and genre tropes, and interesting ideas about faith, science, and city-life than most genre novels dream of mustering.
And John Lee does his usual fine job, managing to keep it professional even while enjoying himself reading lines like:
???Keep something in your pocket for me to get into. So I can get to you quick.???
???How???d you feel about a Bratz doll???? Dane said.
???I???ve been in worse.???
The previous reviews seem to reveal a love-it-or-hate-it dichotomy. I believe that the reason for that is some people approach the book expecting yet another mundane supernatural story (read "Twilight" et al) while others are more open-minded. Let's just call a spade a spade and say that if you are looking for the average sexy-supernatural-with-requisite-action-scenes then you will not like this book.
To me, this book is nothing less than brilliant. On the surface is a wonderful fantasy story, with great characters, despite those who "didn't get it," but beneath that is a very entertaining play of ideas that juxtapose postmodernism, metanarrative, and logos versus mythos. Great literature is something that makes you think, not something that becomes the next "Vampire Diaries." That being said, this is not Umberto Eco; Mieville is an infinitely better story teller and has the rare ability to balance substance and suspense.
I absolutely love China Mieville. Perdido Street Station is one of my favorite books. I loved the story with Kraken but the plot is so complicated and there are so many characters that this is a real challenge as an audio book. I found I tended to get confused a lot about who, what, when, where. It definitely requires your full attention. Since I already have it in audio I will listen to it again, but I think it would probably be better enjoyed in regular book format.
Author, rabid Audible listener.
This book will either excite you are bore you. If you are into anything and everything Science Fiction and really like "out there" stories, you should settle into this really well. There is a little something for everyone in this book and the characters, plot and crazy sub-plots (think cockroaches on strike) all make this surreal story even more interesting with each passing chapter. I am really sorry to say this book was read by the wrong person (sorry John Lee!). While it was well read, the characters and delivery just made this already hard to follow book even more difficult. I think if someone like Neil Gaiman read this it would have been much better. Be prepared to listen intently to this book... if you miss even a few sentences you might miss some very important story details.
This book covers many of the same interesting themes as Gaiman's American Gods, but less successfully. I just found the book to be surprisingly unengaging. Characters speak in riddles, and the author has a writing style where sentences stretch on so long by the time you finish, you forget what the sentence was about. Moreover, the reader has a sing-song quality to his voice, that for me, made it hard to focus on what he was saying. I found I kept having to go back and relisten to the section of the book I just finished, because none of it registered in my brain. I've never had this problem with any other author or narrator. Despite these impediments to getting into the book, I was still able within the first couple of hours to know just how it was going to turn out. As a result, this book pulls off a rare feat, being impenetrable and predictable at the same time.
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