Problem is, the Nightside was built on sin and corruption, and The Walking Man makes no distinction between evildoers and those simply indulging themselves. He'll leave the place a wasteland unless someone stops him, and P.I. John Taylor has been handed the job. No known magic or science can affect The Walking Man, and if John can't discover his weakness, he'll be facing the very Wrath of God.
We've got more in Simon R. Green's Nightside series.
©2009 Simon R. Green; (P)2008 Audible, Inc.
"A macabre and thoroughly entertaining world." (Jim Butcher, New York Times best-selling author of The Dresden Files)
If you are reading this review, you likely already know if you are getting this or not. You are either totally plugged into the Nightside or you burned out a while back.
So, for those of you who will be continuing on, let me tell you. . .it's not as good as some, not as bad as others. Green has improved as a writer since we started our journey, but he still lacks as a storyteller sometimes.
There isn't really a villain in this book. Ok, our heroes aren't all that nice *in the Nightside*, but there are those people who take evil to that next level *in the Nightside*. (Sorry, I wanted to know what that felt like, *in the Nightside*.)
Anyway, John goes after what is really a force of nature style antagonist. John catches up to him, they talk, the antagonist kills a bunch of people (and things) and then moves on. Then, John catches up to him, they talk, the antagonist kills a bunch of people (and things) and then moves on. Then, John catches up to him, they talk, the antagonist kills a bunch of people (and things) and then moves on. . .
. . . and then a solution happened that caused my suspension of disbelieve to totally fall apart and I began to ask if Green was aware of what his main character gets up to in the books.
That's the story. It's worth a listen if you're still into touring the Nightside. Green makes the setting just as wonderful as ever, but he has found a new form of repetition that his editor needs to beat out of him.
As for the Narration, Vietor is always amazing.
It has been said by some reviewers that the novels in the Nightside series can be broken down into sections. The first three in the series are considered stand alone novels, linked by the mystery of who John Taylor's mother is and why his father drank himself to death over her true identity. The next three are definitely linked into one narrative as they deal with Taylor's search for her and the consequences of finding out who (and what) she is. The books after that are said to return to the stand-alone plot of the first three. Well, this is sort of true, but not really. A full appreciation of the Nightside series requires that you either read or listen to them from the very beginning with Something from the Nightside to the ninth one so far, Just Another Judgment Day. Fortunately Audible has all nine available, with the talented Marc Vietor narrating the whole series! I can't think of a better way to experience these novels!
Cat Eldridge / Green Man Review
On level 5 of Robot Hell
Marc Vietor is a great narrator. He really knows how to capture and convey a scene to the listern.
This one is middle of the road in terms of the Nightside series. After a while you can spot the where the plot is going by and large but the world and characters are so captivating, you can't help but love it.
When made their way through Precious Memories. I'd go into more detail but..spoilers.
The series is rather formulaic but the world is so alive that each time you start a new book you're hoping that old characters will pop in for a scene or two.
Immigration lawyer in Kansas City. I like Character driven dramas, fantasy (monsters, magic and witches oh my!) and coming of age stories. Favs include: The Book Thief, The Game of Throne series, Harry Potter Series, Dresden Files, Nightside series, anything by Neil Gaimen, 100 Years of Solitude.
Despite all of the appalling things that happen in the Nightside, I have come to look forward to the next book and seeing what else is going to happen there. I love the idea of a flipside of places, like the London Below from Neil Gaimen's Neverwhere I like this hidden world that is known to only a special few. John Taylor is a utterly cool anti hero that always saves the day, even if he has to do difficult things in order to do it. Another good story. I like that Suzy Shooter is being more developed as a character.
yes , because it is worth listening to more than once
I'm the managing editor of the Fantasy Literature blog. Life's too short to read bad books!
Originally posted with strikethrough formatting at Fantasy Literature. (Strikethroughs don't show here at Audible).
If Simon R. Green can get away with recycling his NIGHTSIDE stories and presenting them as new ones, I should be able to get away with recycling my reviews of them. So, here is my review of Just Another Judgement Day which is a copied and pasted and only slightly altered review of the previous novel, The Unnatural Inquirer:
John Taylor has been hired by The Unnatural Inquirer, the gossip magazine of the Nightside, THE AUTHORITIES to find a stolen DVD that allegedly contains a recording of a transmission from the afterlife KILL SOMEONE. His investigation will take him all over the Nightside where we’ll encounter old and new friends (and enemies).
The Unnatural Inquirer Just Another Judgement Day is the eighth NINTH book in Simon R. Green’s NIGHTSIDE series. If you’ve read all the previous books, you know what to expect here and, depending on your tastes, that’s either a good or a bad thing. If you just want to hang out with John Taylor and his friends in the Nightside, The Unnatural Inquirer Just Another Judgement Day will probably please you. It’s got everything we expect from a NIGHTSIDE book — a fast-moving romp through a decadent parallel world with some of the strangest people and creatures you’ll ever meet.
Unfortunately, as I’ve mentioned in my reviews of the past few books, this formula has become stale and repetitive and I’d say it’s intolerably so in this novel. Again, something is interfering with John Taylor’s power so that he’s forced to do old-fashioned detective work rather than use his magic to solve the crime. Again, the power comes back when the plot needs it to. By the way, I’m still confused by John’s magic. Everyone is afraid of him because he’s the most powerful entity in the Nightside, yet the way he uses his magic seems arbitrary. Why can he sometimes do amazing world-bending things with his power, but other times he seems to forget he has any?
Again, we go to new places and meet new characters and organizations who are so important or powerful in the Nightside that we should have heard of them before now. In every book we meet a character (a “Major Player”) like this. In The Unnatural Inquirer Just Another Judgement Day it’s the Removal Man WALKING MAN — a man that everyone is afraid of because he can remove someone from the world with just a thought KILL ANYBODY WHO’S EVIL. Yet we’ve never heard of him before now. And why have we never heard of The Unnatural Inquirer, a magazine that’s very influential in the Nightside? The fact that we haven’t indicates that Green is making it all up as he goes along. That’s fine, but it makes his world feel very thin. It’s all quite inventive — Green frequently gives us new lists of all the weird people who exist, and weird stuff that happens, in the Nightside — but it’s paper thin. He may describe ten characters in thirty seconds and we’ll chuckle and think “that’s cool,” but we’ll never hear of them again.
Again, Green uses the same wording over and over and I can even predict some of the things he’s going to say (“I opened my eye, my private eye… and it was the easiest thing in the world to…”). This is perhaps what bothers me most — the fact that so much of the wording is the same in every book.
I keep reading NIGHTSIDE because I purchased all the books on audio when they were on a sale at Audible. The narrator, Marc Vietor, is wonderful and I don’t regret reading them — they’re entertaining — but Green seems creative enough that they could be so much better.
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